Review of Megan J. Kerr, “The Lion and the Virgin ”, Clarkesworld Issue 184, January (2022): Read Online. Reviewed by Myra Naik.
A solitary woman in a one-person ship travels alone for many many days, with some company. It’s an interesting study on how real someone can become to you, irrespective of what they really are. It’s also a pretty realistic representation of how humans might react to prolonged space travel in isolation.
Loneliness is real and biting. Lovely prose, too.
Review of P. L. Watts, “The Twin’s Paradox,” Luna Station Quarterly 53 (2023): Read online. Reviewed by Sara L. Uckelman.
This was a simple story: One of a pair of identical twins goes on a journey to Alpha Centauri, the other stays at home, and when the former returns they are no longer identical because the latter has aged. A good premise, but there wasn’t much more than that, no twist, no unexpected move, no deeper insight. Just a simple story.
Review of Chloe Smith, “The Governess,” Luna Station Quarterly 53 (2023): Read online. Reviewed by Sara L. Uckelman.
I love it when a sci fi story takes a binary and turns it on its head, in unexpected — and yet totally realistic — ways. This story nailed that. Utterly breathtaking.
Review of Anna Ziegelhof, “Artist in Residence,” Luna Station Quarterly 53 (2023): Read online. Reviewed by Sara L. Uckelman.
I loved this piece, which was centered around the questions of who gets to do art, and who gets to value art, and how these decisions get made, all set within a deep and vivid SF setting. It’s full of power and recovery and healing — and then a sharp shift sideways into even bigger questions and issues. So much packed into one short story!
Review of Koji A. Dae, “The Uncurling of Samsara”, Clarkesworld Issue 184, January (2022): Read Online. Reviewed by Myra Naik.
A lovely story about grief and growth, set in a generation ship. A well structured story about dealing with the loss of a loved one, and how everyone processes grief in different ways.
For our protagonist Annessa, it takes the form of her Gram’s cherry pie, and how their attempt to perfect it has been mostly elusive. But losing her Gram teaches her something. About how the essence of something can take many different forms, but always, always towards growth.
A wrenchingly real portrayal.
Review of Amal Singh, “A Series of Endings”, Clarkesworld Issue 183, December (2021): Read Online. Reviewed by Myra Naik.
If you’re immortal for long enough, you realize that nothing really matters, and certainly doesn’t matter more than the present. Or at least Roopchand Rathore does. And he would know, having had many lives – maybe with different endings but always the same hazy sort of beginning.
A story where spaceships and aliens, backwater boat races and Ghalib, all feel right at home.
Review of Libby Heily, “Detriment,” Luna Station Quarterly 53 (2023): Read online. Reviewed by Sara L. Uckelman.
This was a brilliantly-done first-person narrative by someone (something?) that is not human, but still full of humanity. It’s a story full of emotion and character, and really gripping.
Review of Holly Schofield, “The Knells of Agassiz,” Luna Station Quarterly 53 (2023): Read online. Reviewed by Sara L. Uckelman.
I love it when a story gives me cause to pause and look something up to see if it’s real or not. In this case, it was the Agassiz Ice Cap, and it’s real — but for who knows how long. Climate change and the quickly disappearing ice cap form the basis for Schofield’s story, in which Emma returns to the ice cap one last time to say good-bye. It could so easily be a sad and depressing story, but it is not: It has the tinge of realistic hope that all good climate SF should have.
Review of Louis Evans, “Surgical Strike,” Radon Journal 3 (January 2023): 20-28 — Read online. Reviewed by Sara L. Uckelman.
Content note: Sexually explicit material.
This story was prefaced by one of the most intriguing content notes that I’ve ever come across. [It does not highlight the same issue I have highlighted in my content note.] It identifies the key piece of fantasy that the story relies on, and explicitly says that such a fantasy should not be engaged with. The paradox is that we cannot help but engage with the fantasy while we are reading it.
There are some stories that I come away from reading thinking, “of all the stories that could have been told, why this one?” I was worried that I would have the same reaction here: Given the problematic fantasy upon which it is premised, why tell this story, instead of the innumerable other stories that could be told instead?
Sadly, I think I was right to be worried. By the time I reached the end, all I could think of was the other stories I could have read instead. There was a lack of finesse that made the entire story feel a bit clumsy; and definitely not for me.
Review of Shana Ross, “What To Do With a Gift,” Radon Journal 3 (January 2023): 47-50 — Read online. Reviewed by Sara L. Uckelman.
This was a sweet little love story, between a star ship and her human partner, with an ambiguous ending.
SFF Reviews