REVIEW: “The Glow-in-the-Dark Girls” by Senaa Ahmad

Review of Senaa Ahmad, “The Glow-in-the-Dark Girls”, Strange Horizons 15 Jan. 2018: Read online. Reviewed by Danielle Maurer.

What if the U.S. hadn’t just developed nuclear bombs, unthinking, cold machines capable of obliterating cities? What if they had also developed people who were capable of the same devastation?

That’s the premise behind Senaa Ahmad’s “The Glow-in-the-Dark Girls.” The narrator, an unnamed member of the eponymous group, is a girl from a poor neighborhood who volunteered to become an experiment. She and her sisters are walking bombs, capable of setting themselves on fire, of detonating and destroying a city. But humans aren’t meant to take that much radiation, and so not only are they prisoners of a sort – they’re also dying.

Ahmad does an excellent job of characterizing these women, of showing how the shifting political winds and the havoc they wreak affects them. She unfolds their collective emotional distress through the slow death of Nabeela, once their most glorious sister, featured on talk shows and interviews. Are they victims? Are they criminals? Ahmad never comes down strongly on either side, perhaps because there is no easy answer. They have killed so many, but they also chose this life because they thought it was their best option.

Ahmad’s prose draws the reader in as she unspools the story of these women, and her descriptions of the fires are evocative and powerful. “The Glow-in-the-Dark Girls” is a story that will stay with you after you read it.

REVIEW: Abandoned Places edited by George R. Galuschak and Chris Cornell

Review of George R. Galuschak and Chris Cornell, eds., Abandoned Places, (Shohola Press, 2018) — Purchase here. Reviewed by Sara L. Uckelman.

This anthology is the inaugural publication of newly launched “Purveyors of Fine Genre Fiction”, Shohola Press, and what a fine way to launch it is.

This is a collection of stories about places which are “forgotten but not gone,” of “the lonely, the rejected, and the uninhabited” (to quote the back of the book). Some of the stories are classics, written by greats such as Poe and Bradbury. But many more of them are new tales, by a variety of contemporary writers both familiar and new. In the editor’s introduction they say that “we especially wanted to introduce audiences to strong voices who haven’t yet received the widespread distribution they deserve”. Since one of the reasons I was motivated to start SFFReviews was so that I could broaden my reading horizons and learn about new authors (whether actually new or merely new to me), I was incredibly excited to receive a review copy of this beautiful book.

Below is the table of contents, and the review for each story will be linked from here as it is published:

In his introduction, Cornell says that “If you discover at least one new writer who speaks to you in these pages, we have accomplished our goal, dear reader.” I discovered not one, but many. The collection is well balanced and every individual piece is stellar. Even the ones not entirely to my taste left me glad to have read them.

REVIEW: “Bartleby and the Professor Solve the Riddle” by Shondra Snodderly

Review of Shondra Snodderly, “Bartleby and the Professor Solve the Riddle”, in Myths, Monsters, and Mutations, edited by Jessica Augustsson (JayHenge Publications, 2017): 246-248. — Purchase here. Reviewed by Sara L. Uckelman. (Read the review of the anthology.)

The title of the story is almost a story in itself; we’ve got the characters, we’ve got the problem or obstacle, and we’ve got the resolution! Ordinarily that would mean there wouldn’t be much left in the story to be surprising, but here at least two questions present themselves as in need of answer from the title alone: What is the riddle, and how do they solve it? Following close on their heels is the question: Why does it matter that they solve it? All these questions are aptly answered in Snodderly’s relatively short story — though to be fair, Bartleby’s role in solving the riddle is perhaps a bit overstated in the title!

REVIEW: “La Gorda and the City of Silver” by Sabrina Vourvoulias

Review of Sabrina Vourvoulias, “La Gorda and the City of Silver”, Podcastle: 506 — Listen Online. Reviewed by Heather Rose Jones

I participated in a discussion on facebook recently about defining subgenres of speculative fiction, and the question of comic book superheroes came up. In practice, superheroes can draw from fantasy (X-men, Dr. Strange), science fiction (Iron Man), mythology (Thor, Wonder Woman), “realistic” (Batman–at least for the Batman character himself), or any number of other subgenres, but what they have in common is a fantasy of agency and justice, even when justice sometimes fails. This multi-focal genre has been adopted as speculative fiction by popular acclaim, regardless of the specific mechanism of the hero’s powers.

“La Gorda and the City of Silver” is clearly a superhero story. The world of masked and costumed luchadores is deeply rooted in the genre regardless of the apparent lack of overtly fantastic elements. (I know this is a theme I tend to harp on regularly, but I do like my fantasy to actually be, you know, fantastic in general.) The narrator–who calls herself by the nickname La Gorda, one she accepted rather than chose–is the daughter of a producer of luchador shows and grows up surrounded by their performative costumed superheroism. So when the abuse of a neighbor girl calls for heroic intervention, this is the natural medium by when La Gorda takes up the challenge. The story is deeply yet casually embedded in the everyday life of a Guatemalan working class neighborhood. Both the perils and their solutions arise out of that embedding as well as the narrative of masked superheroes and the lone fight for a justice that the law won’t deliver. Or perhaps not so lone, as La Gorda discovers when she expands the scope of her protection in parallel with the expansion of the lives she feels called to protect.

This was a richly satisfying story, both in the telling and the conclusion.

Content note: Contains references to offscreen sexual abuse.

(Originally published in Fat Girl in a Strange Land edited by Holt and Leib)

REVIEW: “All the Songs the Little Birds Sing” by T. D. Walker

Review of T. D. Walker, “All the Songs the Little Birds sing”, Luna Station Quarterly 32 (2017): Read online. Reviewed by Sara L. Uckelman.

This story has one of those slippery settings where it could be radically other, radically elsewhere or elsewhen, or it could also be just around the corner, today or tomorrow.

Some stories make it clear what kind of stories they are from the beginning; not this one, not for me at least. And yet, even without having any idea of where it started or where it was going, I kept reading. Walker’s language is tight and precise and allows us a very clear insight into Alice’s head. Alice herself is the sort of main character I’ve found myself looking for more and more lately — someone who is older than me, who has found a sense of herself, who understands how she fits into the world. “Alice was everything, and she wanted to live that way,” Walker tells us. That’s the sort of heroine I aspire to be.

There was a lot left out of this story, the history of how things got to be this way only hinted at. In some stories, these gaps can be frustrating. In this one, I wanted to know more, of course, but I was also satisfied with what I got.

REVIEW: “Silver Noir” by Ariel Ptak

Review of Ariel Ptak, “Silver Noir”, in Myths, Monsters, and Mutations, edited by Jessica Augustsson (JayHenge Publications, 2017): 166-167. — Purchase here. Reviewed by Sara L. Uckelman. (Read the review of the anthology.)

This story is a little vignette about werewolf hunting, centered around the expense of silver bullets and one man who uses up all seven of his in one night. There’s a big cost to pay if you are too profligate with your bullets, but the cost that the unnamed narrator has to pay is greater than the cost of any amount of silver. The story is quite short, but tightly written.

REVIEW: “Penumbra” by Chris Brecheen

Review of Chris Brecheen, “Penumbra”, in Myths, Monsters, and Mutations, edited by Jessica Augustsson (JayHenge Publications, 2017): 168-177. — Purchase here. Reviewed by Sara L. Uckelman. (Read the review of the anthology.)

Brecheen’s story is urban fantasy, set in San Francisco, as we can tell from references to BART stations and other familiar aspects of the city. It’s a first-person story, and unlike many first-person stories which start off with a bunch of introspective maundering, here we were immediately introduced both to the personality quirks of the narrator (rather bitter and a bit sarcastic) and of the people the narrator interacts with, such as Dr. Cienica, who “pays lots of attention to how dirty her glasses are whenever she lies” (168).

I really enjoyed Brecheen’s use of language; there were turns of phrase every paragraph or so that made me smile. If you read for enjoyment, then this is a good story for you. If you read for a creepy feeling of displacement, and the sense that the setting of the story is shifted from our own reality by only a fraction, then this is also a story for you. It doesn’t take much imagination to wonder what it would take for people to be able to see the Penumbra here, in our own world.

REVIEW: “Windhorse” by Zhao Haihong

Review of “Windhorse”, Lady Churchill’s Rosebud Wristlet #36 Early Autumn pp. 47-51. Purchase here. Review by Ben Serna-Grey.

This story has a couple footnotes, but they’re much appreciated, especially if you’re not familiar with everything about Chinese geography or Tibetan culture. The main character is traveling from China to the mountains of Tibet, where they will get windhorse pennants from the monks there in order to help them mourn their deceased lover.

“Windhorse” is short and sweet, a lovely tail about grieving and loss, acceptance, and it’s a great story to finish up this magazine.

REVIEW: “Hansel and Gretel in the Wasteland” by Shondra Snodderly

Review of Shondra Snodderly, “Hansel and Gretel in the Wasteland”, in Myths, Monsters, and Mutations, edited by Jessica Augustsson (JayHenge Publications, 2017): 139-142. — Purchase here. Reviewed by Sara L. Uckelman. (Read the review of the anthology.)

This is the first of Snodderly’s three fairy tale retellings in this anthology, and the longest. In this version of Hansel and Gretel, Gretel and her brother are uneasy partners in a post-war world where there were “no free rides. Not even for family” (139). In the end, Gretel happily betrays Hansel to the witch, sacrificing him for her own freedom. “Only the useful survive” (142), and Gretel is dead intent on making herself useful. The only question is, useful to whom?

REVIEW: “The Best of Our Past, the Worst of Our Future” by Christi Nogle

Review of “The Best of Our Past, the Worst of Our Future”, Lady Churchill’s Rosebud Wristlet #36 Early Autumn pp. 39-46. Purchase here. Review by Ben Serna-Grey.

Another story in this issue that is at least partly written in second-person, but this one works a lot better for me than “Children of Air” did. My instinct is that this is due to the story giving commands on what to visualize versus chronicling what I, the reader, am supposedly doing. There’s not as much of a hurdle to relating with the writing.

“The Best of Our Past” is a coming-of-age story about a young woman who falls in love with her step-cousin, chronicling life as they grow with and apart from each other, and a frightening power comes to light. It commands you to sit down and fall into its imagery, to see everything happening in the lives of these two young people. For me, at least, the command worked.

I wouldn’t say the ending is a happy one, and I’m not sure I’d say it’s a bad ending either. It just simply is, and sometimes that’s all you need. Another winner in a magazine that has so far had no duds. Quite an accomplishment.