REVIEW: “Forestspirit, Forestspirit” by Bogi Takács

Review of Bogi Takács, “Forestspirit, Forestspirit”, in The Trans Space Octopus Congregation Stories, (Lethe Press, Inc., 2019): 53-64 — Purchase here. Reviewed by Sara L. Uckelman. (Read the review of the anthology.)

Content warning: racism, warfare.

The first thing I noticed about this story (since I had to scroll to the end to find the ending page) was it has notes! Regular readers of this blog know my love of an informative footnote (I’ll even forgive that these were endnotes rather than footnotes). They simple note that the story was inspired by two arXiv papers on neural networks, which made me super excited to read the story itself.

You might think, given the notes, that this is a science fiction story, and perhaps it is that, but it’s also a ghost story. You might also think, given the title, that the ghost in the story is the titular Forestspirit, and perhaps it is that, but they are not the only ghost, the only unseen, incorporeal mechanism that is wreaking havoc on those who have been left behind living after the great human-alien war.

(If you want to know more about how bad neural nets can be at classification tasks, check out Janelle C Shane on twitter, who pranked her neural nets with sheep.)

(First appeared in Clarkesworld 105, 2015).

REVIEW: “A Superordinate Set of Principles” by Bogi Takács

Review of Bogi Takács, “A Superordinate Set of Principles”, in The Trans Space Octopus Congregation Stories, (Lethe Press, Inc., 2019): 39-52 — Purchase here. Reviewed by Sara L. Uckelman. (Read the review of the anthology.)

Content warning: body horror.

Superficially, this is an aliens-in-a-living-spaceship story — but to characterise it as that would miss the deftness with which Takács takes something alien, strange, foreign, and makes it seem utterly normal. Since the story is told in a first-person POV, we only get bits and pieces of what makes the alien alien, all offered up so ordinarily that it takes a question like

“What could conceivably be wrong with humans?” (p. 40)

to jolt me away from a sense of familiarity to a sense of otherness. I tend to be quite picky about aliens in my SF, because so often they are all too human. But Takács’s narrator Ishtirh-Dunan is not human at all, and delightfully so.

The second aspect that I especially liked about this story was the way unfamiliar language was handled — another tricky thing to do well, especially in a written media. How does one represent in language things that one cannot even conceive of? Again, I found Takács’s execution of this [hmmm, I’d like to say “masterful” but that has problematic gender connotations; and “mistressful” is certain no better. Imagine this long excursus as a placeholder for the right non-gendered synonym].

This story was exceptionally well done.

(First published in Ride the Star Wind: Cthulhu, Space Opera, and the Cosmic Weird, edited by C. Dombrowski and Scott Gable, Broken Eye Books, 2017.)

REVIEW: “Some Remarks on the Reproductive Strategy of the Common Octopus” by Bogi Takács

Review of Bogi Takács, “Some Remarks on the Reproductive Strategy of the Common Octopus”, in The Trans Space Octopus Congregation Stories, (Lethe Press, Inc., 2019): 25-37 — Purchase here. Reviewed by Sara L. Uckelman. (Read the review of the anthology.)

Content warning: death, forced labor, oppression, colonialism.

I was wondering when the titular octopuses would come in, especially since the only reference in the first story was to a settlement called Blue-Ringed Octopus Settlement. But I didn’t have to wait long, as the narrator of this story is themself an octopus.

Given that none of us know what the inner mind of an octopus is like, it’s hard to describe a first-octopus POV as full of verisimilitude, but that is what Tackas manages to give us here — it all feels so real and accurate. The way the octopuses interact with each other — not just through changing patterns on their skins and complex motions of their limbs but also through what is describe as only “the field”, the collective knowledge and memory (maybe even ‘consciousness’ is the right word to describe it) that allows short-lived generations of octopuses to pass on their history to the next generation.

But now the octopuses, Scrape, Pebblesmooth, the narrator, others, are faced with an impossible decision: They have discovered an object which if opened could help them understand the furthest reaches of their history, their very origin itself — or it could destroy the field and all their collective memory.

So what about the title? Well, what matters most in reproduction — that we reproduce, or that we pass on a legacy? The entire story offers us two parallel accounts of how such a legacy can be created and maintained, through very different reproduction patterns. Who’s to say which, if either, is better?

(Originally published in Clarkesworld, no. 127, 2017).

REVIEW: “This Shall Serve as a Demarcation” by Bogi Takács

Review of Bogi Takács, “This Shall Serve as a Demarcation”, in The Trans Space Octopus Congregation Stories, (Lethe Press, Inc., 2019): 15-23 — Purchase hereReviewed by Sara L. Uckelman. (Read the review of the anthology.)

Content warning: warfare, injury, colonialism, suicide, blood.

In the opening story of the anthology, we are dumped immediately into a chaotic world of struggle between land settlements and sea settlements. Î-surun, the narrator, is in the captivity? care? it’s not clear of Enhyoron, and they themself are like a microcosmic reflection of the external struggle between land and sea. Just as land converts to sea and sea converts to land, so has the narrator’s own body been first opened at the veins and filled with metal, and then had that metal removed, carefully, by Enhyoron.

This is a story of the horrors of colonialisation, patriotism and a desire to serve, and coercion, but also a story of redemption, escape, and how to make decisions.

(Originally published in Glittership no. 3, 2015).

REVIEW: The Trans Space Octopus Congregation Stories by Bogi Takács

Review of Bogi Takács, The Trans Space Octopus Congregation Stories, (Lethe Press, Inc., 2019) — Purchase here. Reviewed by Sara L. Uckelman.

This debut short story collection by Bogi Takács contains twenty-three stories (what a wealth!). Most of the stories included here have previous appeared in various other journals and anthologies. I know some people complain about “double-dipping”, but in my mind, this is precisely what short story collections are about: Bringing together the oeuvre of an author that had been previously disparately scattered, often inaccessibly a few years after publication, into a single accessible source.

If I were to identify an overarching thread or theme that runs through the stories, it is — sadly — not octopuses but rather a paradoxical lack of care for gender entwined with a deep, abiding care for gender. Many of the stories are in 1st person POV, and we can go an entire story without learning the narrator’s name or gender or anything else; but in others, trans and nonbinary characters are strongly represented, in a wonderfully positive and affirming light. I really appreciated how Takács was able to use the medium of fiction as a means to explore both the importance of gender but also how very unimportant it can be.

I also appreciated very much how many of the SF stories were based in actual science, complete with footnotes at the end of the story for further research or to pieces that formed Takács’s inspiration. The very best of SF fiction is, in my opinion, indistinguishable from fact, and I wish more authors would cite their sources in the way that Takács does!

As is usual, we’ll review each of the stories individually, and link the reviews here when published:

Detailed content notes for the stories are available — but at the end of the collection, which puts the onus on the reader to seek out the warnings to doublecheck that each story will not be problematic. (As opposed to when the notes are either collected and presented before the stories, or when each story is accompanied by its own note.) Some of the warnings cut across stories: There are quite a lot that are labelled with ‘body horror’. I will label each story review with the content warnings from the book.

Though I’ve been a follower of Takács on twitter for awhile now, this was my first exposure to their fiction. It’s also the first time I’ve actually reached out to request an ARC of a book, and doing so all I could think — and all I could think while reading and reviewing the stories in the anthology — was I hope I do them justice. I sometimes marvel at the fact that I get to live in an age when we have #ownvoices books representing so many different experiences. We are privileged to have these authors and their stories, and I’m privileged to read them. You should read them too!

REVIEW: “From the Void” by Sarah Gailey

Review of Sarah Gailey, “From the Void”, Shimmer 46 (2018): 95-104 — Purchase here. Reviewed by Sara L. Uckelman.

There are so many stories of space ships full of crew in stasis pods, and then inevitable things-going-wrong when they come out. This story is yet another one.

I would’ve sighed and shook my head (and continued reading nonetheless) after seeing that this was the case, were it not for the very interesting way in which religion plays counterpart to the traditional sci-fi model these stories usually fit — there is a lot more praying, creeds, baptisms, and high priestesses in Gailey’s story than in the usual space odyssey story. A lot more religion, and a lot more horror, too. It’s not a pleasant story, though it is finely constructed.

REVIEW: “Thistledown Sky” by Stephen Case

Review of Stephen Case, “Thistledown Sky”, Shimmer 46 (2018): 107-111 — Purchase here. Reviewed by Sara L. Uckelman.

This story is told in five parts, moving from factual to elaborate to finally each more spare and pared down than the last. Ostensibly it’s a story of faster-than-light space travel, but really it’s that story from the point of view of those left behind. How does one cognize what has happened when one’s child or friend or parent or lover has slipped beyond the bounds of lightspeed? “I just called it death,” the narrator tells us, but this is not because FTL travel is an irrevocable severing, but because maybe perhaps death is not.

REVIEW: “Evangelina’s Dream” by Jasmine Shea Townsend

Review of Jasmine Shea Townsend, “Evangelina’s Dream”, in Fairy Tales and Space Dreams (Jasmine Shea Townsend, 2019): 96-105 — Purchase here. Reviewed by Sara L. Uckelman. (Read the review of the anthology.)

This final story in the anthology, and the last of the space dreams, picks up the story of the titular character of the previous one, “The Cosmic Adventures of Sophie Zetyld”, which, despite the title, was more about River Seung than it was about Sophie Zetyld.

The story is divided into six parts, Negatio (“denial”), Iracundia (“irascibility”), Pacisci (“to bargain or negotiate”), Exanimationes Incidamus (“deaths might happen”), Acceptatio (“acceptance”), Excitatus (“I woke up”). Each is a snapshot of a dream, a dream dreamt by a body that is not used to dreaming, not used to eating, not used to being human. How much is real and how much is merely a dream is not clear, as it is in the truest and most vivid of dreams, but in it we learn much about Sophie’s previous life and her current desires. This one didn’t make me laugh quite as much as the “Cosmic Adventures” did, but I think I appreciated it more.

REVIEW: “Quality Time” by Ken Liu

Review of Ken Liu, “Quality Time”, Robots vs Fairies, edited by Dominik Parisien and Navah Wolfe (Gallery / Saga Press, 2018): 29-57 — Purchase Here. Reviewed by Susan T. (Read the review of the anthology.)

Quality Time follows a young folklore graduate as they get their first job in a Silicon Valley robot manufacturer and try to come up with the next greatest idea in consumer robotics. … It didn’t work for me at all. To the point that I ended up skimming through the last third of the story to make it go faster. The protagonist was unbearable, mainly for how self-important they were and the way that they treated Amy and ignored their family until they had the chance to use them. I understand that it’s a narrative about thinking through the consequences of your actions and needing to put in the time, but it wasn’t my sort of thing, and while I appreciated the protagonist getting their come-uppance, getting to it was a slog.

REVIEW: Robots vs Fairies edited by Dominik Parisien and Navah Wolfe

Review of Dominik Parisien and Navah Wolfe, eds., Robots Vs. Fairies, (Gallery / Saga Press, 2018) – Purchase Here. Reviewed by Susan T.

Robots vs. Fairies is exactly what it says on the tin: an anthology of stories that alternate between stories from Team Robot and Team Fairy – sometimes both fairies and robots appear in the same story, but the stories always centre whichever option the author thinks is most awesome. There’s quite a variety of approaches – the stories draw on Shakespeare, the history of the Old West, Norwegian folklore, shady tech practises, and American health insurance, amongst other things – but for the most part, the stories tend towards the bleaker end of the spectrum, as you might expect from authors exploring humanity through two of the most popular examples of inhumanity. The endings are consistently bittersweet at best, which means that the stories that are mostly positive can feel a little out of place, although there is enough fridge horror in them to satisfy anyone.

The anthology contains:

(Reviews will be linked to as they go live, and caution warnings will be on each individual story!)

On the whole, it’s a very good collection! If you’re in the mood to see how authors explore the intersection of magic and science, it’s not a bad place to start.