REVIEW: “The Secret” by Fumio Takano, trans. by Sharni Wilson

Review of Fumio Takano, Sharni Wilson (trans.), “The Secret,” khōréō 4, no. 4 (2025) — Read online. Reviewed by Sara L. Uckelman.

Roughly a hundred years into the future, the division between the haves and the have-nots has become even further entrenched; this story is the story of two “have-nots” on opposite sides of a century who have each ended up making a living for themselves in an unexpected way. What connects them is the Mistress, who holds an unexpected secret.

REVIEW: “The Trauma Tourist” by Christos Callow Jr.

Review of Christos Callow Jr., “The Trauma Tourist,” khōréō 4, no. 4 (2025) — Read online. Reviewed by Sara L. Uckelman.

Content note: Suicide, torture simulation, cultural appropriation.

The capitalist idea of turning trauma into a source of income isn’t one that feels very far-fetched at all, though I confess to wondering a bit about the psyche of the people who would actively choose to consume such a product. But that’s precisely why it makes such a great idea for a story!

REVIEW: “Recitations” by Jacob Baugher

Review of Jacob Baugher, “Recitations,” Flash Fiction Online 142 (July 2025): 8-11 — Purchase here. Reviewed by Sara L. Uckelman.

Sometimes all an author has to do to win me over is provide me with one great phrase. As soon as I read “as if thoughts and prayers were an actual sacrifice” (p. 9), I knew that Baugher could do practically nothing to ruin his story for me. But even without this masterful piece of wordcraft, I’d’ve still enjoyed this beautifully imagined story.

REVIEW: “This Island Towards Which I Row and Row, Yet Cannot Reach Alone” by Jennifer Lesh Fleck

Review of Jennifer Lesh Fleck, “This Island Toward Which I Row and Row, Yet Cannot Reach Alone,” Flash Fiction Online 141 (June 2025): 8-12 — Purchase here. Reviewed by Sara L. Uckelman.

I love it when a title is almost an entire story in itself.

I love it even more when the story that goes with the title is not at all what I thought it would be, and yet the title is exactly right for the story.

REVIEW: “Fatherhood” by Vrinda Baliga

Review of Vrinda Baliga, “Fatherhood,” Luna Station Quarterly 62 (June 2025): 227-240 — Purchase here. Reviewed by Sara L. Uckelman.

Content note: Pregnancy after infertility; pregnancy complications (positive outcome); eugenics.

Dr. Mishra’s entry into fatherhood isn’t at all what he hoped it would be: First, unexpected complications result in an emergency c-section for his wife; then, there’s a surprise inspection at work. Unfortunately, the research that his lab conducts and the child who will hopefully soon be coming into the world are intimately connected, and not necessarily in a good way! This is a story of administrative paperwork and interfering relations, of science fiction becoming fact, and of a whole new form of fatherhood. Even though I could see pretty close from the start where the end was going to be, this was still an enjoyable read.

REVIEW: “Our Last Celebration” by Susan Webster

Review of Susan Webster, “Our Last Celebration,” Luna Station Quarterly 62 (June 2025): 215-225 — Purchase here. Reviewed by Sara L. Uckelman.

Content note: Euthanasia.

There was something about this story that didn’t sit right with me, that felt a bit “off”. I couldn’t help but read about the celebration and wonder: How rich did one have to be, in this post-apocalyptic setting, to get to have a last celebration? (Rachel drives a BMW, so: rich enough, at least!) What about all the others — the young cadet who guards the gate, the two women whose responsibility it is to ensure the celebration is a success? What will happen to them? Do they ever have the chance to escape for a celebration, or are they fated to only serve the ones who are rich enough?

REVIEW: “Asra’s Magnificent Emporium of Clockworks and Curses” by Madalena Daleziou

Review of Madalena Daleziou, “Asra’s Magnificent Emporium,” Luna Station Quarterly 62 (June 2025): 291-301 — Purchase here. Reviewed by Sara L. Uckelman.

I always enjoy fantasy stories (which this definitely is: cursed objects! divination! witches!) that are nevertheless set in SF settings (Europa!) — there’s something about the cross-genre blending that tickles me. This was an enjoyable tale, no deep thoughts, no big moral, just some slices of Asra’s life and a peak into her very magnificent indeed emporium.