Review of Eugenia Triantafyllou, “How the Girls Came Home”, Uncanny Magazine Issue 40 (2021): Read Online. Reviewed by Isabel Hinchliff.
Amalia has a unique power: every day her feet change to that of a different animal, giving her an otter’s swimming abilities one day, and a cat’s climbing claws the next. Her father sees this as an undesirable curse, and has enlisted the help of the Artisan to make her a pair of magical shoes that will lock her feet into a human form. However, women have been mysteriously disappearing from Amalia’s village, and she seems to be the only one who cares enough to find out what has been happening to them. As she investigates rivers and eavesdrops on conversations from tree branches, she discovers that the orchestrator of these disappearances is more dangerous than she realized, and that he might be coming for her next.
Amalia has a thorough appreciation for each new form of her feet and a deep empathy for the women around her, despite the opposing viewpoints of both her father and the rest of her community. However, her affection for her father leaves her unable to tell him that she considers her feet to be a fundamental part of who she is, leading her to risk her very identity every time she tries on a new pair of the Artisan’s shoes. So many parent-child relationships in fiction are purely antagonistic or supportive; I found this more complicated dynamic extraordinarily relatable and yet heartbreaking in its own way. This story has its light moments, but it is ultimately haunting, dealing with nuanced themes of identity loss, remembrance, and objectification. Don’t be fooled by the whimsical fairy tale elements: not all slippers are markers of princesses, and not all shapeshifters are capricious and unreliable.