REVIEW: “Neanderthals” by Gardner Dozois

Review of Gardner Dozois, “Neanderthals”, Fantasy & Science Fiction 134, 1-2 (2018): 39-60 — Purchase Here. Reviewed by Michael Johnston.

“Neanderthals” begins with a series of images that quickly and effectively give the reader an idea of where you are in time and space–and then the rest of the story demolishes that security.  What you think is happening isn’t.

It’s a great story, and a very quick read–I read it over lunch, and I didn’t linger.  It’s deceptively simple in that the events of the story aren’t all that complicated, but a day after reading it, I’m still thinking through some of the implications and possibilities.

REVIEW: “Behind Her, Trailing Like Butterfly Wings” by Daniela Tomova

Review of Daniela Tomova, “Behind Her, Trailing Like Butterfly Wings”, Apex Magazine 103: Read Online. Reviewed by Joanna Z. Weston.

Some stories sneak up on you. “Behind Her, Trailing Like Butterfly Wings” is one of them. There are so many tiny details that only have meaning in retrospect, so many moments in the opening that only come together in the final paragraphs. This is a story that makes you work a bit, piecing things together. That’s not a bad thing, but it is something to be aware of in choosing the right moment to read it.

This story takes place in a dying, almost post-apocalyptic, world. The human population has divided into nomads who walk the road, following the mysterious and mostly unseen Wandering Woman, and those who remain in towns, called oases. Anomalies called mouths (which I won’t spoil for you with an explanation) are opening up at random, and their spreading threat is responsible for the breakdown of what we would consider the normal modes of society. Life is in flux, and it’s unclear if a new status quo will ever be achieved, or if this is the end. But there’s also a normalcy to the world. People adapt, they survive, they create relationships and families and tribes. I found it to be surprisingly hopeful, for all that uncertainty.

I must confess, this story did not work for me on my first reading. Too much of the world and the characters were mysterious until the end, and I felt dissatisfied. However, I enjoyed it much more on my second reading, when I was able to fully appreciate the skillful way the author dolled out information.

This is a great choice if you’re in the mood for something cerebral, and well-worth a re-read!

REVIEW: “Evidence of a Storm” by Mollie Chandler

Review of Mollie Chandler, “Evidence of a Storm”, Lady Churchill’s Rosebud Wristlet #36 Early Autumn pp. 17-21. Purchase here. Review by Ben Serna-Grey.

This issue is the first I’ve read of LCRW, and it was this story that solidified the thought that I would probably be enjoying this publication for a long time. I have a soft spot for bleak stories, and while this is one that doesn’t smack you over the head with utter hopelessness until you’re curled up crying there is an underlying line of tension and sadness running through the whole thing.

The narrator has recurring dreams that their apartment is a ship lost at sea, filling with water and sea life. Their girlfriend visits them, a perky woman who the main character is clearly having some sort of disconnect from. They’re having trouble communicating, refusing intimacy, referring to the woman as “a collection of hinges and joists.” Over time the dream becomes more real, and the world more surreal, with the water beginning to damage everything it touches while the narrator pushes their girlfriend away.

It’s easy to draw allegory and symbolism of depression and a doomed relationship from this piece: the trouble communicating, the pushing away of a loved one, the recurring dreams of a room filling with water. However, I feel it’s best to leave interpretations such as that to the reader. This piece is subtle in its grief, and it’s all so human. If it were only this story and the two preceding it in this magazine I’d still highly recommend giving a few dollars to purchase a copy, but there’s more in there, including a strange (though compelling) nonfiction piece and some poems. As for this story, like the previous two, highly recommended.

REVIEW: Myths, Monsters, and Mutations, edited by Jessica Augustsson

Review of Jessica Augustsson, ed., Myths, Monsters, and Mutations, (JayHenge Publications, 2017) — Purchase here. Reviewed by Sara L. Uckelman.

This wonderfully enticing collection is chock full of stories of all lengths and genres, as the listing of stories below indicates — more than 350 pages of monster stories. These are stories of

the bogey-men and devils who will eat you if you go out at night…the gods and demigods waiting to be offended…sinister mutations and imposters who try to fool us…the monsters we harbor deep in our own hearts (p. v).

The anthology is charmingly illustrated throughout, with a pen and ink picture for each tale, and sometimes a few small icons scattered within the story (depending on its length). Unfortunately, no information about the provenance of these images is provided — unfortunate, because whoever the artist(s) was (were), they should be credited!

The stories range from the quite short (a page and a half) to the quite decently long, such as Delilah Night’s “For the Love of Snow White” (just over thirty pages). The best way to get a sense for the variety of the stories told is to read the reviews of the individual contributions, which will be linked below as they are published:

One general comment about the typesetting — the font used in the table of contents and in the headers/footers is maximally confusing, with many letter forms being only identifiable by looking at occurrences of the same form in words which are unambiguous, so I apologise in advance for misrepresenting any of the titles. (I went back and forth as to whether Ptak’s third story was “Cuddles” or “Puddles”). (I did, however, manage to not to interpret all the l’s as long s’s, even though I really wanted to.)

Update! (24 Feb 18): One of the JayHenge staff members has more information about the lovely artwork used in the book. It all comes from the OpenClipart site, a collection of royalty-free clipart from various sources (including some images being from out-of-copyright books taken and turned into clipart). What an excellent little resource, and thanks to Susanne Hülsmann for passing on this information.

REVIEW: “This World Is Full of Monsters” by Jeff VanderMeer

Review of Jeff VanderMeer, “This World Is Full of Monsters, Tor.com (2017): Read Online. Reviewed by Danielle Maurer.

Well, this story certainly gave new meaning to the word “face-plant.”

This odyssey of a short story (or possibly a novella–it’s rather long) follows our narrator as he is taken over by a “story-creature,” some kind of alien being that takes over the Earth and transforms our narrator bit by bit into something more like itself.

VanderMeer has a wondrous mastery of description, and the tale reads like a vivid nightmare or hallucination. His word choices paint an exquisite picture of a world gone mad and a narrator struggling through a metamorphosis he does not comprehend until the very end.

It also contains beautifully poetic moments, such as when the narrator remembers that he used to write obituaries; in a sense, this story is the narrator’s own obituary for his past life. There’s a sense of loss buried here, but also a sense of wonder and joy and potential in this new world. Indeed, the narrator wonders if he had slept a century and returned to a still-human world, would he have recognized it any better?

This weird tale manages to take what should be frightening body horror and alien invasion and turn it into something oddly uplifting by the end. It’s well worth your time to read.

REVIEW: “The Last Dance” by Jack McDevitt

Review of Jack McDevitt, “The Last Dance”, Asimov’s Science Fiction November/December (2017): 68-74 – Purchase Here. Reviewed by Kiera Lesley.

The Last Dance refers to contemporary technology and social developments such as Facebook pages as memorials for those who have died, or chat bots created from data from text conversations had while a person was alive.

Ethan’s wife, Olivia, died in a car accident and as part of his grieving process he orders a replacement AI program from a company called Celestial. AI “Olivia” has her voice, mannerisms and memories and allows Ethan to live with her makes it as if she never left. Almost.

The story premise is a bit “Black Mirror” but not quite so grim. It explores grief, the difficulties of letting someone go, how the echoes of people we love and miss haunt us, and how this can handled in ways that are both healthy… and not.

I found the core idea and themes were expanded on well, if a little overtly. Ethan’s unwillingness to move on was honest and Olivia’s actions in the end fitted with her motivations through the story, (though I found the final beat a bit flippant). Ethan’s daughter’s reaction to the whole thing was a particularly nice touch.

REVIEW: “And No Torment Shall Touch Them” by James Patrick Kelly

Review of James Patrick Kelly, “And No Torment Shall Touch Them”, Asimov’s Science Fiction November/December (2017): 75-85 — Purchase Here. Reviewed by Kiera Lesley.

What happens when a loved one uploads themselves after death and hang around the family affairs afterwards like a bad smell?

We open with Carli’s Nonno interrupting his own, very formal and religious, funeral. Carli’s Nonno’s consciousness from just before he died has been uploaded and is able to manifest as a hologram at will to continue to observe and comment on his family’s lives and decisions. After a lifetime of running the family, Nonno’s uploaded ghost continues on to continue commenting. And he’s not restricted to observing only when he’s visible. He’s there, always, omnipotent – in some ways more controlling and present than in life.

The perspective shifts in this keep the pacing quick and allow the constraints that having Nonno around in perpetuity as they apply to each family member contrast and reveal themselves slowly. This is a story driven by layered internal conflicts – interpersonal, inter-generational, and individual. The religious and family themes here are deliberate and used effectively. The idea of consciousness uploading after death is not new, but the angle Kelly has chosen here of inter-generational family bonds and restrictions prevented from progressing in the natural order – some emerging and some breaking down – is very clever and took a second read for me to really appreciate.

REVIEW: “The Secret History of the Original Line” by T. L. Rodebaugh

Review of T. L. Rodegbaugh, “The Secret History of the Original Line”, Lady Churchill’s Rosebud Wristlet #36 Early Autumn pp. 9-16. Purchase here. Review by Ben Serna-Grey. 

This is an extremely interesting historical piece, with a mix of fantasy. I haven’t been able to tell yet if it also follows in the speculative fiction tradition of alternate history stories. It tells of an expedition sent out by the King to trace and bind a border between Virginia and Carolina in what would otherwise be called the United States of America. The story takes the form of an expedition log, similar to the travel narratives that were popular in the 1800s by writers such as Herman Melville.

The history, cultural differences, and mythology make themselves readily apparent. The narrator speaks of their disgust of their Carolinian workmate, a pompous man who brings two indentured servants with him on the expedition. Our narrator sarcastically calls the man Christian in honor of his pious nature. The writing style reminds me of Melville, Hawthorne, Poe, and Mary Shelley in all the best ways, though the more thickly-written style, combined with the slightly longer length compared to the other stories in this issue made “The Secret History” take a while longer to get through.

The group comes upon a hermit, naked and seemingly savage, especially to Christian, though he quickly shows his nuanced intelligence as he converses with the other men. He explains it’s all well and good the King wants to parse out the land for his commissioners, but it’s owned by no one and changes every day: “If you parcel it out today, you will find it a different matter tomorrow.” The hermit becomes a focal point of the story, as does the aftermath of what happens to the survey team after meeting him.

It’s a skillful piece, though bleak and dreadful with hints at time travel and themes of inevitable war, doom, global climate change, and revenge. For those who think a story straddling the line between the “literary” and the speculative would strike their fancy I recommend this very highly. It’s another standout in this issue of the magazine, along with The Crane Alphabet and a few others. There are a lot of gaps in the story to fill in yourself, and it may take a couple readings to fully grasp everything, but it’s well worth the investment. Congratulations are also in order as this is apparently also Rodebaugh’s first published piece of fiction, and a very accomplished one at that.

REVIEW: “Confessions of a Con Girl” by Nick Wolven

Review of Nick Wolven, “Confessions of a Con Girl”, Asimov’s Science Fiction November/December (2017): 35-47 — Purchase Here. Reviewed by Kiera Lesley.

Imposter syndrome turned up to 11.

What if your merit and social worth was not just reliant on your work and outputs, but on how everyone else sees you? Wolven presents a world where all social interaction is managed via Pro/Con votes on your holoscore – visible to everyone. It has resulted in a world of carefully managed interpersonal and online personas and interactions. These are judged and influence your world and professional opportunities as much as your college grades do.

Sophie is in a counselling session at college after she has fallen too far into the red (too many ‘Con’ votes). Wolven uses Sophie’s account of how she got there to discuss the ramification of the Pro/Con system taken to the extreme and how seemingly minor stumbles at different points can ripple outward and elicit negative responses. It also considers what good deeds count and whether the only things that matter are those that are seen and acknowledged by others.

We find out that Sophie has been allowed entry into a select college based on her excellent green holoscore and perceived potential. However this potential is increasingly questioned by herself and fellow students. Does she deserve to be there? Is she a good enough person? Is she capable of it?

I found this story conceptually compelling, but the narrative device of Sophie telling her professor a bit dry and created distance between the reader and the story. An interesting idea, but the story around it could have been more compelling.

REVIEW: “The Crane Alphabet” by L. M. Davenport

Review of L. M. Davenport, “The Crane Alphabet”, Lady Churchill’s Rosebud Wristlet #36 Early Autumn pp. 7-8. Purchase here. Reviewed by Ben Serna-Grey.

This story is extremely short and sweet, reminding me a lot of Le Guin’s Earthsea, and I say that as a huge compliment.

The Crane Alphabet tells the tale of a novice in some sort of religious, possibly magical, commune, who seems to be mute. The one telling the story explains that another member of the commune, Marin, has been waiting to see if the novice will transform into a bird. The story is so short that to tell more would be giving away too much.

I will say that Davenport has woven a beautiful tale that speaks about fear of the fabled “other,” obsession, and the ways that obsession can transform a person. It’s one of the stand-out stories in this issue of the magazine and I highly, highly recommend it.