REVIEW: “Everyone Hates It When the Alien Shows Up At the Club” by Elijah J. Mears

Review of Elijah J. Mears, “Everyone Hates It When the Alien Shows Up At the Club,” Flash Fiction Online 149 (February 2026): 19-22 — Purchase here. Reviewed by Sara L. Uckelman.

I loved the narrative POV of this story. It was self-described “the collective hivemind of the club’s patrons” (p. 19), full of spiraling conversations and overlapping trains of thought, but it also reads exactly the way it sounds in my own head, just me. I know many people would find the endless tangents annoying and frustrating, but to me, this story just felt comforting. Highly recommended reading for other neurodivergents out there.

Three words to describe the story? Hilarious, bitchy, romantic. And three more: So much fun.

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REVIEW: “This Blue World” by Samantha Murray

Review of Samantha Murray, “This Blue World,” Flash Fiction Online 149 (February 2026): 11-13 — Purchase here. Reviewed by Sara L. Uckelman.

This story immediately presented me with two hurdles to get over: One, it’s 2nd person POV; two, it’s about ghosts. Neither of these narrative choices are my particular favorites, and I wasn’t sure that I’d get over both (or even either) of them. But Murray managed to pull it off, even if she waited until the penultimate two sentences!

(First printed in Fantasy Magazine September 2022)

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REVIEW: “In This Exchange of Names, I Say Please,” by Wen Wen Yang

Review of Wen Wen Yang, “In This Exchange of Names, I Say Please,” Flash Fiction Online 148 (January 2026): 32-34 — Purchase here. Reviewed by Sara L. Uckelman.

This was a beautiful and powerful story of immigration, integration, and intercultural heritage. It feels both autobiographical, but also curiously universal, at least for anyone who has ever had to bridge a divide between countries, languages, cultures, heritages, anyone who has ever been the foreigner, the displaced, the out of place.

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REVIEW: “The Memory Swap” by Cressida Roe

Review of Cressida Roe, “The Memory Swap,” Flash Fiction Online 148 (January 2026): 28-31 — Purchase here. Reviewed by Sara L. Uckelman.

Have a memory you no longer want? Want a memory you no longer have? Roe’s memory swap story has the solution: Post an ad to a Craig’s-list-like forum, and see who takes you up. Of course, the fun part of the story is: Who would want the memories that someone else doesn’t want? And who can bear to give away the kind of memory that someone else might want? The result is an excellent mix of humor, sorrow, and more than a little a bit of horror.

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REVIEW: “Stairs For Mermaids” by MM Schreier

Review of MM Schreier, “Stairs For Mermaids,” Flash Fiction Online 148 (January 2026): 10-13 — Purchase here. Reviewed by Sara L. Uckelman.

Content note: suicide.

This is a story about big sisters and little sisters, and the first-person plural narrator lends the story an edge of universality, telling the reader that this is what all big-sister-little-sister relationships are like. I don’t know if I would have enjoyed this story more or less if the relationship the narrator depicted as universal at all resembled my own big-sister-little-sister; would the story have been more resonant, or less, if I had been the kind of little sister that the narrator seems to think all little sisters are? I don’t know.

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REVIEW: “Rice Child, Dragon Child” by Jessie Roy

Review of Jessie Roy, “Rice Child, Dragon Child,” Flash Fiction Online 148 (January 2026): 22-25 — Purchase here. Reviewed by Sara L. Uckelman.

This felt a bit like a modern day “Sophie’s Choice,” with the narrator forced to decide between the future of her dreams and a future of security, each choice coming with its own hidden, unknown costs. I loved the setting and the central plot mechanism — the narrator’s gogok that can slice dreams away from one person, preserving them to give to another.

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REVIEW: “Swampland” by Erin Brandt Filliter

Review of Erin Brandt Filliter, “Swampland,” Flash Fiction Online 148 (January 2026): 19-20 — Purchase here. Reviewed by Sara L. Uckelman.

This story was classed as “literary,” but in fact it is quite speculative — the first page left me a bit worried that it would just be an ordinary, descriptive, literary story, but the second page takes that step away from reality and mere descriptive and dives into consequences: Why any of it matters. Definitely enjoyed the second half much more than the first!

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