REVIEW: “Hideous Flowerpots” by Susan Palwick

“Hideous Flowerpots,” by Susan Palwick. Fantasy & Science Fiction 135, 3-4 (2018): [[pages]] — Purchase Here. Reviewed by Standback.

In “Hideous Flowerpots,” Palwick imagines a supernatural cure for cynicism and jadedness – particularly when those are fused to toxic shame and self-criticism. The focus is less the cure itself, and much more who a person needs to be in order to submit to it.

This reviewer can identify all too easily with the portrayal of criticism as distancing, isolating; the sense of growing ever more bitter about the creation you’re ostensibly there to celebrate.  The way this arc develops, the steps towards remedy, and the respect and admiration for people who soldier on even absent perfection, ring true to me.

At the same time, the story is very clear on not being just about jaded criticism. That’s what protagonist Lauren is dealing with, but every woman she meets has had her own travails and traumas. Cynicism works nicely here, because it turns the process into something very adversarial — but this applies to other moments of despair and doubt just as well.

A quietly powerful story.

REVIEW: “The Satyr of Brandenburg” by Charlotte Ashley

“The Satyr of Brandenburg,” by Charlotte Ashley. Fantasy & Science Fiction 135, 3-4 (2018): 8-30 — Purchase Here. Reviewed by Standback.

Ashley continues to make creative use of duelists and swashbucklers. In a previous story, Ashley introduced La Héron and Alex, making their way through successive stages of a fairy duel. In this story, Héron enters an exhibition duel – seemingly a far safer, more straightforward situation. But one of her opponent has a reputation for “winning without setting foot in the arena,” which he does by manipulating others and making puppets of them. Héron’s first duel is a sordid affair, threatening to cast her as more of an executioner than a duelist.

The story focuses more on the Satyr’s mocking manipulations than on Héron and Alex as substantial protagonists. While the situations Héron is thrust into are compelling, it’s also fairly evident that she’s tackling matters in a very ineffective way — the structure is almost that of a horror story, with circumstances becoming increasingly, inevitably dire, with no real expectation that the protagonist can affect anything. That being said, it’s a very entertaining story, and there’s enough character here to make further outings with this duo an appealing prospect.

REVIEW: “The Donner Party” by Dale Bailey

Review of Dale Bailey, “The Donner Party,” Fantasy & Science Fiction 134, 1-2 (2018): 228-256 — Purchase Here. Reviewed by Standback.

“The Donner Party” is amply clear about its subject material from its title, and from its first line:

Lady Donner was in ascendance the first time Mrs. Breen tasted human flesh.

In this dark Victorian story, those at the apex of high society, at the most elevated of occasions, will eat human meat — “ensouled flesh” — and thus celebrate “the divinely ordained social order.” The horror of the story is far less in the gore of genteel cannibalism itself, although that’s definitely there too. Far more, it’s in the readiness with which Mrs. Breen, and others trying to touch that apex, are willing to accept, pursue and defend the practice — assuming themselves, of course, to be considered among the cannibals, and not the cannibalized.

This is definitely not a story for the squeamish. But if you’d like to read something that will make you squirm uncontrollably, “The Donner Party” is sharp and powerful. Its tone and characters are spot on; plausibly unconscionable, resplendent in their cruel self-aggrandizement.

The story’s conclusion is not unexpected; I don’t think it’s meant to be. Rather, it’s expertly built up to — and then served alongside a final twist of the knife. Recommended.

REVIEW: “A Feather In Her Cap” by Mary Robinette Kowal

Review of Mary Robinette Kowal, “A Feather In Her Cap,” Fantasy & Science Fiction 134, 1-2 (2018): 216-227 — Purchase Here. Reviewed by Standback.

A quick, delightful caper.

Biantera was once a gentlewoman, now reduced a humble milliner — which she’d mind a whole lot less if not for her mother’s constant complaints. We immediately discover Biantera wears more than one hat:

She made damn good money as an assassin, but if her mother was upset about the supposed millinery business, Biantera could only imagine what she’d have to say about the Other job.

The constant juxtaposition between hatmaking and murder makes for great roguish fun, and Biantera’s methods are clever and refreshing. Recommended.

REVIEW: “Jewel of the Heart” by Matthew Hughes

Review of Matthew Hughes, “Jewel of the Heart,” Fantasy & Science Fiction 134, 1-2 (2018): 86-144 — Purchase Here. Reviewed by Standback.

Matthew Hughes’ stories are usually colorful, pulpy, and a lot of fun. Previously, he’s written tales of Henghis Hapthorn, the sardonic discriminator; Raffalon, the overconfident rogue; and others. In his last few stories for F&SF, Hughes has been developing a new character, Baldemar, a wizard’s henchman who’s far more level-headed than the wizard he serves. Baldemar’s watchwords are caution, keen observation, and always paying what he owes.

Baldemar’s previous outing won him the attention of a powerful sentient artifact — who, in this story, plucks Baldemar away from his master, and sets him on a mission in a dream-like plane, operating on fairy-tale logic. His goal is unclear, but he is instructed to mind the difference between story and dream, and to follow his instincts.

The story is full of fun and vivid scenes — from the overbearing Helm whisking Baldemar to and fro as it pleases, to the odd, unsettling doll that becomes his companion for the quest.

That being said, it also has a very aimless feel to it. The quest is, fairly explicitly, an arbitrary one; it’s a “test” Baldemar needs to “pass,” and there isn’t really any potential for outcomes or repercussions more interesting than “pass” vs. “fail.” The dream logic is definitely dream-like, but that leaves the story feeling like a sequence of random events, with no sense of progression or significance. I found it fun and goofy and entertaining, but I just didn’t stay excited for it at full novella length.

Perhaps most disappointing, I don’t feel Hughes has found his feet with Baldemar as a character yet. I love Baldemar’s extreme soberness whenever it makes an appearance:

“I don’t suppose,” Baldemar said, “that the way out is to ask you to bring back the door?”

“No, but it’s good not to limit your thinking.”

But those instances feel few. Far more often, Baldemar is called upon to “trust his instincts,” a fairly vague instruction, which mostly winds up meaning “do some arbitrary thing that advances the plot, when the author chooses.” I’m sure that an entertainingly sober character is more challenging to write than an entertainingly flamboyant one. Hughes has managed it marvelously in previous stories, particularly in Baldemar’s introduction, “Ten Half-Pennies”. I’m sorry this one doesn’t reach the same heights, and I look forward to seeing more of Baldemar.


REVIEW: “Aurelia” by Lisa Mason

Review of Lisa Mason, “Aurelia”, Fantasy & Science Fiction 134, 1-2 (2018): 39-60 — Purchase Here. Reviewed by Michael Johnston.

This one surprised me.  The first few paragraphs left me cold, seeming to be headed to a place I don’t like in my fiction.  But the moment the despicable-but-charming Robert meets Aurelia, the story had its hooks in me.

I’m not usually a fan of psychological horror, and this story bridges the gap between “dark fantasy” and “horror” quite deftly, but it’s more of an uneasy Gaiman-esque kind of thing than anything actually horrific.  The disquieting story of Robert and Aurelia seems to march on despite the reader’s uneasy feelings, and it ends up exactly where it needs to.

REVIEW: “Neanderthals” by Gardner Dozois

Review of Gardner Dozois, “Neanderthals”, Fantasy & Science Fiction 134, 1-2 (2018): 39-60 — Purchase Here. Reviewed by Michael Johnston.

“Neanderthals” begins with a series of images that quickly and effectively give the reader an idea of where you are in time and space–and then the rest of the story demolishes that security.  What you think is happening isn’t.

It’s a great story, and a very quick read–I read it over lunch, and I didn’t linger.  It’s deceptively simple in that the events of the story aren’t all that complicated, but a day after reading it, I’m still thinking through some of the implications and possibilities.

REVIEW: “Evil Opposite” by Naomi Kritzer

Review of Naomi Kritzer, “Evil Opposite”, Fantasy & Science Fiction 133, 3-4 (2017): 8-19 — Purchase Here. Reviewed by Michael Johnston.

As a man who fled from graduate school only a couple of semesters in, and as someone who has spent perhaps too much time worrying about past mistakes, I fell right into this story of a graduate student in Physics who builds a machine that allows him to look into alternate realities where he made different choices.

As he peeks in at each life, he sees some of the mistakes he’s made in his past, but Kritzer deftly avoids making him mawkish at the opportunities he’s missed. However, there’s a cost to using the machine, which our protagonist eventually realizes, and a moment where I wonder if the professor whose notes he used to build the machine maybe wasn’t as ignorant of it as he seemed.

The Moment of Truth is a good one, and while Kritzer could easily have built a novel around this concept, I think her choice of where to end and how to do it was the best option. She has, however, left a door open for a linked story if she ever chooses to pick up this story again.