Review of Anna Martino, “This Stitch, This Time”, Clarkesworld Issue 182, November (2021): Read Online. Reviewed by Myra Naik.
Very imaginative concept. Just like the last story from this issue of Clarkesworld, I find it enjoyable when disparate passions are combined to make a beautiful tale. Space suit seamstress is a science fiction profession I have not encountered before, and I love it!
A quick read, yet suffused with a lot of emotion.
Review of Alice Towey, “Dark Waters Still Flow”, Clarkesworld Issue 182, November (2021): Read Online. Reviewed by Myra Naik.
Such a good story! Soft yet logical, I enjoyed every sentence. I don’t mean to sound partial, but this is why I love women science fiction writers. There was such beauty in the descriptions, the poetry, the minute details – this is a story you want to take the time to absorb.
The level of detail in this story surprised me, and then I read that apart from writing, Towey works as a civil engineer specializing in water resources management. That explains why she had such knowledge of the subject at hand. I do love it when writers combine their two favored disciplines in this manner.
Very enjoyable story. Read slowly. Savor it.
Review of Ashley Libey, “The Witch and the Water,” Luna Station Quarterly 51 (2022): Read online. Reviewed by Sara L. Uckelman.
Bee once visited the witch in the water and came back with a spell that didn’t work; now she’s come back to beg for a second chance: It’s a quick summary for what is at times a rather stretched-out, sometimes plodding, story. I felt like I would have enjoyed this better if it had been about half the length — and if it weren’t quite so moralizing.
Review of Megha Nayar, “Mystic Mama,” Luna Station Quarterly 51 (2022): Read online. Reviewed by Sara L. Uckelman.
Content note: Premature birth, homophobia.
This was less of a story and more of a series of episodes; but I enjoyed reading it for the detailed Indian world in the background, and for its happy ending.
Review of Dana Foley, “Fox River,” Luna Station Quarterly 51 (2022): Read online. Reviewed by Sara L. Uckelman.
A dying fox and a lost boy form an unlikely friendship in this utterly lovely story.
Review of CL Glanzing, “Fishbone,” Luna Station Quarterly 51 (2022): Read online. Reviewed by Sara L. Uckelman.
Content note: Death of a parent.
Hannah and her family — two brothers, a mother, (maybe a father but we never hear about him) — lived on a poisoned island, a place no one ever visited and people only left never to come back. She was there to witness the final airplane that left, taking away the last people who would ever escape. Her story is bloody, visceral, and sad, in ways I did not expect, and threaded through and through with a horrible, malicious religion. A chilling but very good read.
Review of Rebecca Harrison, “Anwen’s Song, Efa’s Shoes, and the Halls in the Hills,” Luna Station Quarterly 51 (2022): Read online. Reviewed by Sara L. Uckelman.
This rather overburdened title accompanied a rather verbose and somewhat lyrical story, kicking off in a chanting sort of rhythm instructing me to do all sorts of things — the sort of opening that always puts me on edge. But if you don’t mind this style of writing, then here’s a little tale with a whole load of Welsh-fairy-tale influences for you.
Review of Dixon March, “Redbean,” Luna Station Quarterly 51 (2022): Read online. Reviewed by Sara L. Uckelman.
Larron is pregnant and on probation, her movements, her choices, her life restricted. When her story opens, it is entirely ordinary — up until the moment she finds a package of redbeans, tucked away forgotten on a grocery store shelf. Immediately things shift into the realm of the speculative, in a way that made me anxious with anticipation to find out what’s so special about these redbeans, and how they will change her life (because of course they will. That’s how stories work). I thought I’d get a fairy tale ending; instead I got a horror story!
Review of Jenna Glover, “Peanut Butter Elegy,” Luna Station Quarterly 51 (2022): Read online. Reviewed by Sara L. Uckelman.
Content note: Death of a parent.
The story starts off with one parent dying and the other lying about it to their child. It’s a tough start: Not in the sense that it is sad, but in the sense that I am royally judging the narrator and her decision to lie to her child. The narrator thinks she’s being a good mom — but I cannot see any way towards believing that.
As the story progresses it became quite clear that I was right to be on Team Don’t Lie to Your Child, especially as the lies only became compounded. I’m not sure if Glover meant me to feel sympathetically towards the narrator, but, wow, I did not, and ended up (sadly) really disliking this story.
Review of Denise Khng, “Felt,” Luna Station Quarterly 51 (2022): Read online. Reviewed by Sara L. Uckelman.
This was a beautiful love elegy — slow paced but never dragging or over written, continually building emotions in layers. Nothing much happened, it mostly meandered from one place to another, but the strength and depth of feeling evoked something visceral in me. And that was before everything turned sad.
It was also very long, and yet, it seemed to be simultaneously exactly the right length. A very well put together piece.
SFF Reviews