“The White Fox” is an evocative fantasy-of-agency, though of a somewhat displaced agency. The protagonist is escaping from a briefly-sketched prison camp in Japanese occupied Korea and receives the assistance of a supernatural figure when she (I think it’s a woman? It’s told in first person and the reader is female–not sure if gender was explicit) is in danger of being recaptured. While the story was solidly written, I felt distanced from the immediacy of the action. The memory and threat of the prison camp didn’t feel viscerally tangible, and thinking back, I cant remember a clear motivation for why the protagonist was offered protection and assistance. I thing part of my reaction is that the protagonist was a bit of a “damsel” – in peril and rescued, but saved by outside agency. I liked the way the mythic elements were solidly rooted to place and culture and time. And, as usual, I really enjoyed how the setting was established with casual brushstrokes, leading the listener to construct their own understanding rather than having it handed to them. But overall the story felt…thin.
(Originally published 2015 in Eastlit.)