Review of Megan Lee Beals, “A Sea Without Oysters,” Luna Station Quarterly 19 (2014): Read online. Reviewed by Sara L. Uckelman.
This is the story of how oysters came to create pearls.
It could’ve been rather like one of Kipling’s “Just So” stories, but the prose was rather heavy handed, and lacked the joy and comedy that Kipling’s tales have.
Review of Joyce Chng, “The Birth of a Child,” Luna Station Quarterly 19 (2014): Read online. Reviewed by Sara L. Uckelman.
What a beautiful pearl of a story, with so many wonderful threads. For one, it captures beautifully all the ambivalence that can surround childbirth, how it can be a combination of the most beautiful thing ever and the most cold, sterile, and heartless thing, too. For another, it mixes traditional fairy tale and romance tropes with modern concerns of immigration, alienation, foreigness, and cultural appropriation, creating a perfect blend of fantasy and Vietnamese culture. I really loved this, absolutely stellar.
Review of Sandi Leibowitz, “How the Queen Bought Beauty,” Luna Station Quarterly 19 (2014): Read online. Reviewed by Sara L. Uckelman.
There’s an art to telling fairy tales, the way they use stereotypes and tropes and specific, rhythmic, almost formulaic language. It makes them exceptionally hard to write (in my opinion!). This story sometimes read more like notes for a fairy tale than the finished version itself: Still a good read, but not quite hitting the mark for me.
Review of Chikodili Emelumadu, “Bossy Boots,” Luna Station Quarterly 19 (2014): Read online. Reviewed by Sara L. Uckelman.
This was not the sort of story that I expect from LSQ — full-on male gaze from a sexed-up narrator. I was torn reading the opening paragraphs; on the one hand, Emelumadu did a great job at portraying this certain type of character. On the other hand, one reason I enjoy reading LSQ is to get away from people like that.
Review of Shannon Norland, “The Stone Children,” Luna Station Quarterly 19 (2014): Read online. Reviewed by Sara L. Uckelman.
Content note: Bad break-up; miscarriage.
This was delightfully creepy, a story that makes you squirm in your seat while reading it. The titular stone children are cold, and needy, and perplexing, and sate a need in ways which seem all wrong. But none of what went on in the early and middle parts of the story prepared me for the twist at the end.
Review of Che Gilson, “Rose Meets a Gentleman,” Luna Station Quarterly 19 (2014): Read online. Reviewed by Sara L. Uckelman.
10 year old Rose buys herself a pair of thousand league snowshoes with three pence and a wish, and sets off north to find the Snow Queen.
This was a lovely fairy tale about the importance of cherishing your dreams, and how sometimes it’s worth trading in a small dream for the opportunity to obtain a big dream.
Review of J. A. Gross, “Handiwork,” Luna Station Quarterly 19 (2014): Read online. Reviewed by Sara L. Uckelman.
Just when this story, set against the backdrop of a complex society — highborns and mid families, nomads and moderns — just when it was really piquing my interest, it ended. It was more a vignette than a story, and as a result was rather unfortunately unsatisfying.
Review of Gabrielle Lissauer, “Ceilidh McCallum Versus the Super Evil Fairy Lady,” Luna Station Quarterly 19 (2014): Read online. Reviewed by Sara L. Uckelman.
If you, like me, read the title and wondered if it telegraphed something about the central characters of the story: The answer is yes, this is told from the point of view of a young girl, probably 5 or 6. Or rather, it’s told (partially) in what an adult thinks the point of view of a child of around that age would be; and I confess that I do not think it was done very successfully or accurately. This might be the story for some of you; it was not the story for me.
(There also appears to be a continuity error: When Ceilidh sets off on her quest, the kitten Trouble is left behind in the ruins of her battlefield; but half-way through her quest, Ceilidh is clutching Trouble close. Since Trouble plays a crucial role in Ceilidh’s defeat of the Super Evil Fairy Lady, this is a problematic oversight.)
Review of RJ Astruc, “Gretel in Her Ever After,” Luna Station Quarterly 19 (2014): Read online. Reviewed by Sara L. Uckelman.
Premise: Gretel’s all grown up, living in the city, and selling white goods — any kind of white goods, but mostly ovens, as that’s what she knows best — and trying to come to terms with a past she can’t quite admit is real. As a premise, this is a pretty good one, and one apt to get me hooked. But Astruc combined it with another premise — Hansel all grow up, no longer slim but fat, greedy, slovenly — which too often felt too fatphobic for me to really be able to enjoy this story.
Review of Maureen Bowden, “Amphitrite,” Luna Station Quarterly 20 (2014): Read online. Reviewed by Sara L. Uckelman.
Amphitrite, the sea embodied, decides she wants to be a human, at least for a little while. Jealous Poseidon makes it clear that if she reincarnates, she’d better stay away from him or he will steal her back. But Amphitrite can’t avoid the sea forever.
This was a sweet little story, a quick and easy read.
SFF Reviews