Review of Kai Cheng Thom, “i shall remain” in Gwen Benaway, ed., Mother, Maiden, Crone, (Bedside Press, 2019): 97-107 — Purchase here. Reviewed by Sara L. Uckelman. (Read the review of the anthology.)
This was a rich, sensual story full of old myth and modern realism, and threaded through with a gruesome interpretation of Christianity (I don’t know if this was intended or not, but it certainly read that way to me). It was distinctly different from the rest of the stories in the anthology, not only in content and in choice of trans characters, but also in its literary style, with a systemic eschewing of capitals except for proper names and phrases, and sometimes (but not always) “I”. I think this was my favorite story of the volume.