REVIEW: “The Edge of Things” by Katharine E.K. Duckett

Review of Katharine E.K. Duckett, “The Edge of Things”, Apex Magazine 103: Read Online. Reviewed by Joanna Z. Weston.

An endless party with representatives from all eras of human history, containing the breadth and depth of human knowledge, sounds like a dream come true for any curious person. But is it really? And what would you have to give up to get there? These are some of the questions posed by “The Edge of Things.”

I’m not sure I’m smart enough to fully understand this story. Halfway through, I recognized a few characters as characters from famous literature. Were others literary allusions as well? Maybe if I were better read (or had a better memory), my experience of this story would be completely different.

What I did understand of the story was fascinating. Duckett set herself the difficult task of describing a nonsense world from the point of view of someone who recognizes that it does not make sense, and is struggling to find the underlying structure and meaning almost as much as the reader. The only difference is that the narrator has been at it for some time already, and her energy for the task has almost run out, whereas the reader is new to the confusion. We also don’t have to struggle with it for as long, because at least some of it is resolved by the end.

I appreciate that Duckett does not leave us hanging, and provides some explanation. She doesn’t give us a pat ending, because that wouldn’t be satisfying. We learn what is going on in this mysterious house, but not what exists outside of it. That is enough.

REVIEW: “Earth Music” by Jennifer Lee Rossman

Review of Jennifer Lee Rossman, “Earth Music”, Syntax and Salt 4, 2017: Read Online. Reviewed by Tiffany Crystal

I really really like this work. I love the premise, and I loved how Ve is blind, but was still allowed on the trip. Instead of her people thinking that she was defective and leaving her behind, they brought her with them to Earth, and I love that. I love how, even without looking it up, I knew exactly what song was included on that disk, the one that Ve was so obsessed with. I love the way Ms. Rossman lets us imagine the aliens the way we want to, while still giving us hints of how they’re different from us.

I absolutely adore Ve, just all around. Something about her…she just seems sweet. Like one of those people you see and you instantly want to smile and hug them. Those are some of my favorite people, and that’s the vibe I get from her. I love how she comes across as intelligent, or intuitive, at least. She knows she has a weakness, but she thinks of how she can use it as a strength for her people. She isn’t afraid to put herself on the line, to try and ensure the best for her people. I love so much about the story, and most of it centers around Ve…which makes sense, considering she’s the focus of the story, but anyway.

The ending, ah, the ending. It’s so bittersweet. I can’t decide if I like it the way it is, or if I’m mad cause there’s not more to read. Either way, this is a gem, and I recommend it.

REVIEW: “Red Queen’s Lullaby” by Ariel Ptak

Review of Ariel Ptak, “Red Queen’s Lullaby”, in Myths, Monsters, and Mutations, edited by Jessica Augustsson (JayHenge Publications, 2017): 321-322. — Purchase here. Reviewed by Sara L. Uckelman. (Read the review of the anthology.)

Ptak’s story includes an impressive amount of scene-setting for being as short as it is, painting a clear and vivid picture of place and history. There is not much to the story itself, but there is a clear resolution at the end. I do wonder, though, if the final three paragraphs are necessary or if, perhaps paradoxically, the story would’ve been stronger with a more ambiguous ending.

REVIEW: “Wasteland” Stephen R. Smith

Review of Stephen R. Smith, “Wasteland”, in Myths, Monsters, and Mutations, edited by Jessica Augustsson (JayHenge Publications, 2017): 267-268. — Purchase here. Reviewed by Sara L. Uckelman. (Read the review of the anthology.)

The guiding question throughout this story is “Who is Eliot?” Despite being introduced to us in the very first sentence — and indeed being the only character that we meet — this question is not clearly answered until the very end of the story, at which point one lingering question remains — why is he named ‘Eliot’? But that question is never answered because this story is quite short, almost more a vignette than a story, and resolution does not need to be the order of the day here.

REVIEW: “In This Life and the Next” by Katherine Inskip

Review of Katherine Inskip, “In This Life and the Next”, Luna Station Quarterly 32 (2017): Read online. Reviewed by Sara L. Uckelman.

I struggle with second-person POV so much. I can totally understand why an author would choose it — I’ve had my own fair share of writing something that simply need to be written in that voice — but as a reader I find it so often off-putting, because if the “you” is “me”, then the narrator has gotten something totally wrong, this isn’t me, this isn’t my story.

So I always start a second-person POV story with a healthy dose of trepidation. Maybe this one will be the one where the “you” is in fact me.

It wasn’t, oh, it wasn’t. But when I realize who the narrator is, and who she is talking to…I’ll forgive the author pretty much anything, because there is no way this story could’ve been written in anything but second-person POV, and it’s brilliant.

REVIEW: Flash Fiction Online, ed. Suzanne W. Vincent, November 2017

Review of Flash Fiction Online, ed. Suzanne W. Vincent, November 2017 [Read Online/Purchase Here]. Reviewed by Meryl Stenhouse.

Stories in this issue:
Crater Meet by Brian Trent
Last Long Night by Lina Rather
The Stars and the Rain by Emily McCosh
Baker by Sheila Massie

Crater Meet by Brian Trent

This story is both heart-lifting and heartbreaking. Two sides of a war meet in the middle of no-man’s land for a convivial, makeshift dinner. There’s no personal enmity between these men. They are the same people on different sides of a war. This story beautifully captures the ridiculousness of war and the feeling of being caught up in something that doesn’t touch them, even as it kills them.

Last Long Night by Lina Rather

The crew of a spaceship, believing themselves to be the last humans, struggle to reach a half-terraformed planet where they might survive. Along the way they meet a Russian cosmonaut who saves them and gives them hope. I felt on edge every moment of reading this story. Rather paints a picture of people on the edge; of sanity, of survival, of hope, and the most unlikely meeting that surely must be a sign.

The Stars and the Rain by Emily McCosh

This story deals in fear, but it’s the small, daily, family fears. The narrator runs away from home, but she can’t admit to herself that she’s running away for many years. But it’s the sort of unacknowledged running away where you still talk to your family, but you just don’t have the strength to do it face to face. What I really loved about this story was the way the author used snapshots as both communication and story structure. It reads like a succession of freeze frames and is compelling because of the little we actually see.

Baker by Sheila Massie

There’s a grim hopelessness to this story that wasn’t present in the previous tales, and a feeling that things will never change. Rafael, a baker with a touch of magic, bakes bread that helps people, but he never has enough magic for all the people who need help, and you can feel his desperation. Who does he choose? Who can he help? His final choice is intellectual, but you can already feel that it will do no good in the end. However that doesn’t stop him trying.

Overall, I found this edition to be uplifting and heartful. I enjoyed the science fiction stories especially.

REVIEW: “While it’s Still Beating” by Emma Grygotis

Review of Emma Grygotis, “While it’s Still Beating”, Luna Station Quarterly 32 (2017): Read online. Reviewed by Sara L. Uckelman.

It’s hard to know whether to describe this story as SF or dystopian, though the unhappy future presented in it makes me lean towards the latter. Sometimes, future-oriented SF can just be so damn depressing.

Reading this, it feels like the tenses and temporal points are not mapped out correctly. There is a lot of past perfect, and a lot of present, and the “once, years ago, Alice could read Lenore’s moods by her eyes” – shouldn’t that really be “once, years ago, Alice had been able to…”? Because surely we are not talking about a single moment in time but rather an extended period. These shifts in tenses and the oblique way with which Grygotis approaches her story combine to make many aspects of the story unclear and uncertain. Both Lenore and Alice know why their insurance premiums are too high, but unfortunately, by the end of the story, I don’t, and the power that the ending might have had is lost on me.

REVIEW: Myths, Monsters, and Mutations, edited by Jessica Augustsson

Review of Jessica Augustsson, ed., Myths, Monsters, and Mutations, (JayHenge Publications, 2017) — Purchase here. Reviewed by Sara L. Uckelman.

This wonderfully enticing collection is chock full of stories of all lengths and genres, as the listing of stories below indicates — more than 350 pages of monster stories. These are stories of

the bogey-men and devils who will eat you if you go out at night…the gods and demigods waiting to be offended…sinister mutations and imposters who try to fool us…the monsters we harbor deep in our own hearts (p. v).

The anthology is charmingly illustrated throughout, with a pen and ink picture for each tale, and sometimes a few small icons scattered within the story (depending on its length). Unfortunately, no information about the provenance of these images is provided — unfortunate, because whoever the artist(s) was (were), they should be credited!

The stories range from the quite short (a page and a half) to the quite decently long, such as Delilah Night’s “For the Love of Snow White” (just over thirty pages). The best way to get a sense for the variety of the stories told is to read the reviews of the individual contributions, which will be linked below as they are published:

One general comment about the typesetting — the font used in the table of contents and in the headers/footers is maximally confusing, with many letter forms being only identifiable by looking at occurrences of the same form in words which are unambiguous, so I apologise in advance for misrepresenting any of the titles. (I went back and forth as to whether Ptak’s third story was “Cuddles” or “Puddles”). (I did, however, manage to not to interpret all the l’s as long s’s, even though I really wanted to.)

Update! (24 Feb 18): One of the JayHenge staff members has more information about the lovely artwork used in the book. It all comes from the OpenClipart site, a collection of royalty-free clipart from various sources (including some images being from out-of-copyright books taken and turned into clipart). What an excellent little resource, and thanks to Susanne Hülsmann for passing on this information.

REVIEW: “Dead Men Tell Tales” by Dave D’Alessio

Review of Dave D’Alessio, “Dead Men Tell Tales”, Broadswords and Blasters 1 (2017): 11-19 — Purchase Here. Reviewed by Yana Shepard.

It’s freezing this afternoon as I write this, snuggling my keyboard under my electric blanket as I try to stave off the shivers. The second story of Broadswords and Blasters kept me company when I was in one of my dark moods, a sign that D’Alessio is a skilled writer. It’s no easy feat to get me to enjoy anything when I’m unpredictable and feeling hostile to anyone brave enough to poke their head into my room.

Science fiction is near and dear to my heart, and this got it right. What I loved most was the technology. Nano machines? Love the little guys. There are others, of course, that D’Alessio describes but I refuse to spoil them. They made me smile in glee to read about them for the first time so it would be heartless of me to take the discovery away from others.

The ending felt abrupt to me, however. But, overall, I did enjoy this short story. A lot.

I highly recommend this if you are a SF fan. I also recommend this if you like noir. This being both, you might get a kick out of it.

REVIEW: “Failsafe” by Karen Bovenmyer

Review of Karen Bovenmyer, “Failsafe”, in Starward Tales II, edited by CB Droege (Manawaker Studio, 2017): 195-238 — Purchase here. Reviewed by Sara L. Uckelman. (Read the review of the anthology.)

This is the longest of all the stories in the anthology, and makes for a stellar capping off of the collection. The pin is somewhere in the Caribbean, and the story is a classic creepy zombie story. It is totally not the sort of story that I would ordinarily seek out to read, because I’m not a zombie story person. I’m also not really a lonely-space-traveler-with-companion-AI story person either, or a horror story kind of person, and this story was all three of these. And yet, it was also exactly the sort of story I want, not because it was a horror-zombie-lonely-traveller story, but because of the way it was these things, because of the diversity of characters, because of the one who thinks like me, because of the roller coaster of hope and despair that Bovenmyer takes us on. It was very satisfying.