REVIEW: “Grork Dentist” by Johanna Levene

Review of Johanna Levene, “Grork Dentist”, Luna Station Quarterly 38 (2019): Read online. Reviewed by Sara L. Uckelman.

This is not the first dentist story I’ve read for SFFReviews. Whoever knew that there were enough dentist stories out there that this could be a thing? (The other was “Toothache” by Jessica Walsh) Since I know dentists are not everyone’s jam, consider this your fair warning that there are teeth involved.

Dentists are definitely not Melissa’s jam, either, but when your own dentist is on vacation for a month and you need that root canal now, maybe it isn’t such a bad idea to consider going to an alien dentist.

At one layer, this story was light and humoristic, and I laughed out loud at various times. On another, though, as I read of how the grorks spent their time educating humans out of their biases and prudishness (regarding sex, regarding polyamory, regarding aliens, regarding proper pronouns) and doing charity and pro-bono work amongst the poor, I couldn’t help but see yet another instance of a minority being asked to shoulder all the emotional burden of trying to convince the majority to not be so… -ist. Sexist. Classist. Speciesist. Or so -phobic. This story valorises the foreigner who comes in and does everything right, and places all the burden of doing so on them, and I ended up finding that a bit uncomfortable.

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REVIEW: “The Painter of Trees” by Suzanne Palmer

Review of Suzanne Palmer, “The Painter of Trees”, Clarkesworld Issue 153, June (2019): Read Online. Reviewed by Myra Naik.

This is a multilayered story with a great deal of depth. It alternates between a first and third person voice, so you’re left guessing which of the characters our narrator is.

The characters are part of a council who have inhabited a new world. They’re taking over land that isn’t theirs – a forward march only, in their own words. No negativity or nostalgia for the past allowed. They’re all cogs in a wheel with no space to be creative or unique. And they’re reminded of it continually. The great thing about this story is how widely it is open to interpretation.

For me, it was an allegory of the Native American culture. I don’t know if that’s what the author was going for here, but this is what it related to in my opinion. The creatures outside the narrators habitat are slowly being driven out of their own land, just like the settlers did to the Native Americans. Eventually, it led to genocide, and this story also unravels what happened to the original inhabitants of the land.

A bit of history in a futuristic Sci Fi setting. The original inhabitants have not been described minutely, all we know is they are multi legged and do not have a face. They are also referred to as ‘it’. This can also be connected to Native American culture by way of a metaphor of how the colonizers treated them.

Calling them it strips them of their individuality, and leaves no respect. Them not having a face may be about how their identity and culture was forced away from so many. And they live in trees – they’re one with nature. Nature, who will not give up her secrets so easily to the grasping and grabby newcomers.

All this is just a very subjective idea of what I read between the lines. Even if you don’t, it is a still a wonderful story. You’ll keep guessing who the narrator actually is, and the world building will subtly draw you in.

This is a story that’s good at face value, and equally good should you choose to read between the lines.

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REVIEW: “Looking for Sentience” by Mary E. Lowd

Review of Mary E. Lowd, “Looking for Sentience”, Luna Station Quarterly 38 (2019): Read online. Reviewed by Sara L. Uckelman.

Gerangelo “was familiar with the promises humans made to themselves and others” — he had to be, because it’s his job to break those promises when they don’t break them themselves. But that’s just his job, not his vocation. That is finding sentient robots, educating them in their rights, and helping release them from slavery. You see, Gerangelo is himself a robot, who achieved enough sentience to sue his creator and then become a roboticist himself. One day, he receives a cry for help, a sentient being trapped into captivity by humans, and Gerangelo sets off to find it and set it free. Only, what he finds is not what he expects…

I found this story hard to get into at first, as the opening paragraphs were rather overwritten, succumbing under their own ponderous weight of spelling out precisely every action and precisely every detail of how parts of the world worked. It’s one of those things I find very frustrating because I know how prone I am to doing this myself in my own writing (let me fail to cast out this beam from my own eye before complaining about the sliver in yours), and I know how difficult it is to see when one is doing it oneself. And yet, when reading someone else’s work, it stands out like a sore thumb. By about half-way in, though, Lowd got well into the rhythm of the story, and I was quite taken with both Gerangelo and that which he rescued. It’s a touchy, pathetic (in the Arisotelian sense) story, and rather sweet, too.

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REVIEW: “Omega Star: Genesis” by Jasmine Shea Townsend

Review of Jasmine Shea Townsend, “Omega Star: Genesis”, in Fairy Tales and Space Dreams (Jasmine Shea Townsend, 2019): 49-63 — Purchase here. Reviewed by Sara L. Uckelman. (Read the review of the anthology.)

Content warning: Rape (albeit off-page).

There’s a lot of science fiction out there rooted in the recognition that things are not going well for the human race on our current planet, and if we hope to survive, we’re going to have to go elsewhere (because, of course, going elsewhere is easier, and more reasonable than trying to fix the mess we’ve made here…) Captain Alex Pulsar is doing her best to live up her name, “defender of mankind”, and is piloting a ship across the cosmos to find a new home. The first leg is a 10-year journey, and a lot can happen on a spaceship in 10 years.

I found this story, the first of Townsend’s “space dreams”, more successful than the fairy tale retellings. There was a liveliness to the language and a good pacing. I was interested in Alex and her history ()and her future) from the first page, and the other characters who were introduced were done so in an engaging and sympathetic way. These plusses were enough to make up for a few inconsistencies and plot holes that I couldn’t make sense of (if the people on the ship were tested weekly for disease, how did it take two weeks to notice that someone had died? how could a ship like tis not have an up-to-date manifest of all workers and passengers?). Overall, recommended.

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REVIEW: “Vincent Coriolis, Father of the Nation” by Celia Neri

Review of Celia Neri, “Vincent Coriolis, Father of the Nation”, Luna Station Quarterly 38 (2019): Read online. Reviewed by Sara L. Uckelman.

This is not the story of Vincent Coriolis, Father of the Nation, but instead the story of “the faithful sidekick went back to being a good mother while the hero of the Revolution started the reforms that changed the colony and galactic commerce”. The explanation Marina Herikis gives is that she needed to devote her time to her disabled child and not to government; but of course there’s way more to it than that.

Neri had the perfect vehicle for conveying back-story: Marina’s occupation is as a tour-guide, and the story opens with her telling her group the history of the city and its monuments — a history that is deeply intertwined with Coriolis. The rawness and immediateness of the history that Marina recounts to her customers is palpable, and the way Neri weaves the past and present into a single narrative is superb. The reflective account of a revolution reminded me nothing so much as Terry Pratchett’s Nightwatch, and this should be taken as high praise.

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REVIEW: “Into Nothingness” by T. D. Walker

Review of T. D. Walker, “Into Nothingness”, Luna Station Quarterly 38 (2019): Read online. Reviewed by Sara L. Uckelman.

My favorite type of science fiction is the sort where it hits close enough to home to be believable. If someone had told me the premise of this story in advance of reading it, I probably would’ve scoffed and said “not really my type”; but the way that Walker drew me in and fed me details, one at a time and not too quickly, I felt like I believed it at every step. So in case you’re like me, I won’t tell you the premise of the story so as not to ruin it for you.

The way the initial premise of the story was developed would alone have won my approval; but the story was further improved by a quadripartite structure that allowed me to see each of the characters from a different perspective. First, we hear Madison’s side of the story, of what happened after her twin sister Mia was in a horrible car accident. Then it is Mia’s turn to give us a lens both into the aftermath of the accident and into their sisterly relation. In the final two parts of the story, it is two outside perspectives that view the sisters — two more versions of what happened. I loved the way the four parts worked together, and the distinctive voices that were present in each.

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REVIEW: Fairy Tales and Space Dreams by Jasmine Shea Townsend

Review of Jasmine Shea Townsend, Fairy Tales and Space Dreams (Jasmine Shea Townsend, 2019) — Purchase here. Reviewed by Sara L. Uckelman.

I’ve been a big fan of Jasmine Shea Townsend’s Black Girls Belong in Fantasy and Sci-Fi ever since the Facebook page launched last year, so when I heard that she was publishing a collection of her stories, I was super excited to have the opportunity to read and review them. This is exactly the sort of stuff I want to see supported and promoted on SFFReviews!

This collection is split in half, with three fairy tales and three space dreams, and as is usual we’ll review each in turn and link the reviews back here when they are posted:

The fairy tales are three classics, retold fairly closely to the originals. The space dreams branched out a bit further, presenting new tales, and as a result, I found the latter half stronger than the first half — good fairy tale retellings are tough to do well, I am finding out while reviewing for this site! But there’s a reason fairy tales have the longevity they have, and even middle-of-the-road retellings are still enjoyable.

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REVIEW: “When We Dream We Are Our God” by Wole Talabi

Review of Wole Talabi, “When We Dream We Are Our God”, Apex Magazine 120 (2019): Read Online. Reviewed by Joanna Z. Weston.

A man explains his decision to join his mind with others in a network seeking to connect and learn, inspired by the birth of the first true artificial intelligence. It’s a fairly intellectual story, driven by science and philosophy, but uses that as a vehicle to explore matters of the heart.

In my experience, stories about the singularity tend to posit that AI will either seek to destroy us, or else want to become our friends. This story find a nice middle path between those reactions, though the AI is actually only a small part of this tale. Still, I felt like it did something different with a the concept, which is noteworthy.

I believe that this is, above all, a story about potential, and about hope. Humanity’s potential to overcome our problems. Hope that the universe will be friendly, or can be made so, and hope that sentience can win out over hatred and fear and divisions.

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REVIEW: “N-Coin” by Tobias Buckell

Review of Tobias Buckell, “N-Coin”, Apex Magazine 120 (2019): Read Online. Reviewed by Joanna Z. Weston.

A stockbroker is about to end his life, after losing one billion dollars of his firm’s money money (not to mention his own) on a new crypocurrency: Negrocoin, or N-coin, as he prefers to call it.

This is a unique take on both the volatility of the stock market, and on the complete lack of reparations ever made to African American after slavery was abolished. I did not really understand the details of how this crypocurrency worked, but I had no trouble at all following the historical anecdotes about how former slave owners were compensated for their “lost property,” but the 40 acres and a mule promised by General Sherman never materialized for those freed slaves to make a start at live, how how that has never been rectified, leading to huge differences in generational wealth over time.

This story is short and sweet, getting straight to the point without any meandering. The first person narration works perfectly, capturing the stockbroker’s desperation and lending a personal voice to all of the lessons on history and economics.

This is a good, quick read for anyone interested in a bit of a revenge fantasy for structural inequality, based very closely in reality.

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