REVIEW: “This Island Towards Which I Row and Row, Yet Cannot Reach Alone” by Jennifer Lesh Fleck

Review of Jennifer Lesh Fleck, “This Island Toward Which I Row and Row, Yet Cannot Reach Alone,” Flash Fiction Online 141 (June 2025): 8-12 — Purchase here. Reviewed by Sara L. Uckelman.

I love it when a title is almost an entire story in itself.

I love it even more when the story that goes with the title is not at all what I thought it would be, and yet the title is exactly right for the story.

REVIEW: “Fatherhood” by Vrinda Baliga

Review of Vrinda Baliga, “Fatherhood,” Luna Station Quarterly 62 (June 2025): 227-240 — Purchase here. Reviewed by Sara L. Uckelman.

Content note: Pregnancy after infertility; pregnancy complications (positive outcome); eugenics.

Dr. Mishra’s entry into fatherhood isn’t at all what he hoped it would be: First, unexpected complications result in an emergency c-section for his wife; then, there’s a surprise inspection at work. Unfortunately, the research that his lab conducts and the child who will hopefully soon be coming into the world are intimately connected, and not necessarily in a good way! This is a story of administrative paperwork and interfering relations, of science fiction becoming fact, and of a whole new form of fatherhood. Even though I could see pretty close from the start where the end was going to be, this was still an enjoyable read.

REVIEW: “Our Last Celebration” by Susan Webster

Review of Susan Webster, “Our Last Celebration,” Luna Station Quarterly 62 (June 2025): 215-225 — Purchase here. Reviewed by Sara L. Uckelman.

Content note: Euthanasia.

There was something about this story that didn’t sit right with me, that felt a bit “off”. I couldn’t help but read about the celebration and wonder: How rich did one have to be, in this post-apocalyptic setting, to get to have a last celebration? (Rachel drives a BMW, so: rich enough, at least!) What about all the others — the young cadet who guards the gate, the two women whose responsibility it is to ensure the celebration is a success? What will happen to them? Do they ever have the chance to escape for a celebration, or are they fated to only serve the ones who are rich enough?

REVIEW: “Asra’s Magnificent Emporium of Clockworks and Curses” by Madalena Daleziou

Review of Madalena Daleziou, “Asra’s Magnificent Emporium,” Luna Station Quarterly 62 (June 2025): 291-301 — Purchase here. Reviewed by Sara L. Uckelman.

I always enjoy fantasy stories (which this definitely is: cursed objects! divination! witches!) that are nevertheless set in SF settings (Europa!) — there’s something about the cross-genre blending that tickles me. This was an enjoyable tale, no deep thoughts, no big moral, just some slices of Asra’s life and a peak into her very magnificent indeed emporium.

REVIEW: “Selling Chances” by Louise Hughes

Review of Louise Hughes, “Selling Chances,” Luna Station Quarterly 62 (June 2025): 283-289 — Purchase here. Reviewed by Sara L. Uckelman.

Oh, man, what a beautiful story this was, about generational trauma, generational hope, the neverending desire of a parent for their child to have a better life, a better future, a better chance. Just the right length, and with a twist at the end that made everything more intense. Hughes has written a gem!

REVIEW: “In the Orchard, Where Robots Grow” by Erin K. Wagner

Review of Erin K. Wagner, “In the Orchard, Where Robots Grow,” Luna Station Quarterly 62 (June 2025): 53-69 — Purchase here. Reviewed by Sara L. Uckelman.

Content note: Death of a parent.

It’s hard to call a post-apocalyptic SF story “cozy,” but as I read this story and reached for the right words, that’s the one I kept ending up with. It’s not “cozy” in the sense of happy and comforting but in the sense of small-scale, intimate, personal, much more about the breakdown of familial relationships than the breakdown of the robot in the orchard.

REVIEW: “Melilot Dreams” by EC Dorgan

Review of EC Dorgan, “Melilot Dreams,” Luna Station Quarterly 62 (June 2025): 81-92 — Purchase here. Reviewed by Sara L. Uckelman.

Most post-apocalyptic stories lean heavily to the SF genre, but this one doesn’t wear that genre on its sleeve; if anything, it tends more towards horror, of a very reflective, personal, and introspective kind. We never learn much about the apocalypse other than that it was AI-driven, but quite a bit about the narrator, their life before and after, and the loneliness of trying to stay alive.

It is a deeply, deeply unhappy story.