REVIEW: “A Compass in the Dark” by Phoebe Barton

Review of Phoebe Barton, “A Compass in the Dark”, Analog Science Fiction and Fact May/June (2020): 109–112 (Kindle) – Purchase Here. Reviewed by John Atom.

Contains spoilers.

In a Lunar colony, a young woman moves away from her family to a geological station on the far side of the moon. She is embarrassed by her father’s belief that dead soul are guided by electromagnetic fields and does not want to maintain his “compass towers.” When her father dies, she comes to regret her hostility towards him and reconsiders her attitude towards his beliefs.

I think the author has a great talent for prose as I was really drawn in by some of the descriptions in this piece. However, the plot did not do it for me. The father-daughter relationship could have been fleshed out more to give the story a better grounding for what happens when the father dies. All we have of their background is their respective beliefs towards “magnetic spirit guidance,” which in my opinion is not enough to understand why the characters act and feel the way they do. The ending does not work for the same reason.

Overall, I did not care much for this piece, even though I did enjoy the author’s writing style.

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REVIEW: “A Life in Six Feathers” by Kathryn Yelinek

Review of Kathryn Yelinek, “A Life in Six Feathers”, Luna Station Quarterly 41 (2020): Read online. Reviewed by Sara L. Uckelman.

Oh, I loved this story. It combined intriguing and realistic science with a depth of character and a sweet thread of love and romance, and hope — so much hope. Beautifully constructed, a real joy to read. If you are looking for a “cosy SF” story, this is one for you.

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REVIEW: “The Hummingbird Temple” by C.C. Finlay

Review of C.C. Finlay, “The Hummingbird Temple”, Beneath Ceaseless Skies, Issue 300, March 26, 2020: Read online. Reviewed by Richard Lohmeyer.

This story, written by the editor of The Magazine of Fantasy and Science Fiction, is arguably the best of the five stories in this special issue of Beneath Ceaseless Skies. It features several interesting characters, including Lin, the adopted and youngest daughter of her country’s ruler, and Kuikin and Vertir, two agents of one of the country’s leading officials. As the story opens, Lin—last in line to succeed to the throne—is putting the finishing touches on what seems to be the major preoccupation of a solitary life: an intricate scale model temple built from the delicate bones of hummingbirds. Kuikin and Vertir, on the other hand, are enjoying a bit of the good life while posing as foreign investors in an anti-corruption investigation. 

The stuff hits the fan when Lin’s father, the Dynast, dies and she must flee for her life with no one to assist her but a servant and her giant pet killer spider, Snub. The resulting narrative is an enjoyably paced adventure that includes, among other things, an impressive fight with blood ants. Though the story comes to a satisfying conclusion, it can also be read as the beginning of what I hope will become an ongoing series. 

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REVIEW: “Uncompromised” by Ike Iblis

Review of Ike Iblis, “Uncompromised”, in David G. Clark, Callum Colback, Joe Butler, and Alex Hareland, eds., Beneath Strange Stars, (TL;DR Press, 2020): 341-348 — Purchase here. Reviewed by Sara L. Uckelman. (Read the review of the anthology.)

The dystopian possibilities that AI opens up are easy to exploit in SF stories, whether it be medical diagnoses by machine, or letting an algorithm find you your next date, or something else. Iblis’s story takes these already-existing things and pushes them to their extremes, to give a dark, depressing story. Short, but successful (though better proofreading to put in a bunch of missing commas would have been helpful).

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REVIEW: “Meat Me in the Livingroom” by Michelle Enelen

Review of Michelle Enelen, “Meat Me in the Livingroom”, in David G. Clark, Callum Colback, Joe Butler, and Alex Hareland, eds., Beneath Strange Stars, (TL;DR Press, 2020): 325-340 — Purchase here. Reviewed by Sara L. Uckelman. (Read the review of the anthology.)

Before reading this story, whenever I saw this title I kept interpreting “meat” as a verb, a la its homophone “meet”, but no — Meat Me is a person, who is confined to the livingroom. She is visited regularly by Selene, who comes to tell her about the world outside (note: I was somewhat confused by Selene. First, Selene’s pronoun is “they/them”, except in the plural not the singular. And yet, when they refer to themselves, they use the singular “I”. Later on, “she” is apparently used in reference to Selene), as well as the egotistical, jerkish Poppy, who forms the final third of the trio. We never learn why Meat Me cannot leave the Livingroom, only that she is lonely there, despite visits from Selene and Poppy…until the Shipman arrives. Shipman brings with him many things Meat Me desires: he is new and exciting, he is interested in her and her life, he brings company to lonely days. But he also brings with him new, unpleasant ideas, and a purple-black smoke that follows his footsteps and leaves death in his wake.

The allegorical nature of Shipman is quite overt in the story, almost heavy-handed at times. Still, it wasn’t so overt as to make the ending foreseen, and I continued to read with interested to see who would win out in the end. I did feel that the Epilogue had no place in the story, though; it raised more questions than it answered.

Sara L. Uckelman1 Comment

REVIEW: “Where the World Ends Without Us” by Jason Sanford

Review of Jason Sanford, “Where the World Ends Without Us”, Beneath Ceaseless Skies Issue 299 (March 12, 2020): Read online. Reviewed by Richard Lohmeyer.

Having read and enjoyed other stories by Jason Sanford, I was looking forward to reading his latest work. Unfortunately, I was disappointed. SF/F has a long tradition of stories serialized over many years. Sometimes a reader’s enjoyment of the latest tale in the series does not require familiarity with the previous installments. Other times, it’s essential. In this particular case, I suspect I would have greatly benefited from having read the two previous stories set in this universe. Both stories–”Blood Grains Speak Through Memories” (a Nebula award finalist) and “The Emotionless, In Love”–appeared in BCS and are available in the magazine’s archives. However, not having read those two stories, I found this story’s premise difficult to accept and its large cast hard to understand. 

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REVIEW: “Good Riddance” by Jennifer Worrell

Review of Jennifer Worrell, “Good Riddance”, in David G. Clark, Callum Colback, Joe Butler, and Alex Hareland, eds., Beneath Strange Stars, (TL;DR Press, 2020): 291-307 — Purchase here. Reviewed by Sara L. Uckelman. (Read the review of the anthology.)

“Do you want to be a hero?” the story opens up: Who wouldn’t want to say ‘yes’ to such a question? Robert, the main character, is also tempted, and signs up for the info session to learn more.

What both he and the reader learns is quite an interesting proposal — from the point of view of present-day medical technology, it’s hard to believe the proposal could ever be actually realised, but, hey, this is fiction, I’m willing to give it a pass. The result is a comfortable piece of dystopian fic, well set up enough that I did feel a pang of sympathy for Robert at the end of the story, even if for most of it he comes across as a rather self-absorbed jerk.

Sara L. Uckelman1 Comment

REVIEW: “One Hundred” by Sean Monaghan

Review of Sean Monaghan, “One Hundred”, Analog Science Fiction and Fact March/April (2020): 173–182 (Kindle) – Purchase Here. Reviewed by John Atom.

Contains spoilers.

Earth is gone, and the last one-hundred remaining humans have managed to carve out a living on a Martian colony. It’s been over 18 years, and nearly every day presents a new challenge for the colonists. After a disastrous fire that takes out a whole portion of their habitat, the colonists rethink their survival strategy, allowing for more innovation and freedom.

First of all, I must mention that this story has some serious plausibility issues: for instance, it is hard to believe that the colony went over 18 years without any new births. And if it did, there can’t be many people left that are of childbearing age. All in all, this colony seems doomed in more than one way. The author touches on some of these issues very briefly (and unsatisfactorily), but ignores most. 

If you can somehow make it past all that, then this is a fairly enjoyable story. The premise is nothing new, but the author’s tone and style have a rather endearing sense of melancholy that add depth to the prose. The characters feel real and so do their emotions in the challenges they have to face (in spite of the aforementioned plausibility issues). I also enjoyed the optimism of the ending, even though I do not think it is entirely earned.

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REVIEW: “Falling Through” by Steen Comer

Review of Steen Comer, “Falling Through”, Escape Pod Ep. 725– Listen online. Reviewed by Kat Samp.

This story hit a chord for me, because I recently had a moment where I saw a protective wall near my house that I had never seen before. It looked old and worn, but I had never noticed it despite walking by it at least hundred times. Was it just a fluke of memory, or had I woken up in a parallel universe where everything was the same except the wall?

A phenomenon like the “Mandela Effect” becomes an interesting and compelling complication for the main character, a ‘shifter’ who is constantly falling through parallel realities. The format of the story is a journal, where he documents memories of past universes even as he shifts into new ones. The confusion of memory, the questioning of reality, and the search for human connection were strong threads throughout.

What worked for me: The author offers an excellent inner look into how shifting through alternate realities would affect the human psyche. It is fascinating to hear how the main character navigates personal identity, dreams for the future, and above all, making (or fearing to make) meaningful human connections. His loneliness and doubt, but also hope and determination, make this an emotionally fulfilling read. Additionally, I liked how the author keeps listeners/readers on their toes with details that contradict earlier statements, signalling that a shift has happened.

What didn’t work (spoilers): I was surprised and disappointed by the ending of the story. It felt like the work that the main character did to reach out and make connections, despite his fear and apathy in the face of an uncaring and constantly universe, was completely undone. Some readers might prefer this (mostly) sad ending, but I felt a bit thrown off-balance by how it veered off from the tone in the first half.

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REVIEW: "Dix Dayton, Jet Jockey" by Liz A. Vogel

Review of Liz A. Vogel, “Dix Dayton, Jet Jockey”, Analog Science Fiction and Fact March/April (2020): 113–116 (Kindle) – Purchase Here. Reviewed by John Atom.

Contains spoilers.

In a future when humanity has colonized the solar system, a lone spacer is flying his ship Euphrosyne to Peekaydee. On the way he sees a pirate ship attempting to board an unmanned freighter headed to Neptune. Determined not to let the pirates steal the contents of the freighter, the protagonist changes his ship’s course to intercept. Though unarmed, he manages to stop the pirates and incapacitate their ship.

This was an enjoyable adventure story reminiscent of the pulp tales preceding the golden age (i.e. the 10s, 20s, and 30s). While Vogel is not as cavalier with the science as the pulps used to be, there is a “free-spiritedness” about the story drives the reader to believe anything is possible. There’s a hero and there’s a villain, and as such, it becomes easy to root for the protagonist’s pulp-style bravery.

The style of narration also matches the adventurous and carefree tone of the story, resembling the (tall) tales recounted around a warm campfire, or a cold rainy night at a bar. Even the author’s tendencies to meander or over-explain things seem justified in the given style. Overall, I had a blast reading this story.

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