REVIEW: “Last Edit to THE ALL BANGERS LIST Made By Your Sex Robot at 11:39 A.M.” by Natalie Zutter

Review of Natalie Zutter, “Last Edit to THE ALL BANGERS LIST Made By Your Sex Robot at 11:39 A.M.,” Adventitious no. 2 (Apr 2026): 152-161 — Read online. Reviewed by Sara L. Uckelman.

In this very interesting piece reflecting on how sex with a sex robot — especially one who has some level of personhood or at least the capacity to simulate falling in love — compares with sex with a person, the one thing that I found most interesting was the lack of any consideration of consent.

REVIEW: “Of Sight, Of Mind, Of Heart” by Samantha Murray

Review of Samantha Murray, “Of Sight, Of Mind, Of Heart,” Adventitious no. 2 (Apr 2026): 88-100 — Read online. Reviewed by Sara L. Uckelman.

I knew before I started reading that this was going to be a gut-wrenching story — because in flipping ahead to confirm the page number of the last page, I read the final line. Oof. It was enough of a sucker punch for me to tamp down my usual antipathy to second-person POV stories.

And I was right. What can I say about this story? Only what every parents knows: We love our children fiercely knowing that one day we’ll have to say good-bye, never knowing whether that day will come sooner or later. And also that maybe this was not the story to read the day I waved my own kid off at the airport not to see her again for three weeks!

(First published in Clarkesworld no. 122, 2016)

REVIEW: “Penance” by Jennifer Hudak

Review of Jennifer Hudak, “Penance,” Adventitious no. 2 (Apr 2026): 101-108 — Read online. Reviewed by Sara L. Uckelman.

I love a genre-bending story like this: It has all the trappings of a moderately generic SF setting, but the story itself is a story of gods and mortals and the one being who hears the voice of their god when they should not. I’m a sucker for this kind of story, so I enjoyed “Penance” very much — especially it’s absolute killer ending.

REVIEW: “A Perfect Light” by Laura Duerr

Review of Laura Duerr, “A Perfect Light,” Flash Fiction Online 152 (July 2026): 12-15 — Purchase here. Reviewed by Sara L. Uckelman.

It’s amazing how claustrophobic the deep sea can seem — which is why it makes such a great setting for insidious, unsettling horror. I found that part of this story perfectly tuned, just right to send a shiver down my spine. The ending, I found, didn’t quite match up to the rest of the story, taking this from potentially excellent to merely “a good read”.

REVIEW: “Sad Mecha Girls” by River S

Review of River S, “Sad Mecha Girls,” Flash Fiction Online 151 (June 2026): 22-25 — Purchase here. Reviewed by Sara L. Uckelman.

Content note: Drug use, military conscription.

This is definitely a “what it says on the tin” story — the title tells you pretty much all you need to know. Sad mecha girls aren’t the sort of thing I’d seek out myself to read about, but if you want a dose of depressed fatalism, you could do worse than give this story a go.

REVIEW: “What Any Dead Thing Wants” by Aimee Ogden

Review of Aimee Ogden, “What Any Dead Thing Wants,” Adventitious no. 1 (Feb/Mar 2026): 72-109 — Read online. Reviewed by Sara L. Uckelman.

This was exceptionally long, meaning I kept putting it off whenever I’d sit down to read and review a story because I didn’t have the time.

I finally did today, and the story completely repaid what I spent on it. At the end, I find it hard to know what to say about it, other than echo Hob when he says that “he would have known what to do, if there were obvious bad guys” (p. 103). It’s a story where there’s no good moves, even when there are moves that are right, and it ends up being really, really sad.

(First published on psychopomp.com, 2024)

REVIEW: “What a Name Does is Let You Leave” by Meagan Kane

Review of Meagan Kane, “What a Name Does is Let You Leave,” Adventitious no. 1 (Feb/Mar 2026): 55-69 — Read online. Reviewed by Sara L. Uckelman.

Regular readers of this blog will know that I’m very deeply not a fan of 2nd person POV; unfortunately, that dislike is compounded when the POV is that of someone who is so obviously not me that the cognitive incongruence of being continually told that it is me overwhelms everything else.

Which is a shame, because I think told in a different perspective, I might have really enjoyed this story. Instead, I enjoyed it more in spite of itself, rather than because of it. There was a beautiful depth of longing threading through all of it which kept me reading on.