REVIEW: Unbroken edited by Marieke Nijkamp

Review of Marieke Nijkamp, ed., Unbroken: 13 Stories Starring Disabled Teens (Farrar Straus Giroux, 2018) — Purchase here. Reviewed by Sara L. Uckelman.

This was one of my WorldCon ’19 recs — a book that was mentioned during one of the panels I attended, where I thought “I want to read that”. I especially wanted to read it to see if it would be something that I could recommend to one of my nieces, who I have a suspicious would be interested in SFF, but hasn’t yet gotten the right route in.

Not all the stories in this collection are speculative in nature — some of them are straight up realistic fiction (including some whose authors are best known for speculative fiction, which was a bit of a surprise!). Both queer and non-queer romance arcs were strongly represented across the anthology. It was this perhaps more than anything else that marked this book out as a collection of YA stories; whenever one of the romantic developments felt a bit too much, too fast, I had to remind myself that I’m not a teenager anymore and that if I’d read these stories as a teenager, they probably would’ve felt more real.

The stories don’t shy away from the difficult subjects. The range of disabilities represented was wide, from wheelchairs to anxiety to terminal illnesses. The characters are confronted with not only the ordinary vagaries of romance and other aspects of teenage life, but also with the worry of burdening others, the anguish of never being enough, the guilt of it all. One thing I really liked about this anthology as a collection was the way in which so many of the narrators voiced these sorts of internalised ableism, and the ways in which the stories themselves pushed back against those narratives, made it clear that they were not the right narratives. On the flip side, one of the things that made me uncomfortable was how some of the stories were variants on “even though a disabled person might think themselves unworthy, they can still do things that are valuable to society!” in a way that felt, to me, like it bordered on inspiration porn. Such stories were, however, the minority, and loaded towards the front of the book, so that by the end such early impressions were mostly memories.

As is usual, we’ll review the stories individually, and link the reviews below as they are published.

Having read all of them, yeah, I probably will get this book for my niece. They may not all be to her taste, as they weren’t all to mine, but if she derives joy from even one of them, it’ll be a worthwhile purchase. (And I really hope she likes Benwell’s and Duyvis’s, the two outstanding stories of the volume in my opinion.)

Sara L. Uckelman14 Comments

REVIEW: “Call Center Blues” by Carrie Cuinn

Review of Carrie Cuinn, “Call Center Blues”, Luna Station Quarterly 27 (2016): Read online. Reviewed by Sara L. Uckelman.

With just a few sentences Cuinn manages to capture the frenetic horror of modern-day multi-tasking life — IMing while sending an email while talking on the phone, all wrapped up in the horror that is working in a call center. Throw in some recalcitrant androids, and this story just seems to hit a lot of nails on the head. I thought this story was really well done — well written, snappy, nicely balanced with humor, and just good fun to read.

(Originally published in Daily Science Fiction, 2011.)

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REVIEW: “True Colors” by Beth Goder

Review of Bethe Goder, “Rite of Passage”, Analog Science Fiction and Fact September/October (2020): 79–80 (Kindle) – Purchase Here. Reviewed by John Atom.

Julia visits an AI that can allegedly read a person’s brain patterns and produce their perfect version of a work of art. But when Julia goes through the process, all she gets is a blank painting with nothing but layers of white on it.

Reading “True Colors,” I got the impression that there’s a deeper meaning in the painting metaphor, but I’m not entirely sure I get it. Something about the “deeper layers” of Julia’s personality, perhaps. I don’t there’s enough there to really come to a conclusion. Still, it was an a neat story and I enjoyed the idea of the artistic AI using something akin to machine learning to generate someone’s “perfect” work of art.

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REVIEW: “Attrition” by Leslie J. Anderson

Review of Leslie J. Anderson, “Attrition”, Luna Station Quarterly 27 (2016): Read online. Reviewed by Sara L. Uckelman.

This story had a lot of Neon Genesis Evangelion overtones — a motley collection of people and mechs they must control in order to save humanity. But since it was a short story rather than a drawn-out TV series, a proportionally higher percentage of story space was spent explaining what the mechs were and how they worked. At the end, I kind of wanted more story, and less explanation. (I also think there was a continuity error — pretty sure the two references to Mr. Hernandez were supposed to be to Mr. Henderson. Props for the character in the wheelchair, though.)

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REVIEW: “Into the Starfish Heart” by J. M. Wetherell

Review of J. M. Wetherell, “Into the Starfish Heart”, Luna Station Quarterly 27 (2016): Read online. Reviewed by Sara L. Uckelman.

This one was a bit off the mark for me. I spent a lot of the story confused about chronology (partly, I think, because the initial paragraph set me up to think that Ledo the artist was dead, but then it turned out they weren’t? At least I don’t think so? Like I said: Confusion.), and despite the fact that at times it felt like there was a lot of back-story being dumped in a bit clumsily, I still never felt like I got a good picture of just what, exactly, the setting was. It was frustrating, because I wanted to understand what was going on, but never quite did.

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REVIEW: “Cara’s Heartsong” by Dawn Bonanno

Review of Dawn Bonanno, “Cara’s Heartsong”, Luna Station Quarterly 28 (2016): Read online. Reviewed by Sara L. Uckelman.

Wow, this story, published four years ago, was surprisingly difficult to read in the current climes of mass protests and riots, and a lingering insidious disease. Bonanno I’m sure had no idea what 2020 would bring, but her story reads very much like a picture of our near future. Except for the bit where physiology doesn’t work the same way in Bonanno’s world as it does in ours — a very pleasant little bit of world-building that I enjoyed.

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REVIEW: “Scrap Metal” by Tara Calaby

Review of Tara Calaby, “Scrap Metal”, Luna Station Quarterly 28 (2016): Read online. Reviewed by Sara L. Uckelman.

Content warning:Traumatic injury, death.

It’s always risky opening a story with a character waking up — perhaps even more risky to start not only the first scene but the second scene as well that way!

Mae’s been in a bad car accident, but she is “a very lucky girl”; after all, she’s now kitted out with the best cybernetic prosthetics available. With this, Calaby takes what could’ve been a rather pedestrian premise and threads it with through with the uncomfortable side of Mae’s luck: the way in which wealth rather than need or desert determines who gets the best of care after a traumatic accident, the gaslighting of a patient by their doctor, the fact that her new limbs might not be all they seem on the surface.

Quality SF with a hint of horror towards the end. Nicely done.

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REVIEW: “Keeping the Peace” by Elisabeth R. Adams

Review of Elisabeth R. Adams, “Keeping the Peace”, Analog Science Fiction and Fact July/August (2020): 118–123 (Kindle) – Purchase Here. Reviewed by John Atom.

Contains spoilers.

An alien species of intelligent reptiles is preparing to launch an attack at what is presumably our Solar System. Their intention is to spread to the stars, but only by conquering already populated planets. They’re not interested in other means of colonization. During the launching ceremony, a few who are not happy with the current predicament decide to overthrow the leader and put a stop to the cycle of violence.

What I appreciated the most in “Keeping the Peace” was its pace. The story builds up elegantly to its climax, while also giving a complete picture of what the society in question is like. I always enjoy concise world-building, and Adams does that splendidly here. Not one sentence felt wasted. Little touches like naming characters after star systems or their peculiar ritualistic chants go a long way into defining the alien culture within the story.

However, I was slightly disappointed with the resolution. The main character’s rise to power seemed a little too easy considering how violent and war-mongering their society was. Despite this, “Keeping the Peace” was a joy to read.

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REVIEW: “Ife-Iyoku, the Tale of the Imadeyunuagbon” by Ekpeki Oghenechovwe Donald

Review of Ekpeki Oghenechovwe Donald, “Ife-Iyoku, the Tale of the Imadeyunuagbon”, in Zelda Knight and Ekpeki Oghenechovwe Donald, ed., Dominion: An Anthology of Speculative Fiction From Africa and the African Diaspora, (Aurelia Leo, 2020) — Purchase here. Reviewed by Sara L. Uckelman. (Read the review of the anthology).

Content note: Nuclear warfare, possible rape, nonconsensual sex, death, suicide.

The “sacred charge of Obatala” is that all the men and women of Ife-Iyoku be useful, whether through the cultivation of special gifts as see-ers or healers or light weavers, or through the application of themselves to general tasks such as hunting and cooking and childrearing. While all the rest of Afrika has been destroyed by nuclear fall out, Ife-Iyoku stands behind a protective shield, and it is the duty of those who live there to make their community as strong as possible, that they might survive until Obatala returns to save all of Afrika.

But these roles come with definite gender restrictions, with women coming out far the worse. When Ooni Olori receives a message from beyond the shield, life in Ife-Iyoku is threatened by invasion. Those who live there must question the patriarchal structures that have bound their lives and face a future radically different from any they have ever known. I enjoyed watching Imade, one of the main characters, fight back against the gender roles that have constricted her her whole life, and by the end of the story was deeply invested in her and her outcome. A strong and powerful story.

Sara L. Uckelman2 Comments

REVIEW: “Clanfall: Death of Kings” by Odida Nyabundi

Review of Odida Nyabundi, “Clanfall: Death of Kings”, in Zelda Knight and Ekpeki Oghenechovwe Donald, ed., Dominion: An Anthology of Speculative Fiction From Africa and the African Diaspora, (Aurelia Leo, 2020) — Purchase here. Reviewed by Sara L. Uckelman. (Read the review of the anthology).

This was a glorious, brilliant, wild ride of a story, of warring clans (the Fisi, the Simba, the Chui, the Kobe), of futuristic tech, and of a warrior heroine to shout and cheer on. There’s a lot thrust upon the reader right at the beginning — different names, different people, different types of equipment — and the lines between robot, battlegear, alien, and human are often blurred. But the story is long enough that the onslaught of unknown at the beginning eventually tapers off and the pieces start becoming clearer and fitting together.

I would have liked to see more of Shibuor, heroine and princess of the Simba Clan — she was the one who caught my attention and aroused my sympathy. In the end, it felt like she was primarily a foil for the male characters in the story, robbed of a full chance to exercise her agency, which was disappointing considering how strong and active she started out.

This is only a moderate complaint, though: I still enjoyed this one quite a bit.

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