Review of Premee Mohamed, “Worldbuilding with Legs: Incorporating Insects into Your Stories,” Fantasy Magazine 72 (October 2021): 31-32 — Read online. Reviewed by Sara L. Uckelman.
This was an excellent little how-to guide: Practical, straightforward, and readable even if you aren’t a huge fan of our six-legged companions.
Review of Pamela Rentz, “Obstruction,” Fantasy Magazine 72 (October 2021): 18-26 — Read online. Reviewed by Sara L. Uckelman.
This was an #ownvoices story of a woman of the Karuk tribe and the impact of colonisation on her people, their land, and their religion. The thread of fantasy running through it was slim and fine and almost forgettable, and it did not end as I thought it would.
Review of Stewart C. Baker, “Halsing for the Anchylose,” Fantasy Magazine 72 (October 2021): 29 — Read online. Reviewed by Sara L. Uckelman.
This poem managed to tell a complex story in a compact fashion. Reading it, I felt that it hinted at so much more than it was able to say, and I wondered if the title held clues to what the “more” was. Unfortunately, no dictionary shed any light on either term, so I remain intrigued, but baffled.
Review of Jennifer Crow, “Twilight Mind,” Fantasy Magazine 72 (October 2021): 28 — Read online. Reviewed by Sara L. Uckelman.
This quiet, reflective poem conjured up some lovely images.
Review of Gwynne Garfinkle, “Emily and the What-If Imp,” Fantasy Magazine 72 (October 2021): 16-17 — Read online. Reviewed by Sara L. Uckelman.
I think lots of people, especially people who take solace in reading and writing speculative fiction, have What-If imps of their own, hanging around and making unwarranted trouble, or if not a What-If imp, one of its cousins. But I think there is some solace in reading this story, whatever kind of imp you’ve got.
Review of Zebib K. A., “Heirlooms,” Fantasy Magazine 72 (October 2021): 11-15 — Read online. Reviewed by Sara L. Uckelman.
The narrator and her roommate have recently moved to a new apartment, in a historically Black neighborhood that is succumbing to gentrification. Other people in the building have said they don’t feel safe in the neighborhood, though we the readers are not told why. Why desperately creepy beings start tapping on the narrator’s window in the middle of the night, we begin to get a sense of why — but is she the only one that sees them?
I certainly didn’t expect a horror story when I started this, but that’s definitely what I got!
Review of Chana Kohl, “The Warrior Tree,” Luna Station Quarterly 52 (2022): Read online. Reviewed by Sara L. Uckelman.
Born into a remote Amazigh village, Faiza is trapped by the circumstances of her life — born with no fingers, only thumbs; no money to afford an education beyond 8th grade; betrothed young to a much older man. But Faiza is lucky; her elder brother Adil is a carpet-trader in Marrakech, and he’s willing to help when she begs him for a way out.
This was quite an interesting story — really enjoyable in its own right, but given the context in which it was published, I kept reading it thinking “when will the speculative element come in?” The answer to that is: not until the very final few paragraphs. As a result, the ending felt a bit stitched on; nice, but not needed.
Review of Liz Baxmeyer, “The Oak Tree,” Luna Station Quarterly 52 (2022): Read online. Reviewed by Sara L. Uckelman.
Dara is out haunting the oak tree when she surprises a stranger, Muriel, who is desperately seeking something. The folk songs that Dara sings, scattered throughout the story, emphasised the folk-tale nature of the story; but there was rather too much explaining rather than story-telling for it to quite work for me.
Review of Allison King, “Breath of the Dragon King,” Fantasy Magazine 72 (October 2021): 9-10 — Read online. Reviewed by Sara L. Uckelman.
Drea King’s life began in tragedy, when she was born in the wrong year in a culture that values dragons far beyond rabbits. But the bigger tragedy is the life of an immigrant child, “scared to be separated from their old country and to be freaks in their new one” (p. 10). Drea turns her own personal tragedy into a way of helping all the other Dragons of ’88 in this lovely, hopefully little story.
Review of Kiersten Gonzalez, “End of the World, Beginning of Everything,” Luna Station Quarterly 52 (2022): Read online. Reviewed by Sara L. Uckelman.
Content note: Sudden death.
After the narrator’s husband leaves her, she takes advantage of the opportunity to move to California and try to become an actress. Instead, she ends up in Colorado, landing a job as a ghost tour guide. There are many ways you might think the story would go, from this premise — but I can guarantee you that none of them are what happens! This was a novel story told in a fresh, distinctive voice. Good stuff!
SFF Reviews