REVIEW: “Genie’s Retirement” by Sarah Newman

Review of Sarah Newman, “Genie’s Retirement”, Luna Station Quarterly 29 (2017): Read online. Reviewed by Sara L. Uckelman.

Retirement doesn’t mean quite the same thing for a Genesis Model household AI robot as it does for a human person. It’s not like robots have hobbies, after all, or need to move to warmer, sunnier climes to soothe their aching bones. But robot bodies get old, software gets outdated, and eventually their “life” must come to an end. Newman’s story explores what this end might look like, in a sympathetic and touching way.

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REVIEW: “For Sale” by Jessica Walsh

Review of Jessica Walsh, “For Sale”, in Little Creepers (Sewn Together Reflections, LLC, 2018): 99-102 — Purchase here. Reviewed by Sara L. Uckelman. (Read the review of the anthology.)

This was a smashing story to end the anthology on. The basic premise — what it is that the narrator is selling — made me laugh with delight as soon as I clocked what it was. And then came the true chilling horror as the details of the premise got successively filled in. No gore, all psychological games, and the ugly enjoyment that comes from watching someone rationalise the impossible.

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REVIEW: “Lovely Decisions” by Jessica Walsh

Review of Jessica Walsh, “Lovely Decisions”, in Little Creepers (Sewn Together Reflections, LLC, 2018): 95-98 — Purchase here. Reviewed by Sara L. Uckelman. (Read the review of the anthology.)

Summary in one sentence: In a setting that could be either post-apocalyptic or merely futuristic (one sometimes looks at the world’s current trajectory and wonders if there’s any difference), Ash and her lover Rebecca are forced to come to terms with the consequences of decisions that neither of them really wanted to make.

I found this story raised more questions than it answered; it felt lacking in details needed to help me understand the importance of the situation that Ash and Rebecca found them in. As a result, I never quite felt like I was following the conversation properly. This was particularly bothersome in the opening paragraphs when I was unable to tell whether the topic of their conversation was rape, or not — something pretty important to determine so that I can put appropriate content notes on reviews! In this case, I think the answer is “not rape”, but the story still involves a degree of sexual violence that some might wish to stay away from.

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REVIEW: “Professor Strong and the Brass Boys” by Amal Singh

Review of Amal Singh, “Professor Strong and the Brass Boys”, Apex Magazine 119 (2019): Read Online. Reviewed by Joanna Z. Weston.

Lispector Strong seems fairly content with ris life as a history professor, until one of ris students ask what rhe does for leisure. Under the rules of their society, droids like Professor Strong are not allowed leisure. This leads rhim to a lot of soul searching, and eventually to music, and an understanding that droids are perhaps not treated fairly under the current laws.

This story deals with art and justice, two concepts that the people within it would argue apply only to humans. It is a surprisingly gentle story, because Professor Strong is, at heart, a gentle being. Logical, kind, yet determined, rhe senses that there must be a better way, and is determined to do what rhe can to get humans to see the other droids as something other than servants. Rhe does not go about this through battle, either verbal or physical, but through music.

The end is more ambiguous than I would have preferred, but I don’t know that any other ending would have felt genuine. This story is asking big questions, and a neat ending might imply an easy solution. I respect the emotional honesty of the ending, which leaves the consequences of Professor Strong’s actions still unknown. What matters – what makes the ending work – is that Professor Strong acted. Rhe made a decision, and accepted the risks.

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REVIEW: “For Whatever We Lose” by Jennifer R. Donohue

Review of Jennifer R. Donohue, “For Whatever We Lose”, Luna Station Quarterly 37 (2019): Read online. Reviewed by Sara L. Uckelman.

Ostensibly, this is a story of an astronaut orbiting one of Mars’s moons, who’s gotten into trouble and who knows how her ending will be. But, really, this is a story of reflection and contemplation, family bonds, and dreams, of courage in the face of impossibility, and how little moments — like a little lie, saying that Suzanne was eight when she was in fact only six — can shape and direct a person’s future profoundly.

Overall, I found this story well constructed and written with lovely language but I felt the ending was a bit abrupt, and would have liked to have seen more story, and less flashing back.

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REVIEW: “Curse Like a Savior” by Russell Nichols

Review of Russell Nichols, “Curse Like a Savior”, Apex Magazine 118 (2019): Read Online. Reviewed by Joanna Z. Weston.

Junior thinks this is going to be a quick job – just slip, in repair Mrs. Layla Fisher’s Halogram (currently displaying a Jesus who cusses up a storm), and move on. He doesn’t care what anybody else believes, so long as they let him do his job in peace. Unfortunately for him, it seems that Mrs. Fisher has other ideas.

This does a great job of mixing light fun with some more serious themes. On the one hand, anybody who has ever worked a customer service job will recognize Junior’s struggle to do his job without getting drawn into a long, emotionally taxing conversation with the client. But then we have the Halograms that are at the center of this whole transaction, holograms of famous people, specifically of the sort who people idolize – religious figures and inspiration writers and politicians ranging from Jesus and Gandhi to Martin Luther King Jr. and Maya Angelou. As the conversation with Mrs. Fisher goes on, the subject of faith comes to the forefront, and the story transitions from an almost frivolous look at futuristic customer service, to something much deeper and more challenging.

The ending took me by surprise. It’s much more unsettling than I expected, and made me rethink everything that came before it. Fortunately, this is a short enough story that it’s not a hardship to reread it!

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REVIEW: “Tenari” by Michael Merriam

Review of Michael Merriam, “Tenari”, in Catherine Lundoff, ed., Scourge of the Seas of Time (and Space) (Queen of Swords Press, 2018): 168-180 — Purchase here. Reviewed by Sara L. Uckelman. (Read the review of the anthology.)

Captain Reed’s ship, the Black Manta, hasn’t always been black. Decades ago, the ship was just the Manta, an attack ship in the Colonial Defense Forces. At the time, Captain Reed wasn’t captain, merely senior lieutenant, and her current XO, Roger Baldry, was navigator and second officer. But it’s been a long time since Reed and Baldry encountered the mythical alien race, the Tenari, and — when no one else did — lived to tell the tale. Now the Manta is a pirate ship, no longer a military ship, and Reed and Baldry are facing the Tenari again. They were lucky once to escape with their lives; will they be lucky enough to escape a second time?

Merriam’s story is filled with rich detail and a panoply of characters, which I liked. However, two things about this story bothered or confused me. First, half the time the captain was named Kathleen Reed, the other half she was Katherine Reed, and I was never sure if this was intentional or just something that slipped past proofreading. Second, with almost no exception, the female characters were referred to solely by their given name, while the male characters were referred to by either their surname or surname + title. It’s such a small thing, but to see “Janet” (Sobrinski) working side by side (Roger) “Baldry”, “Mr. Roberts” the helmsman working with crewmember “Tilly” (no surname), was a constant reminder of how even when female characters are given equal screen time with male in a story, they are still treated unequally. We’ve come so far in terms of representation in SFF stories; but there is still so much further left to go.

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REVIEW: “A Crooked Road Home” by Caroline Sciriha

Review of Caroline Sciriha, “A Crooked Road Home”, in Catherine Lundoff, ed., Scourge of the Seas of Time (and Space) (Queen of Swords Press, 2018): 144-155 — Purchase here. Reviewed by Sara L. Uckelman. (Read the review of the anthology.)

This story caught me by surprise. It started off being a relatively ordinary story about space pirates and organised crime and smuggling — the sort of thing you’d find in a typical B-grade SF flick — and ended up turning much deeper and sharper and harsher and more beautiful. This isn’t merely the story of space pirate Captain Jesson out to win his freedom from his mob-boss father to secure a future for himself; it’s the story of how he must face the ugly aspects of his past, the parts he had no control over then but maybe can make restitution for how.

Sciriha tangles together threads of child trafficking, parental loss, and the displacement that comes from being a member of a minority culture in such a way that I was left with a lump in my throat and a lingering sadness for Jesson’s past and hope for his future.

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REVIEW: “Rosa, the Dimension Pirate” by Matisse Mozer

Review of Matisse Mozer, “Rosa, the Dimension Pirate”, in Catherine Lundoff, ed., Scourge of the Seas of Time (and Space) (Queen of Swords Press, 2018): 128-143 — Purchase here. Reviewed by Sara L. Uckelman. (Read the review of the anthology.)

Jack Hurwitz’s life is boring. He still lives with his dad and step-mom. He doesn’t have a job. He’s failed his classes and won’t be going to community college. There is basically nothing in his life to redeem it.

That is, before an alien satellite lands in his backyard, complete with a refugee alien pirate girl who is the only thing that stands between the earth and its destruction. Suddenly, Jack’s life is anything but boring.

A fun swashbuckling-in-space story with so many double-crossings and double-bluffs that I could hardly keep track of who was a good guy and who was a bad guy, Mozer’s tale was lighthearted and fun to read.

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