REVIEW: “The Novelist in the Attic” by Shen Dacheng

Review of Shen Dacheng, Jack Hargreaves (trans.), “The Novelist in the Attic”, in Jin Li and Dai Congrong, ed., The Book of Shanghai, (Comma Press, 2020): 61-77 — Purchase here. Reviewed by Sara L. Uckelman. (Read the review of the anthology).

This story was the one that intrigued me the most when I read a one-sentence blurb of it on the back. I thought we’d find out, at the start, how the novelist gets into the attic, but the story actually opens on him when he’s already been up there for years.

Part of the premise of the story is extremely attractive to any writer — a quiet space where one can write uninterrupted, without any cares of housekeeping. But the flip side of it — a writer effectively squatting in his publisher’s attic, toiling away without ever producing his third book — is kind of chilling. For awhile, the reader seems to suffocate along with the writer, until one day the publishing house’s previous director retires and a new, reforming, one takes over. The abrupt change shocks the entire system, including the author, and the story takes a sudden, dramatic twist.

The one thing that struck me about this story is how indistinct it was, in the sense that it could have happened anywhere, to anyone. Only the references to the wutong trees outside the building locate the story in any particular place.

(First published in The Ones in Remembrance, 2017).

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3 thoughts on “REVIEW: “The Novelist in the Attic” by Shen Dacheng

  1. I saw the novelist’s seclusion as analogous to China’s in the Mao era – some of the descriptions echoed justification for this. His release, leaving corpses strewn across the building leave the reforming director with a chaotic legacy.

    I agree with your thoughts on the indistinctness of this short story, for this, and for many other tales in this short story collection. Maybe the editor was looking for a selection of tales which added to the anonymising vacuum of the megalopolis?

    Thank you Sara

    Like

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