One thing that struck me about this anthology, the more stories I read in it, was just how many of the characters are some combination of (a) male, (b) academic, and (c) drunk. One or two stories populated with characters like this would’ve been okay; but after nine or ten stories like this, the lack of diversity begins to tell as it becomes harder and harder to sympathise or empathise with the main characters. This story is no different: We’re introduced to Larry and Maurice when they meet at an art gallery, both male, both academic (although Larry is an English professor and not an Art Historian like Maurice), both having had too much wine.
So I set myself for yet another story of this ilk, only to find myself surprised by the titular character himself. Lucio Schluter is a sculptor, who had “had impossibly, but successfully, managed to integrate elements of action figurine aesthetics into the rigor of classical nudist sculpture” (p. 228). This is a tantalising description, and shows how difficult it can be to describe an intensely visual medium through an intensively verbal one. In this story, I really enjoyed how Thorn drew pictures of Schluter’s sculptures through words; it shows the verbal power that Thorn has, which was often not foregrounded in many of the other stories in this anthology. Schluter himself has a depth that makes him far more intriguing than many other characters I’ve encountered in Thorn’s stories so far, a mixture of contradictions and confusions.
(Originally published in DarkFuse, 2017).