Nata intends to leave the safe community of Isiuwa, to go out into the dunes. She has tried once before, been captured and narrowly avoided death at the hands of the chief in punishment, but she is determined to make her escape from this village that she hates. The chief insists that for anyone to go would anger the gods and doom Isiuwa, but Nata does not believe this. Like her mother before her, she is determined to see what lies beyond the walls, and to find freedom.
There is a lot going on in this story. On a political level, this story takes a long, hard look at the type of governance that seeks to protect people by limiting their freedom. Because, of course, the people in charge of Isiuwa are permitted outside the bamboo fence. They say they do it to the protect the people, that it is a burden and not a privilege, but that does not change the fact that they are the only ones who could possibly know what is out there. Everyone else must take their word for it. Most of the citizens seem unbothered by this fact, even if they do not all believe in the religious explanation provided by their chief.
But of course, it is the personal level of the story that most interests me. Nata’s challenging relationship with a mother who left years ago, before Nata was ready to question the truths passed down to her, informs much of the story. Her absence is almost a presence for Nata. I also appreciated her friendship with a younger boy, one whose mother also left for the dunes. So often, when we read about someone defying authority, they have to do it completely alone. I liked seeing Nata with an ally.
This is an engaging first story in Apex’s Afrofurism special issue, which is also the last issue of the magazine.