REVIEW: “Cuddles” by Ariel Ptak

Review of Ariel Ptak, “Cuddles”, in Myths, Monsters, and Mutations, edited by Jessica Augustsson (JayHenge Publications, 2017): 224-226. — Purchase here. Reviewed by Sara L. Uckelman. (Read the review of the anthology.)

Who knows what lies in the depths of the deep dark sea? Well, deep sea survey crews, for one, after all, it’s part of their job to know these things. Most of the time they stick to surveying and studying, but sometimes things go wrong and an animal is injured. That’s how Cuddles, “some sort of cross between squid and octopus, with hallmarks of both but belonging to neither” (224) comes to live at the Seaside Aquarium and Rescue Center, and when his life intersects with Sarita, the narrator’s.

Those who like Cthulhu will probably enjoy this. I did for the most part, right up until the very end when the story commits one of the cardinal sins of 1st-person narration — how does a person narrate their own story after they are dead?

REVIEW: “Silver Noir” by Ariel Ptak

Review of Ariel Ptak, “Silver Noir”, in Myths, Monsters, and Mutations, edited by Jessica Augustsson (JayHenge Publications, 2017): 166-167. — Purchase here. Reviewed by Sara L. Uckelman. (Read the review of the anthology.)

This story is a little vignette about werewolf hunting, centered around the expense of silver bullets and one man who uses up all seven of his in one night. There’s a big cost to pay if you are too profligate with your bullets, but the cost that the unnamed narrator has to pay is greater than the cost of any amount of silver. The story is quite short, but tightly written.

REVIEW: “Waffles” by Ariel Ptak

Review of Ariel Ptak, “Waffles”, in Myths, Monsters, and Mutations, edited by Jessica Augustsson (JayHenge Publications, 2017): 29-34 — Purchase here. Reviewed by Sara L. Uckelman. (Read the review of the anthology.)

I love ambiguous titles, and this one makes you wonder whether it’s about indecision or tasty tasty breakfast food. (Or perhaps even both!)

The story alternates between narration and snippets of emails. There is a specific shift in the voice in the narrative sections which I think was done particularly well — subtle enough that you don’t notice it at first, clever enough to be very satisfying when you do.

Ultimately, though, I felt like the story was trying to be funny rather than actually being funny, leaving the reader wondering just a bit, “why this story?”

REVIEW: “Red Queen’s Lullaby” by Ariel Ptak

Review of Ariel Ptak, “Red Queen’s Lullaby”, in Myths, Monsters, and Mutations, edited by Jessica Augustsson (JayHenge Publications, 2017): 321-322. — Purchase here. Reviewed by Sara L. Uckelman. (Read the review of the anthology.)

Ptak’s story includes an impressive amount of scene-setting for being as short as it is, painting a clear and vivid picture of place and history. There is not much to the story itself, but there is a clear resolution at the end. I do wonder, though, if the final three paragraphs are necessary or if, perhaps paradoxically, the story would’ve been stronger with a more ambiguous ending.