REVIEW: “Her Voice, Unmasked” by Suzan Palumbo

Review of Suzan Palumbo, “Her Voice, Unmasked”, Weird Horror 1 (2020): 42-49 — Purchase here. Reviewed by Sara L. Uckelman.

What an absolutely stonking story. It carried me along, gulping for more, with its utterly entrancing Justine, an automaton built to sing opera like no human could ever sing, against a panoply of background characters — the Maestro, the Ballet Mistress, the dancers, and, most importantly of all, Lise, who gives Justine the final secret she needs. It’s the sort of story that telegraphs one ending from the start, but leaves the reader desperately hoping that that is not the actual ending. Really, really enjoyed this one.

REVIEW: “Mama Tulu” by Jessica Guess

Review of Jessica Guess, “Mama Tulu”, Luna Station Quarterly 27 (2016): Read online. Reviewed by Sara L. Uckelman.

Content warning: Drinking, gambling, domestic abuse.

This urban fantasy set in Jamaica centers around the titular character Mama Tulu, and Sasha, the young woman who goes to visit her to make an unspeakable request. I liked almost everything about it — but not quite everything. I have a deep ambivalence about the use of phonetic representations of dialect in written fiction; I am never sure how appropriate or successful they are. Reading them often feels like an uncomfortable caricature; but on the other hand, I think it’s important to recognise the varieties of ways in which people speak, and to recognise the legitimacy of, e.g., AAVE.

REVIEW: “The Night Kingdom” by Shikhar Dixit

Review of Shikhar Dixit, “The Night Kingdom”, Weird Horror 1 (2020): 62-68 — Purchase here. Reviewed by Sara L. Uckelman.

Content note: Corpses, severe injury, nonconsentual commitment to mental institution.

Now this was my kind of horror! Haunted books, twisted stories, Cathar heresy, and a pervasive uncertainty of what the cause of it all is, all written in an engaging and characterful style. Thumbs up.

REVIEW: “The Devil and the Divine” by Inna Effress

Review of Inna Effress, “The Devil and the Divine”, Weird Horror 1 (2020): 29-34 — Purchase here. Reviewed by Sara L. Uckelman.

I loved the combination of horror and fantasy that comprised this story. The foreign setting was just familiar enough to make you feel like what was happening could’ve happened anywhere, perhaps even here in the real world; and Clava’s desperate, perverted desire to become the beheld instead of the beholder, and the steps that she takes to achieve this end were chilly and creepy. Beneath all of these was the uncertainty I had whether Clava was the villain — or the victim.

To cap things off, David Bowman’s illustrations accompanying this story were really quite divine.

REVIEW: “White Noise in a White Room” by Steve Duffy

Review of Steve Duffy, “White Noise in a White Room”, Weird Horror 1 (2020): 18-27 — Purchase here. Reviewed by Sara L. Uckelman.

This story was cleanly and precisely written with elegant language — every word necessary, to the point where I found myself having to go back and reread various parts of it, sometimes more than once, to ensure I wasn’t missing out on some important clue. It had a sort of hard-beaten/detective noir to it, but for all that, I’m not quite sure what was “horrible” about this story.

REVIEW: “Krazy Krax” by Naben Ruthnum

Review of Naben Ruthnum, “Krazy Krax”, Weird Horror 1 (2020): 10-14 — Purchase here. Reviewed by Sara L. Uckelman.

This is the inaugural fiction story in Undertow Publication’s new horror serial, Weird Horror, which I received a review copy of via my friendship with David Bowman, one of the featured artists in the issue.

I haven’t read a print fiction journal in ages and loved really enjoyed it — it feels so nice in my hands, look so nice on the page, well-formed great art (not just Bowman both other artists are featured as well, with personalised art for every story), plus opinion columns and reviews in amongst the fiction.

But the fiction is what I’m here for, so let’s talk about Ruthnum’s story. For all that horror is a speculative genre, this story was full of gritty realism. The horror comes from how reasonable the narrator sounds, how sympathetic and empathetic, and how he never quite says what it is that has happened. Reading the story was a weird combination of humor and gaslight, and it was altogether creepy. A solid start to the issue, and to the journal itself!

REVIEW: “The Leap and the Fall” by Kayla Whaley

Review of Kayla Whaley, “The Leap and the Fall”, in Marieke Nijkamp, ed., Unbroken: 13 Stories Starring Disabled Teens (Farrar Straus Giroux, 2018): 38-59 — Purchase here. Reviewed by Sara L. Uckelman. (Read the review of the anthology).

Spoiler alert

I wasn’t expecting this story, the way it started off, to become a horror story! But that’s what it was, complete with ghosts, a haunted carnival, and two best friends, Gemma and Eloise, who can only save each other by admitting their love. This was another story with a definite romance arc in it, but Whaley used it to good effect, making it a necessary part of the resolution.

REVIEW: “Into the Starfish Heart” by J. M. Wetherell

Review of J. M. Wetherell, “Into the Starfish Heart”, Luna Station Quarterly 27 (2016): Read online. Reviewed by Sara L. Uckelman.

This one was a bit off the mark for me. I spent a lot of the story confused about chronology (partly, I think, because the initial paragraph set me up to think that Ledo the artist was dead, but then it turned out they weren’t? At least I don’t think so? Like I said: Confusion.), and despite the fact that at times it felt like there was a lot of back-story being dumped in a bit clumsily, I still never felt like I got a good picture of just what, exactly, the setting was. It was frustrating, because I wanted to understand what was going on, but never quite did.