REVIEW: “Small Prayers for the God of Sow Thistle Hill” by Kate Francia

Review of Kate Francia, “Small Prayers for the God of Sow Thistle Hill,” Flash Fiction Online 147 (December 2025): 26-28 — Purchase here. Reviewed by Sara L. Uckelman.

The theme of this story felt eerily similar to that of Matt Dovey’s in the same issue, but instead of feeling repetitious, it felt like the two stories reinforced and supported each other. The lesson in both of them — told here in a sweet, sorrowful, almost wistful way — is one that often needs to be said over and over and over again before people will listen, so I’m pleased that FFO’s editors opted for including both of these.

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REVIEW: “The Visitor” by Frances Koziar

Review of Frances Koziar, “The Visitor,” Luna Station Quarterly 63 (September 2025): 337-361 — Purchase here. Reviewed by Sara L. Uckelman.

Once I got past the rather info-dump-y first few pages, this story really drew me in. I’m a sucker for university scholars off doing research, no matter what arcane subject, and I enjoyed the easy naturalness that lay between Annaz, the scholar, and Kiava, the local who became his guide. For a comparatively long story, the pages slipped away quickly beneath my eyes, especially as I reached the excessively sweet and excessively satisfying resolution.

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REVIEW: “Conveyance” by Isobel Mackenzie

Review of Isobel Mackenzie, “Conveyance,” Luna Station Quarterly 63 (September 2025): 187-200 — Purchase here. Reviewed by Sara L. Uckelman.

As a matter of constitution, I’m predisposed to like stories about lesbian ghost hunters. Alas, I’m also predisposed to wanting my stories to be historically accurate (in so far as “ghost stories” and “accuracy” belong in the same sentence), which meant that as soon as we were introduced to a Roman ghost who’s been haunting London since her death “a hundred years before the birth of Christ” (p. 189), I rather lost my faith in the author. Which was a shame, because this ghost turned out to be almost entirely irrelevant to the story, and the rest of the story was distinctive, not your usual sort of ghost story, and I would have liked to have enjoyed it more than I did.

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REVIEW: “Women of Nowhere” by Lyra Bird

Review of Lyra Bird, “Women of Nowhere,” Luna Station Quarterly 63 (September 2025): 171-184 — Purchase here. Reviewed by Sara L. Uckelman.

100% absolutely and utterly gripping — that’s what this story was. It has one of the most distinctive narrative voices that I’ve come across in a very long time, drawing me straight in so that by the third sentence I was enthralled, not so much by the story as I was by wondering what slant path Bird would take me down next.

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REVIEW: “Top Five Places to Worship Him, Most Terrible” by L. Fox

Review of L. Fox, “Top Five Places to Worship Him, Most Terrible,” Luna Station Quarterly 63 (September 2025): 89-102 — Purchase here. Reviewed by Sara L. Uckelman.

There’s nothing like religious fervour to lay the foundation for something insidiously creepy (and at times really gruesome). If you want to feel vaguely disconcerted and unsettled, this is definitely the story for you.

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REVIEW: “Silence, in the Doorway, With the Gun” by Nadia Radovich

Review of Nadia Radovich, “Silence, in the Doorway, With the Gun,” Flash Fiction Online 144 (September 2025): 7-12 — Purchase here. Reviewed by Sara L. Uckelman.

As a medievalist, I thought that the most exciting thing about this story, for me, was going to be finding out that the Roman de Silence mentioned in the opening paragraph is real. The roman itself is so fascinating that I figured it would be a hard ask for Radovich’s story to be more intriguing than the real thing.

Well, I shouldn’t have been so pessimistic. The story about the story was great.

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REVIEW: “No Laughter in a Vacuum” by Anna Clark

Review of Anna Clark, “No Laughter in a Vacuum,” Flash Fiction Online 143 (August 2025): 12-15 — Purchase here. Reviewed by Sara L. Uckelman.

Ellen — described by her ex-girlfriend as a personality vacuum all the way down — secures a job that exploits this: She absorbs other people’s social defects so they can more successfully navigate their lives. As we (the readers) get to see what social defects it is that her clients choose for her to erase, the story becomes a more and more uncomfortable read.

On one level, this is a story of masking, and it’s such a real and raw and realistic story of masking, I almost wanted to put a content note at the start of this review, not necessarily to warn people off from the story, but at least to warn them of it. I think the ending is intended to be happy one, but I was too caught up in what came before to find any joy in the resolution.

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REVIEW: “Kolumbo 1619: Choose Your Own Adventure” by KÁNYIN Olorunnisola

Review of KÁNYIN Olorunnisola, “Kolumbo 1619: Choose Your Own Adventure,” khōréō 4, no. 4 (2025) — Read online. Reviewed by Sara L. Uckelman.

Content note: Racism, police brutality, murder.

This is a “choose your own adventure” through systematic racism in early 20th C America, over and over and over again. It’s the sort of story that never in a million years could I have ever written, because it is so far removed from my own (privileged!) experiences: I can only ever hope to get a glimpse of understanding of these experiences by reading about them. It’s a tough read, but I’m glad I had the opportunity to do so.

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