REVIEW: “Candida Eve” by Dominica Phetteplace

Review of Dominica Phetteplace, “Candida Eve”, Analog Science Fiction and Fact May/June (2020): 96–101 (Kindle) – Purchase Here. Reviewed by John Atom.

Contains spoilers.

Susana is the last surviving member of a terraforming expedition to Mars. An unexpected fungal pandemic claimed the rest of the crew while on flight, in addition to claiming millions of lives back on Earth. Despite the tragedy, Susana must find the courage and will to carry out her mission and create a new home for the future of humanity.

The story’s subject matter — i.e. a deadly pandemic — certainly makes it a relevant read at the time of publication (I’m guessing that is why it was included in this issue). There are startling similarities between the plague in Candida Eve and Covid-19. I’d be very surprised if all of it was just a coincidence.

Aside from that initial impact, however, “Candida Eve” leaves a lot to be desired. The prose is clear but relatively dry, making for a less than engaging read. Almost half the story consists of info-dumping about the details of Susana’s mission and the unexpected pandemic that devastated humanity. There’s little that actually happens in the story, and by the end, little gets resolved in a satisfying manners. There’s little sense that Susana overcame any of the challenges of her mission as she displays very little agency throughout the story.

REVIEW: “To Persist, However Changed” by Aimee Ogden

Review of Aimee Ogden, “To Persist, However Changed”, Analog Science Fiction and Fact May/June (2020): 105–106(Kindle) – Purchase Here. Reviewed by John Atom.

Contains spoilers.

A sentient moon crashes into a planet and discovers another sentient form of life there. The story is told from the perspective of the moon-consciousness as it prepares for the crash.

Billions of light-sensitive organelles orient to the brilliant patch of sky, and magnetosomes orient along familiar field lines. The diffuse awareness of the Moonmind comes to an agreement: Soon.

I must confess, I’ve never been keen on stories that describe an alien consciousness through the physical and chemical interactions that make it up — which seem to be popping up rather often lately. They always strike me as rather contrived. After all, consciousness is an emerging quality. Human thought-processes do not involve moving ions and chemical imbalances, even though it is such events in our brains that make thought possible.

From a fictional standpoint, however, it is a rather effective tool at conveying the “otherworldliness” of an alien mind. The author manages to successfully filter a different kind of consciousness through familiar scientific concepts, and does so clearly and concisely. Moreover, the author did a relatively decent job at maintaining a clear and readable prose, which is crucial for these kinds of stories.

Ultimately, I still don’t think it works, but I can appreciate the effort.

REVIEW: “A Compass in the Dark” by Phoebe Barton

Review of Phoebe Barton, “A Compass in the Dark”, Analog Science Fiction and Fact May/June (2020): 109–112 (Kindle) – Purchase Here. Reviewed by John Atom.

Contains spoilers.

In a Lunar colony, a young woman moves away from her family to a geological station on the far side of the moon. She is embarrassed by her father’s belief that dead soul are guided by electromagnetic fields and does not want to maintain his “compass towers.” When her father dies, she comes to regret her hostility towards him and reconsiders her attitude towards his beliefs.

I think the author has a great talent for prose as I was really drawn in by some of the descriptions in this piece. However, the plot did not do it for me. The father-daughter relationship could have been fleshed out more to give the story a better grounding for what happens when the father dies. All we have of their background is their respective beliefs towards “magnetic spirit guidance,” which in my opinion is not enough to understand why the characters act and feel the way they do. The ending does not work for the same reason.

Overall, I did not care much for this piece, even though I did enjoy the author’s writing style.

REVIEW: “A Life in Six Feathers” by Kathryn Yelinek

Review of Kathryn Yelinek, “A Life in Six Feathers”, Luna Station Quarterly 41 (2020): Read online. Reviewed by Sara L. Uckelman.

Oh, I loved this story. It combined intriguing and realistic science with a depth of character and a sweet thread of love and romance, and hope — so much hope. Beautifully constructed, a real joy to read. If you are looking for a “cosy SF” story, this is one for you.

REVIEW: “The Hummingbird Temple” by C.C. Finlay

Review of C.C. Finlay, “The Hummingbird Temple”, Beneath Ceaseless Skies, Issue 300, March 26, 2020: Read online. Reviewed by Richard Lohmeyer.

This story, written by the editor of The Magazine of Fantasy and Science Fiction, is arguably the best of the five stories in this special issue of Beneath Ceaseless Skies. It features several interesting characters, including Lin, the adopted and youngest daughter of her country’s ruler, and Kuikin and Vertir, two agents of one of the country’s leading officials. As the story opens, Lin—last in line to succeed to the throne—is putting the finishing touches on what seems to be the major preoccupation of a solitary life: an intricate scale model temple built from the delicate bones of hummingbirds. Kuikin and Vertir, on the other hand, are enjoying a bit of the good life while posing as foreign investors in an anti-corruption investigation. 

The stuff hits the fan when Lin’s father, the Dynast, dies and she must flee for her life with no one to assist her but a servant and her giant pet killer spider, Snub. The resulting narrative is an enjoyably paced adventure that includes, among other things, an impressive fight with blood ants. Though the story comes to a satisfying conclusion, it can also be read as the beginning of what I hope will become an ongoing series. 

REVIEW: “Uncompromised” by Ike Iblis

Review of Ike Iblis, “Uncompromised”, in David G. Clark, Callum Colback, Joe Butler, and Alex Hareland, eds., Beneath Strange Stars, (TL;DR Press, 2020): 341-348 — Purchase here. Reviewed by Sara L. Uckelman. (Read the review of the anthology.)

The dystopian possibilities that AI opens up are easy to exploit in SF stories, whether it be medical diagnoses by machine, or letting an algorithm find you your next date, or something else. Iblis’s story takes these already-existing things and pushes them to their extremes, to give a dark, depressing story. Short, but successful (though better proofreading to put in a bunch of missing commas would have been helpful).

REVIEW: “Meat Me in the Livingroom” by Michelle Enelen

Review of Michelle Enelen, “Meat Me in the Livingroom”, in David G. Clark, Callum Colback, Joe Butler, and Alex Hareland, eds., Beneath Strange Stars, (TL;DR Press, 2020): 325-340 — Purchase here. Reviewed by Sara L. Uckelman. (Read the review of the anthology.)

Before reading this story, whenever I saw this title I kept interpreting “meat” as a verb, a la its homophone “meet”, but no — Meat Me is a person, who is confined to the livingroom. She is visited regularly by Selene, who comes to tell her about the world outside (note: I was somewhat confused by Selene. First, Selene’s pronoun is “they/them”, except in the plural not the singular. And yet, when they refer to themselves, they use the singular “I”. Later on, “she” is apparently used in reference to Selene), as well as the egotistical, jerkish Poppy, who forms the final third of the trio. We never learn why Meat Me cannot leave the Livingroom, only that she is lonely there, despite visits from Selene and Poppy…until the Shipman arrives. Shipman brings with him many things Meat Me desires: he is new and exciting, he is interested in her and her life, he brings company to lonely days. But he also brings with him new, unpleasant ideas, and a purple-black smoke that follows his footsteps and leaves death in his wake.

The allegorical nature of Shipman is quite overt in the story, almost heavy-handed at times. Still, it wasn’t so overt as to make the ending foreseen, and I continued to read with interested to see who would win out in the end. I did feel that the Epilogue had no place in the story, though; it raised more questions than it answered.

REVIEW: “Where the World Ends Without Us” by Jason Sanford

Review of Jason Sanford, “Where the World Ends Without Us”, Beneath Ceaseless Skies Issue 299 (March 12, 2020): Read online. Reviewed by Richard Lohmeyer.

Having read and enjoyed other stories by Jason Sanford, I was looking forward to reading his latest work. Unfortunately, I was disappointed. SF/F has a long tradition of stories serialized over many years. Sometimes a reader’s enjoyment of the latest tale in the series does not require familiarity with the previous installments. Other times, it’s essential. In this particular case, I suspect I would have greatly benefited from having read the two previous stories set in this universe. Both stories–”Blood Grains Speak Through Memories” (a Nebula award finalist) and “The Emotionless, In Love”–appeared in BCS and are available in the magazine’s archives. However, not having read those two stories, I found this story’s premise difficult to accept and its large cast hard to understand. 

REVIEW: “Good Riddance” by Jennifer Worrell

Review of Jennifer Worrell, “Good Riddance”, in David G. Clark, Callum Colback, Joe Butler, and Alex Hareland, eds., Beneath Strange Stars, (TL;DR Press, 2020): 291-307 — Purchase here. Reviewed by Sara L. Uckelman. (Read the review of the anthology.)

“Do you want to be a hero?” the story opens up: Who wouldn’t want to say ‘yes’ to such a question? Robert, the main character, is also tempted, and signs up for the info session to learn more.

What both he and the reader learns is quite an interesting proposal — from the point of view of present-day medical technology, it’s hard to believe the proposal could ever be actually realised, but, hey, this is fiction, I’m willing to give it a pass. The result is a comfortable piece of dystopian fic, well set up enough that I did feel a pang of sympathy for Robert at the end of the story, even if for most of it he comes across as a rather self-absorbed jerk.

REVIEW: “One Hundred” by Sean Monaghan

Review of Sean Monaghan, “One Hundred”, Analog Science Fiction and Fact March/April (2020): 173–182 (Kindle) – Purchase Here. Reviewed by John Atom.

Contains spoilers.

Earth is gone, and the last one-hundred remaining humans have managed to carve out a living on a Martian colony. It’s been over 18 years, and nearly every day presents a new challenge for the colonists. After a disastrous fire that takes out a whole portion of their habitat, the colonists rethink their survival strategy, allowing for more innovation and freedom.

First of all, I must mention that this story has some serious plausibility issues: for instance, it is hard to believe that the colony went over 18 years without any new births. And if it did, there can’t be many people left that are of childbearing age. All in all, this colony seems doomed in more than one way. The author touches on some of these issues very briefly (and unsatisfactorily), but ignores most. 

If you can somehow make it past all that, then this is a fairly enjoyable story. The premise is nothing new, but the author’s tone and style have a rather endearing sense of melancholy that add depth to the prose. The characters feel real and so do their emotions in the challenges they have to face (in spite of the aforementioned plausibility issues). I also enjoyed the optimism of the ending, even though I do not think it is entirely earned.