REVIEW: “The Crisis” by M. John Harrison

Review of M. John Harrison, “The Crisis”, in Settling the World: Selected Stories 1970-2020, with a foreword by Jennifer Hodgson (Comma Press, 2020): 257-271. — Purchase here. Reviewed by Sara L. Uckelman. (Read the review of the anthology.)

And here we come to the final story in the anthology. Despite being one of the more recent ones, it has the feel of his earlier work, from the 70s and 80s, more gritty SF less vague speculative fic. But even Harrison with all his skill can’t make me like 2nd person POV narration.

(Originally published in You Should Come With Me Now, 2017.)

REVIEW: “Cicisbeo” by M. John Harrison

Review of M. John Harrison, “Cicisbeo”, in Settling the World: Selected Stories 1970-2020, with a foreword by Jennifer Hodgson (Comma Press, 2020): 243-256. — Purchase here. Reviewed by Sara L. Uckelman. (Read the review of the anthology.)

Harrison is so good at giving us intimate pictures of complete strangers. While some of his stories feel like the narrator is intrusively observing someone else’s life, in this story, it feels like we the reader are the ones intruding. The experience of the reading is somewhat uncomfortably voyeuristic, but I at least couldn’t stop “watching” the unfolding relationship car crash, because there kept being hints of something more, something deeper, something fantastic — and when the reveal finally came in the very last paragraphs, it was worth it.

(It was also worth it just to learn the meaning of the title word, a word I hadn’t come across before. Hurrah for vocabulary expansion!)

(First published in Independent on Sunday, 2003).

REVIEW: “‘Doe Lea'” by M. John Harrison

Review of M. John Harrison, “‘Doe Lea'”, in Settling the World: Selected Stories 1970-2020, with a foreword by Jennifer Hodgson (Comma Press, 2020): 231-242. — Purchase here. Reviewed by Sara L. Uckelman. (Read the review of the anthology.)

What a strange little story. Alan’s father has died in hospital in London, and he is taking the train back to Dover when there is a train fault of some sort and everyone must disembark at the little town of Doe Lea. Alan explores the town while waiting for the relief train to come, and the way Harrison constructs the scene is full of skill: Everything seems just a little bit off, a little bit strange, and you never find out why.

(Originally published by Nightjar Press, 2019.)

REVIEW: “The East” by M. John Harrison

Review of M. John Harrison, “The East”, in Settling the World: Selected Stories 1970-2020, with a foreword by Jennifer Hodgson (Comma Press, 2020): 217-229. — Purchase here. Reviewed by Sara L. Uckelman. (Read the review of the anthology.)

This story, like “The Incalling” earlier in this anthology, focuses on a young man, the narrator, who takes an intense interest in a stranger, striking up a conversation with the man from the East, becoming his friend, and eventually stalking him all over London. I’m really not sure what to make of these stories. There is absolutely no sense on the part of the narrator that what they are doing is intrusive or wrong (only once does he feel “faintly guilty” (p. 224) about pawing through the man from the East’s belongings); it makes you wonder how much this is the narrator’s view and how much the author’s.

(Originally published in Interzone, 1996).

REVIEW: “Prelude” by Sian M. Jones

Review of Sian M. Jones, “Prelude”, Luna Station Quarterly 25 (2016): Read online. Reviewed by Sara L. Uckelman.

I love stories that play around with what personal technology will be like in the future — instead of laptops and mobile phones, there’ll be personal robots and chip implants and holo-vision. Yet these sorts of stories can often struggle to say or do anything new. Jones managed to hit the sweet spot, combining realistic technological developments with a unique twist, with the added bonus of really, really likeable characters, and a bit at the end that made me gasp and then made me cry. Thumbs up!

REVIEW: “The Ice Monkey” by M. John Harrison

Review of M. John Harrison, “The Ice Monkey”, in Settling the World: Selected Stories 1970-2020, with a foreword by Jennifer Hodgson (Comma Press, 2020): 203-216. — Purchase here. Reviewed by Sara L. Uckelman. (Read the review of the anthology.)

Content warning: Climbing accident; death.

This story showcases Harrison’s mastery of drawing up the most banal of characters — putting unsympathetic people in unsympathetic situations and then making the reader want to read about them anyway. There wasn’t really anything speculative about this story, nothing of the glorious science-fictional flights of imagination that so many others in this anthology have, just cold, dark realism.

(First published in New Terrors 2, 1980).

REVIEW: “The Incalling” by M. John Harrison

Review of M. John Harrison, “The Incalling”, in Settling the World: Selected Stories 1970-2020, with a foreword by Jennifer Hodgson (Comma Press, 2020): 173-202 — Purchase here. Reviewed by Sara L. Uckelman. (Read the review of the anthology.)

It is clear that in this story, we are supposed to find Mr. Clerk’s demeanour and actions (especially his slack-faced tracking of Miss Alice Sprake across London) creepy and unintelligible. He is set off from the very start as an “other”, someone who doesn’t fit in, someone who isn’t quite there. And yet, what I found most creepy and unsettling was not so much Clerk’s actions but the narrator’s, Austin. We would not know anything of Mr. Clerk were Mr. Austin not following him around, in a sort of observant, prurient way that ends up being rather stalker-ish. Like — why is he doing this? The explanation given at the beginning — that as Clerk’s publisher Austin feels an obligation to take an interest in him — rings hollow within only a few pages. What was also strange was how unimportant the titular Incalling ended up being; for such a long story, it was all over almost as soon as the story began. All in all, this was a weird one, all right.

(Originally published in The Savoy Book, 1978.)

REVIEW: “Halfway Up and Halfway Down and Nowhere At All” by Juliet Kemp

Review of Juliet Kemp, “Halfway Up and Halfway Down and Nowhere At All”, Luna Station Quarterly 25 (2016): Read online. Reviewed by Sara L. Uckelman.

Content note: death.

This story explored a darker side of magic and magic use, drawing analogies with drugs and drug use. Mali doesn’t approve of Nick’s getting mixed up with that sort of stuff — but when he turns up dead on her doorstep, she’s not going to let her friend’s death go unavenged. Of course, nothing is ever as easy as that, and the more Mali protests against the use of magic, the more inevitable her own use of it is. This was a pretty dark story, all in all.

REVIEW: “Stiff” by Kellie Coppola

Review of Kellie Coppola, “Stiff”, Luna Station Quarterly 25 (2016): Read online. Reviewed by Sara L. Uckelman.

This is one of those stories that starts off ordinary and mundane, where you read for awhile wondering where the speculative element will slide in, and then when it finally does, it makes you smile. Despite the mention of aliens in the opening sentence, this isn’t an alien story. It’s rather a story about the titular Stiffs, and I found it to be a clever and unusual take on some traditional tropes.

REVIEW: “Science & the Arts” by M. John Harrison

Review of M. John Harrison, “Science & the Arts”, in Settling the World: Selected Stories 1970-2020, with a foreword by Jennifer Hodgson (Comma Press, 2020): 165-171 — Purchase here. Reviewed by Sara L. Uckelman. (Read the review of the anthology.

In this story, Harrison’s mastery of character creation is on full display. He understands how to select details that turn words on a page into real persons; this is the first story I’ve read that features as a central character a woman with chronic pain that had — two years previously — landed her in a mental institution until they realised that, oh, wait, it wasn’t all in her head, it was the result of a botched surgery. The story opens introducing us to her (her name is Mona), and reading this was both a sucker punch and a validation. Here is someone who knows that this happens to women, and isn’t going to pretend it doesn’t. Mona is an artist, one half of the titular pair. The other, the scientist, is the narrator, and Harrison gets him bang on the money too — “I said that I had got around that in the 1970s by presenting my own opinions as quotations from other people which seemed to authorise them for me until I had enough confidence to present them as my own” (p. 168) so neatly encapsulates a trick that I’m sure many an early career scientist will either recognise or read and be like “oh, wow, that’s a great idea.” There’s nothing terribly flashy or daring in this story, and that’s what gives it so much of its charm.

(Originally published in the Times Literary Supplement, 2003.)