REVIEW: “The Ashen Heart of St. Fain” by Dale Carothers

Review of Dale Carothers, “The Ashen Heart of St. Fain”, Space and Time #130 Winter 2017 pp. 35-40. Purchase here. Review by Ben Serna-Grey.

 

A fantasy story about a young, privileged man who wants to basically be his world’s equivalent of Walt Whitman, and write a book for the common people. He seeks to write an account of the city of St. Fain, where a fallen god has left a massive burnt-out crater. Like many would-be “writers” with lofty goals, he finds himself counting more an more days without a page count and ultimately ends up caught in another person’s pain, his own failings, and his family’s expectations. This is a story of healing, but also of shattered dreams, naivete, misplaced hopes. It starts out easy enough, but don’t expect the whole ride to be full of peaceful easy feelings.

Does Nicholas ever pursue writing again and actually get some work done? I don’t know. Maybe Dale Carothers will revisit this young man’s world or it’s been visited before this story. Either way I do recommend this one. While it is refreshing to see a story every once in a while that has a not-so-happy ending, this one did actually bum me out a little. Which is a good thing, believe it or not.

 

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REVIEW: “Hair” by Mike Thorn

Review of Mike Thorn, “Hair”, Darkest Hours (Unnerving, 2017): 12-26 — Purchase here. Reviewed by Sara L. Uckelman. (Read the review of the anthology).

The opening line of the opening story in this collection grabbed me viscerally and left me deeply uncomfortable:

Tonight, Theodore voluntarily ingested hair for the first time.

All it took was the insertion of the single world ‘voluntarily’ to conjure up images of some bizarre and creepy fetish — and also to conjure up questions that I must have answered in order to be satisfied: Why does Theodore choose to eat his own hair, and what is the reason for the strange elation it brings him?

In the end, I’m not sure I got any answers: But the sheer creepiness of the story carried me from start to finish almost without allowing me to pause for breath.

(Originally published in DarkFuse, 2016).

Sara L. Uckelman1 Comment

REVIEW: Darkest Hours by Mike Thorn

Review of Mike Thorn, Darkest Hours (Unnerving, 2017) — Purchase here. Reviewed by Sara L. Uckelman.

One of the perks of reviews is discovering new stories and new authers that one would not otherwise have ever come across — this goes both for reading reviews and writing them! Were it not for running this site, I doubt I would have come across this collection of short stories (mostly horror, but some have a stronger SFF element or slant). This is also the first time we’ve reviewed a collection of short stories all written by the same author, instead of an edited anthology, which is itself a treat: A single story never can display all facets of a single author.

The stories in this collection display many facets: Creepy, disturbing, but also skilled and precise. The overall tenor is a gory, sordid one — not really up my alley, unfortunately. In the end, I found I came away from too many of the stories feeling vaguely unclean from having read them, and I also found the glorification of male violence and the centering of the male characters rather depressing.

Nine of the stories in this collection have been previous published, but the remaining seven are new. As is usual on this site, we’ll review each of the stories in turn, and link the reviews to the list below:

If horror is your thing, you’ll probably find a story for you in this collection. If horror isn’t your thing, you may still yet find a story for you in this collection. Or you might be better off avoiding it.

Sara L. Uckelman16 Comments

REVIEW: “Holiday Romance” by Mark Morris

Review of Mark Morris, “Holiday Romance”, The Best Horror of the Year Volume Ten, edited by Ellen Datlow (Night Shade Books, 2018): 31—54. Purchase Here. Originally published in Black Static #58 (2017). Purchase Here. Reviewed by Rob Francis.

I loved this story. From the opening paragraph I knew that the author’s writing style was going to chime with me, and as soon as it became apparent that the story was set in an English seaside town (smell the nostalgia!) I was on board and fully paid up.

Our protagonist, Skelton (great name), is escaping his failing marriage with a trip to the coastal holiday town he visited as a teenager, and where he had an unrequited infatuation with a girl he’s never forgotten. It isn’t long before he meets an intriguing woman holidaying with her infirm husband, and the police are asking him questions about body parts found on the beach that, impossibly, seem to match his DNA.

I guessed where the story was going quite early on but this didn’t detract from my enjoyment of it; instead reading it felt more like visiting with an old friend. I was a bit sceptical about the rapidity with which DNA test results became available (pretty swish forensic service in that part of England) but perhaps that’s misplaced.

Overall, this is a lovely story about the decisions we make (or don’t) and their repercussions, and a reminder that all relationships eventually decline, though not all to the same severity or extent. The ending, though disturbing, offers some hope. Highly recommended.

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REVIEW: “Liquid Air” by Inna Effress

Review of Inna Effress, “Liquid Air”, The Best Horror of the Year Volume Ten, edited by Ellen Datlow (Night Shade Books, 2018): 21—30. Purchase Here. Originally published in Nightscript III, edited by C.M. Muller (Nightscript, 2017). Purchase Here. Reviewed by Rob Francis.

One of the shorter stories in the anthology, this is an interesting piece that follows Kris as she goes to collect some neon signage from an unusual sign technician, and is told to return on the morrow as it is not yet finished. We then get an insight into Kris’s home life and the growing insanity of her doll-obsessed husband and failing marriage. When she returns to collect the signage the next day she makes a decision that brings about something of a cataclysm for her and others.

The story is a bit disjointed and I’m not sure that the various parts hang together as well as they could, though it may be that some of the meaning has passed me by; I was certainly left with a few questions at the end. I wasn’t sufficiently convinced of Kate’s relatively sudden (and prolonged) acquiescence to physical intimacy with the technician, even if they had met once before, and it felt like the husband’s obsession could have been dealt with more satisfactorily. Nonetheless, it was an entertaining read and the real strength of the story is in the descriptions, with the final section, detailing the aftermath of a flood that has unearthed the contents of a cemetery (and a few other things), really standing out. Well worth a read.

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REVIEW: “When You’re Ready” by M. Ian Bell

Review of M. Ian Bell, “When You’re Ready”, Apex Magazine 110 (2018): Read Online. Reviewed by Joanna Z. Weston.

A scientist is hard at work, modeling a human life from conception, tweaking variables of upbringing, trying to guide the simulant to a specific outcome. He’s done this many times before, but never gets the results he is looking for. The story follows his current attempt, with reflections on what has gone wrong before.

I enjoyed the way this story plays with memory and experience, and how people are hurt, supported, and otherwise influenced by the people around them and by their own choices. The way it engages with the nature versus nurture question is hardly unique – I think it’s pretty well accepted at this point that both factor into the people we become – but the depth of the reflection is rare, and I found it rewarding. I feel like this mirrors how many of us reflect on our lives, endlessly imagining how different circumstances might have brought us closer to the person we wish we were.

The story deals with so many interesting questions. How much can you change a person before they become unrecognizable to the people who know them? Can undesirable events lead to desirable results? What about an individual is inborn, and how much can be changed through experience? And most importantly, how much can a person will themselves to change, given a set past?

This doesn’t have what I would consider a twist ending, but the ending does color the story that came before, once you get to it. The pieces of the past slowly come together to create a satisfying conclusion. I highly recommend this for anyone who likes reflective, essentially psychological science fiction.

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REVIEW: “Better You Believe” by Carole Johnstone

Review of Carole Johnstone, “Better You Believe”, The Best Horror of the Year Volume Ten, edited by Ellen Datlow (Night Shade Books, 2018): 1—19. Purchase Here. Originally published in Horror Library Volume 6, edited by Eric G. Guignard (Cutting Block Books, 2017). Purchase Here. Reviewed by Rob Francis.

Expectations are always high from the opening story of a horror anthology, especially one of Ellen Datlow’s Best Horror of the Year anthologies. This year opens with Carole Johnstone’s “Better You Believe”, originally published in Horror Library Volume 6, edited by Eric G. Guignard. It’s a ‘wilderness’ horror, charting the literal, physical and mental descent of the protagonist (Sarah) as she makes her way down a mountain in the Annapurna Massif after bad weather has come in, separated (at least initially) from the rest of her group. A series of Bad Things occur, but her love for her boyfriend Nick keeps her going while the body count mounts.

It’s a great story, ramping up the dread and emphasising the terrible indifference of nature and the violence it inflicts, as we begin to suspect that Nick may not quite be the stand-up guy Sarah thinks he is (or is he?), and some interesting group dynamics are revealed. The author makes it easy for the reader to care for Sarah and really want her to come through. While reading the story I was a little niggled by the relative ease with which Sarah manages to extricate herself from some of the Bad Things that happen, and the tendency for her to be seemingly on the verge of physical/mental/emotional collapse one moment, and then able to hang on for several hours before coming to the verge of collapse again, in what seems an endless struggle. But the twist at the end resolved that for me and although it’s not hugely original, I’m happy to say that I didn’t see it coming and so had to re-read the story to admire all the misdirection.

Overall this was a really strong start to the anthology and an evocatively written, refreshing and truly disturbing story that has reinforced my desire never to climb anything larger than a small knoll. Real wilderness – of which surely mountains are one of the few remaining examples – can be terrifying for a reason.

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REVIEW: “Exploration Fact and Exploration Fiction” by Lawrence Dritsas

Review of Lawrence Dritsas, “Exploration Fact and Exploration Fiction”, in Visions, Ventures, Escape Velocities: A Collection of Space Futures, edited by Ed Finn and Joey Eschrich, (Center for Science and Imagination, Arizona State University, 2017): 105-113 — Download here. Reviewed by Sara L. Uckelman. (Read the review of the anthology).

The paradox of exploration is that it is expensive, and therefore it is only worth investing in if there’s a good chance that the investment will be repaid — this paradox is witnessed throughout the history of exploration from ancient Greece to the modern day. In recounting this history, Dritsas points out that “there are very few historical cases of intrepid individuals paying their own way to simply ‘see what’s out there'” (pp. 105–106). This can be taken as one of the titular “exploration facts”, and “how to pay for it” thus becomes one of the most important questions that any potential exploration must answer. There are a variety of answers out there in history, but “exploration fiction” can help us find even more, Dritsas argues:

The future of space exploration, and especially the exploration of Mars in the twenty-first century, can be informed, if not inspired, by a study of both the history of exploration and the science fiction of exploration (p. 107).

In fiction we find “public-private funding models for exploring space” (p. 107), as well alternatives to sending humans (with their frail bodies not designed for space) into space, such as “human cyborgs specifically built to survive the Martian environment” (p. 108). In the present anthology being reviewed, Schroeder’s “The Baker of Mars” (read the review) offers yet another option: telepresence.

Current space exploration is constrained by other facts, such as legal facts resulting from treaties that have bearing upon who — or what — can, e.g., lay ownership to non-earth land. One of the advantages of exploration fiction is that is has the liberty to ignore these constraints and consider ‘what ifs’; by expanding the space of possibilities, exploration fiction provides us with more opportunity for finding solutions that can one day be converted into exploration facts:

Studying the history of exploration and reading science fiction can help us predict the problems of getting there and the consequences of new discoveries (p. 111).

Exploration fact and exploration fiction are not opposed to each other: Rather, they each depend upon each other.

Sara L. Uckelman1 Comment

REVIEW: “Expanding Our Solution Space: How We Can Build an Inclusive Future” by Deji Bryce Olukotun

Review of Deji Bryce Olukotun, “Expanding Our Solution Space: How We Can Build an Inclusive Future”, in Visions, Ventures, Escape Velocities: A Collection of Space Futures, edited by Ed Finn and Joey Eschrich, (Center for Science and Imagination, Arizona State University, 2017): 63-76 — Download here. Reviewed by Sara L. Uckelman. (Read the review of the anthology).

In this chapter Olukotun addresses face on the ways in which prejudice and stereotype threaten attempts to build an inclusive future, and ways in which we can combat these threats, recognising that “there is ample evidence of the benefits of inclusion, such as improvements in innovation, creativity, and resilience” (p. 64). Given that “inclusion can mean many things in space” (p. 64), an inclusive future is one that:

  • Attempts “to include as many people from their societies as possible, such as women and religious, ethnic, or sexual minorities” (p. 64).
  • Gives “people from all regions and nations of the world equitable access to outer space” (p. 64).

When Olukotun outlines the ways in which much of current space-exploration is set up to not be inclusive, he’s speaking from experience:

The idea of Africans walking on the Moon can sound absurd in light of the fact that many, if not most, images of Africa portray its wild animals and its poverty, and not its space-age technology. It’s partly why I named my first novel Nigerians in Space…The absurdity of Africans in space may just stem from our own prejudices (p. 63).

And its because of this experience on the receiving side of prejudice and stereotype that Olukotun’s advice carries the weight it does.

Given all this, what are practical things we can do to support an inclusive future, space-faring or otherwise?

  • Participate in what Cory Doctorow calls a “free, fair and open network” (p. 65) of ideas and resources, for example, by sharing data and tools license-free.
  • Promote inclusivity “inside country-level space programs…by aggressively hiring, training, and promoting marginalized people to become not just astronauts, but bureaucrats, too.” (p 66).
  • Enable more countries to join the exploration of space (p. 67), while recognising that the wealth of a country alone is not enough to make it able to participate — it is hard to justify space-programmes in countries like India and Nigeria that have such high numbers of poverty: “Space programs in developing countries face equally harsh public backlash for spending money when there are critical needs to address” (p. 68). Olukotun points out that the choice between investing money and space and investing money on earth is a false dichotomy: “Satellites are arguably the quickest and most proven path for countries to reap benefits from space technology, as they can open up entire swaths of countries to the digital age” (p. 70)
  • Influence “our vision of the future as expressed in the popular imagination” (p. 71); “science fiction entertainment doesn’t have to just mirror the status quo” (p. 72). When we read inclusive SF, when we write it, when we watch it on TV and in the theatres, when we talk about it with others: That is no small thing to do in helping make a more inclusive future happen.
  • Promote inclusivity in our SF entertainment not just at the level of actors but also in the “enormous apparatus behind each entertainment product” (p. 72).

This may seem like a big ask, but it isn’t: Each one of us can find something on this list that they can do.

Sara L. Uckelman1 Comment

REVIEW: “The Baker of Mars” by Karl Schroeder

Review of Karl Schroeder, “The Baker of Mars”, in Visions, Ventures, Escape Velocities: A Collection of Space Futures, edited by Ed Finn and Joey Eschrich, (Center for Science and Imagination, Arizona State University, 2017): 83-102 — Download here. Reviewed by Sara L. Uckelman. (Read the review of the anthology).

The story starts of juxtaposing the wild strangeness that must accompany colonising Mars with the quiet ordinariness of a Tampa diner. Myrna runs the diner as a sideline business, with most of her time taken up by catering to those who colonise Mars from afar — telecommuters who live on earth but function according to Martian days, Martian hours (forty minutes longer than our own), Martian timezones. It’s a trick balancing act, to live in one timeline but work in another, and Myrna’s catering service helps people live according to the timeline that they work in.

Schroeder’s story takes up the “public/private” matter that we’ve already seen in earlier stories in this anthology, because it is only through such ventures that such telecommuting colonisation can take place. The infrastructure is publicly supported, but much of what goes in to it is privately funded, by people like Wekesa Ballo, who had “sunk all his money into buying [a] bot and getting it transported to another planet, in the hope that what they build there will someday attract clients and customers beyond the launch companies and speculators” (p. 86).

It’s a story of many layers, though, not just this one, with ordinary humans living ordinary human lives while at the same time living lives upon Mars both virtual and real. The presence of these layers allows Schroeder to play with fact and fiction in a way that makes for a satisfying read.

Sara L. Uckelman3 Comments