Another story in this issue that is at least partly written in second-person, but this one works a lot better for me than “Children of Air” did. My instinct is that this is due to the story giving commands on what to visualize versus chronicling what I, the reader, am supposedly doing. There’s not as much of a hurdle to relating with the writing.
“The Best of Our Past” is a coming-of-age story about a young woman who falls in love with her step-cousin, chronicling life as they grow with and apart from each other, and a frightening power comes to light. It commands you to sit down and fall into its imagery, to see everything happening in the lives of these two young people. For me, at least, the command worked.
I wouldn’t say the ending is a happy one, and I’m not sure I’d say it’s a bad ending either. It just simply is, and sometimes that’s all you need. Another winner in a magazine that has so far had no duds. Quite an accomplishment.