REVIEW: “You’re Not the Only One” by Octavia Cade

Review of Octavia Cade, “You’re Not the Only One”, Clarkesworld Issue 185, February (2022): Read Online. Reviewed by Myra Naik.

A very emotionally resonant story, and one that deserves to be read slowly and savored.

Set in the nebulous future, the story revolves around an astronaut and his friend, both dealing with their own disappointments. What I loved about this story was their sympathy for each other, and how they provided each other with space and dignity to handle grief in their own way.

I liked how the author portrayed in the children in this story as people capable of feelings, empathy, and curiosity. I genuinely believe that children are capable of a lot, and sometimes as adults we forget what it was like to be a child with questions and the burning desire for knowledge and understanding. I have rarely seen this level of respect for emotion and dignity in writing. For this alone, I want to read more of Cade’s work.

More than anything else, however, what I loved was how community-minded all the characters in the story were. For me, it was a dazzling display of humanity, and it felt both sad and natural that it would take a massive catastrophic event on a global scale for people to develop compassion towards each other. The people in this story truly understood that we’re all in this together. In this life, on this planet, in the decisions we take.

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REVIEW: “The Plasticity of Youth” by Marissa Lingen

Review of Marissa Lingen, “The Plasticity of Youth”, Clarkesworld Issue 185, February (2022): Read Online. Reviewed by Myra Naik.

Jess is pregnant, and going to her scheduled doctor visit. She is stopped because of a raven that decided to eat her tires. Her daughter, when born, seems to be a bit different, but healthy. Over time, we learn that it’s not just tires; it’s just not ravens. A lot has started to charge.

I really like this type of story, where the world sort of changes without it having been done by humans. The humans are simply trying to navigate this world, just like everyone and everything else does.

It was strongly emotional, and I say this in the best possible meaning of the phrase.

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REVIEW: “The Massage Lady at Munjeong Road Bathhouse” by Isabel J. Kim

Review of Isabel J. Kim, “The Massage Lady at Munjeong Road Bathhouse”, Clarkesworld Issue 185, February (2022): Read Online. Reviewed by Myra Naik.

A well-structured story about Jinah, who works at the bathhouse. She has the ability to see and scrape off the scales on her clients’ bodies – scales that show the effect of choices.

These translucent scales turn opaque over time, at which point they cannot be scraped off, signifying the calcification of the choices they make.

At one point in the story, Jinah needs to make a choice. Does she think scraping off her own scales would be worth it?

An insightful, well written story. The characters have a lot of depth, too.

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REVIEW: “For Whom the Psychopomp Calls” by Filip Hajdar Drnovšek Zorko

Review of Filip Hajdar Drnovšek Zorko, “For Whom the Psychopomp Calls”, Clarkesworld Issue 184, January (2022): Read Online. Reviewed by Myra Naik.

This story can be described by one of the few words that comes up in the story via the psychopomp: melancholy.

A story that keeps you on edge in a variety of ways. My only (minor) issue is that the human sometimes reacts in a heightened manner to things. A tad unrealistic, but then again, nobody’s perfect and maybe this particular human is like that? So, not really an issue with the story, just that aspect of the characters personality.

The writing style itself was on point for the kind of story it was. The great pacing added a lot, too.

Highly recommended. The ending is particularly heartbreaking.

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REVIEW: “All Our Whiskered Idols” by Kahlo Smith

Review of Kahlo Smith, “All Our Whiskered Idols,” Luna Station Quarterly 54 (2023): Read online. Reviewed by Sara L. Uckelman.

Content note: Ruminations on death.

Smith’s story is an exploration of the complications and complexities of family, and death, and religion, and grief. The first part of it was almost aggressively ordinary — good and satisfyingly told, but leaving me wondering what was going to be speculative about it — which made the contrast of the second, weird and wildy speculative, part all the more sharp.

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