In this story, people are hired to become “the Wired”, a short-term lucrative job in which they give up their body and autonomy to become cogs in a giant human-AI machine, keeping systems running efficiently, purifying and filtering air, running security interference.
The narrator of the story tells his experiences in the second-person — you, you, you — a narrative choice I usually dislike. (I don’t like people telling me what to do and feel, or do feel.) But here the “you” doesn’t feel directed at the reader; it feels more like a way of one person explaining how radically othered this portion of their life feels — there is continuity of something between Before and After becoming one of the Wired, but it’s certainly not bodily continuity, and it’s not entirely mental/personal continuity either. So the choice for the narrator to tell their own story with “you” rather than “I” serves to emphasise this split, as if the narrator is telling the story to himself, in a way which felt both realistic and sympathetic. The story only got stronger and stronger as it went on, and this one definitely wins ‘best in issue’ from me.