REVIEW: “Convergence in Chorus Architecture” by Dare Segun Falowo

Review of Dare Segun Falowo, “Convergence in Chorus Architecture”, in Zelda Knight and Ekpeki Oghenechovwe Donald, ed., Dominion: An Anthology of Speculative Fiction From Africa and the African Diaspora, (Aurelia Leo, 2020) — Purchase here. Reviewed by Sara L. Uckelman. (Read the review of the anthology).

This was by far the longest story in the collection — more a novellette or almost a novella in length.

One hesitation I had when accepting the invitation to review this anthology was the fact that I am a pretty pasty white westerner who is not really the right voice to be making value judgements on this type of literature: Who am I to say what “works” and what doesn’t?

These worries nipped at my heels as I read this story, so deeply infused with Nigerian religion and history that I am so entirely ignorant of. It would be easy to read this as a straight-up fantasy story, with a panoply of made-up deities and powers, strong world-building, a detailed religion — things I would praise in a story where all of these were in fact made-up by the author! But it doesn’t seem right to call “fantasy” a story that incorporates actual historic beliefs and real-world cultures — not unless we’re also perfectly well prepared to call a story whose only claim to the label “speculative fiction” is a thorough-going foundation in Christianity (though tbh, I’ve often thought that Christianity makes a lot more sense if you think of it was a massively awesomely built fantasy-world religion).

So, is this a fantasy story? I’m not sure. Did it push me to read more and learn more about Ilé-Ifẹ̀ and the founding myths of the Yoruba? Yes. Did it take a long time before I had any idea what the title was in reference to? Yes. Was it a good story? Absolutely!

Sara L. Uckelman3 Comments

REVIEW: “A Mastery of German” by Marian Denise Moore

Review of Marian Denise Moore, “A Mastery of German”, in Zelda Knight and Ekpeki Oghenechovwe Donald, ed., Dominion: An Anthology of Speculative Fiction From Africa and the African Diaspora, (Aurelia Leo, 2020) — Purchase here. Reviewed by Sara L. Uckelman. (Read the review of the anthology).

When one of her colleagues goes on maternity leave, Candace Toil takes over her role as project manager of project “Engram” — with explicit instructions to either bring the project to conclusion or kill it. The project notes are scanty, and when Candace meets the lead scientist, Dr. Walker, both she and the reader are plunged into details of genetics and memory and inheritance, all feeding into the research that Dr. Walker and his team are doing.

I have no idea if any of the science in the story holds up: But I don’t care. It has enough of that ring of truth that any good SF story needs to have to be convincing, and to leave me wondering “but what if this were really possible…” I’m glad when Candace asks whether there’s a company ethicisti involved, and I both laugh and shiver with discomfort when Dr. Walker replies, “QND was not set up like a normal pharmaceutical company, but I’m certain that we have lawyers.” That’s not an answer to her question…

And yet, despite all the possibilities for misuse and damage that Candace and Dr. Walker’s project has, the story ended with an unexpectedly happy and optimistic outlook. All in all, I found this one very satisfying.

Sara L. Uckelman1 Comment

REVIEW: “Red_Bati” by Dilman Dila

Review of Dilman Dila, “Red_Bati”, in Zelda Knight and Ekpeki Oghenechovwe Donald, ed., Dominion: An Anthology of Speculative Fiction From Africa and the African Diaspora, (Aurelia Leo, 2020) — Purchase here. Reviewed by Sara L. Uckelman. (Read the review of the anthology).

Red_Bati is a robot dog that Akili has programmed to be a companion for his grandmother. In Dila’s tale, we experience Red_Bati’s world and story through his eyes, feeling the constant tug between the reminders that Red_Bati is a mere collection of mechanical parts and the fact that those parts have all come together to create “a human trapped in a pet robot”. (At least, that’s what Red_Bati thinks. The ghost of Granny that keeps him company as his battery slowly dies thinks otherwise; Red_Bati cannot be human, he has no spirit.) But whether human or not, Red_Bati has a plan and the capacity to implement it. All through the story, right up until the very end, I held out hope that Red_Bati would, in the end, be a Good Dog. And was he? I’ll let you read it and determine for yourself.

This was a delicious story, full of humor and pathos and a steady reminder that we must always question who, and what, we ascribe humanity to — and why.

Sara L. Uckelman1 Comment

REVIEW: Dominion: An Anthology of Speculative Fiction from Africa and the African Diaspora edited by Zelda Knight and Ekpeki Oghenechovwe Donald

Review of Zelda Knight and Ekpeki Oghenechovwe Donald, ed., Dominion: An Anthology of Speculative Fiction From Africa and the African Diaspora, (Aurelia Leo, 2020) — Purchase here. Reviewed by Sara L. Uckelman.

When I received an invitation to review this anthology, my response was the email equivalent of grabby hands: Oh my, yes, please!!! This is exactly the sort of fiction I want to be reading, and exactly the sort of fiction I want to see more of being published and promoted — stories that introduce me to new worlds, stories that fill gaps in my knowledge of history, stories that bring me into the unknown. So buckle in, and join me on a tour of these thirteen wonderful, wonderful stories, ranging from poetry/flash fic all the way to nearly novella-length. They cover the entire spectrum of speculative fiction, some fantastic, some scientific, some lingering on the borders of horro. As usual, we will review them individually, and link the reviews back here when they are published.

The ARC I read unfortunately had a number of typos in it (as well as no pagination, so we have left page references out of the individual reviews); I hope they are all fixed before the final publication, as they would otherwise mar what is an excellent collection.

Sara L. Uckelman16 Comments

REVIEW: “Fargone” by J. S. Veter

Review of J. S. Veter, “Fargone”, Luna Station Quarterly 28 (2016): Read online. Reviewed by Sara L. Uckelman.

It only takes a couple of lines for me to viscerally dislike Kush Apbuscan — who does not know how to forgive somoene [at first I thought it was a woman, but when it turned out later on that I was mistaken, this didn’t exactly improve things] for rejecting him and who does not understand the concept of consent. It doesn’t take long for betrayal to be added to the list of reasons I dislike Kush, and from that point on, I have to admit, I struggled to finish this story. At every point when Kush is given the opportunity to fix things, he always ends up making it worse. There was a redemption arc for Kush, but I was frustrated by it, because I’m not sure he deserved one.

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REVIEW: “The Glitch” by Aimée Jodoin

Review of Aimée Jodoin, “The Glitch”, Luna Station Quarterly 42 (2020): Read online. Reviewed by Sara L. Uckelman.

This was a strange, creepy story bringing together threads of global warming, population decline, badly written software, and systematic incarceration (or, as it is called, “Rehabilitation”). It was a great example of one of my favorite kinds of writing: Take a bunch of things that are individually all plausible given today’s society, and bind them up into something just slightly horrifying. Very well-constructed, with a smashing ending.

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REVIEW: “Fuel Me Once” by Allen Lang

Review of Allen Lang, “Fuel Me Once”, Analog Science Fiction and Fact July/August (2020): 116–117 (Kindle) – Purchase Here. Reviewed by John Atom.

Contains spoilers.

Two businessmen meet at a bar and strike a deal to start a daring collaboration. They’ll build a fleet of heavy cruisers to extract oil from Saturn’s moon Titan.

Lang’s story has some nice and snappy dialogue that helps the reader get in the headspace of the two main characters. It’s reminiscent of the 40s gangster and noir movies, an appropriate style for this story. Unfortunately, the story’s premise lacks plausibility. It’s extremely unlikely that the characters would be able to efficiently extract hydrocarbon fuels from Titan and bring them to earth with conventional (hydrocarbon-based) methods of transportation.

If you can get past the plausibility issues, “Fuel Me Once” is a fun story to read.

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REVIEW: “Retention” by Alec Nevala-Lee

Review of Alec Nevala-Lee, “Retention”, Analog Science Fiction and Fact July/August (2020): 108–112 (Kindle) – Purchase Here. Reviewed by John Atom.

Contains spoilers.

Perry is on a phone call with the customer service of his home security system trying in vain to cancel his service. The customer service rep, Lisa, refuses his request with roundabout arguments regarding the value of the security service. In a rather unsurprising twist, Lisa turns out to be a bot programmed to never allow customers to cancel their service. A bit later we find out that Perry is also an AI, the user profile is his the “real” Perry, and he desperately wants to be terminated. With neither side willing to back down, the two bots are destined to continue their pointless exchange forever.

I have not seen many science fiction stories that deal with the philosophy of Existentialism (or Absurdism, if you will) as explicitly “Retention” does, even quoting a direct passage from the Albert Camus’ seminal essay, “The Myth of Sisyphus.” “Retention” is yet another take on the Sisyphus trope. Just as one must imagine Sisyphus happy carrying the boulder up the mountain, so they must accept that Perry and Lisa are satisfied with their eternal back-and-forth. The author cleverly makes the protagonists of his story AIs, where the idea of fate (or determinism) is easier to conceptualize. And rather than making the plot a straightforward allegory (as many stories of this kind default to), Nevala-Lee manages to craft a clever and entertaining tale around Camus’ philosophical thesis, with humor and even a couple of twists around the corners. It does not add very much to the ideology that it’s inspired from, but it is nevertheless an interesting take on it.

But you won’t cancel me?

It’s against my programming. You’re still a customer. I wish it would be different.

But you’re not going to give up. Neither am I. It’s against my programming, too.

Overall, “Retention” was a really enjoyable story, one of the best in the issue.

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REVIEW: “Accidental Kaiju” by Dianne M. Williams

Review of Dianne M. Williams, “Accidental Kaiju”, Luna Station Quarterly 42 (2020): Read online. Reviewed by Sara L. Uckelman.

13-year-old Grendela dreams of becoming not another kaiju (a type of great Japanese monster) like her father and grandfather but an environmental scientist. Maybe there’s more to being a lava monster than smashing buildings and destroying cities. Maybe she could use her special knowledge of volcanos to help power cities rather than destroy them. But unfortunately, her little experiment didn’t go as planned.

This was a cute little story about hopes and dreams and how sometimes when one is a teenager one needs a little help and understanding from their parents and grandparents.

(First published in The Confabulator Cafe, 2016).

Sara L. Uckelman1 Comment

REVIEW: “Moonlight Plastics” by Rachel Brittain

Review of Rachel Brittain, “Moonlight Plastics”, Luna Station Quarterly 42 (2020): Read online. Reviewed by Sara L. Uckelman.

I found this story a little too in the mind of the MC, Sana — there was a lot of reflection and recrimination and meta content that would’ve made sense if I were properly situated in Sana’s world, but unfortunately, I wasn’t. So I had a hard time putting together all the pieces to figure out who she was and what she was doing, and why it mattered.

I also struggled with the abrupt shift in tone: It started off as a commentary on our modern-day tendency to flood the ocean with plastics, and then suddenly it jumped left and became a mermaid romance.

All in all, not the story for me.

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