REVIEW: “The Last Light” by Miranda Suri

Review of Miranda Suri, “The Last Light”, in Abandoned Places, edited by George R. Galuschak and Chris Cornell (Shohola Press, 2018): 147-162 — Purchase here. Reviewed by Sara L. Uckelman. (Read the review of the anthology.)

“Piracy” has had a variety of connotations and meanings over the years, from armed hijackers sailing the seas to Robin-Hood-esque hackers who redistribute music from the rich to the poor. Suri’s story taps into an intersective version of piracy, one in which hackers can hijack space-ship computers and take them wherever they want in the universe, wherever they can then put the most pressure on those who carry priceless cargo — in space, there are many abandoned places.

One thing about the “Robin Hood” pirates is that they always think what they are doing is morally superior. We praise the historical Robin Hood as all the tales are told from his perspective as he fights against the evil, conniving, and greedy Sheriff of Nottingham and Prince John. The Robin Hood in this story is the antagonist, though, and what I enjoyed most about the story was watching the main character, Miss Song, slowly realise that maybe, just maybe, she was one of the bad guys.

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