REVIEW: “Bedtime Story” by Rhonda Parrish

Review of Rhonda Parrish, “Bedtime Story,” Luna Station Quarterly 57 (2024): 102-109 — Purchase online. Reviewed by Sara L. Uckelman.

This is a story of a story, a horror story told by Laura, an old doll, to Clara, the daughter of her previous owner. Clara was the one who asked Laura to tell the story, but during Laura’s telling I kept wondering what the purpose of the story was — would there be a moral? Was it just to scare Clara? I kept waiting for some signal, why did Clara ask Laura to tell her a story, or this story in particular? I never quite got any of the answers I hoped for.

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REVIEW: “Good News, Bad News” by Rhonda Parrish

Review of Rhonda Parrish, “Good News, Bad News,” Luna Station Quarterly 55 (2023): Read online. Reviewed by Sara L. Uckelman.

Content note: References to addiction.

This was ostensibly a story of post-apocalyptic Drumheller, but I found it weirdly idealised and utopian. Ty, one of the secondary characters, has a background in “science,” and hence is able to design hydroponics, make use of laboratories, build solar-powered systems — quite the collection of skills beyond the ken of most of the scientists I know! Papillon, the main character, takes on the role of ruler of a metaphorical fiefdom with ease. Everything seems to work out just a little too well and a little too easily for everyone involved. But I did like the sentiment expressed at the ending — almost enough to redeem the story.

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REVIEW: Grimm, Grit, and Gasoline: Dieselpunk and Decopunk Fairy Tales edited by Rhonda Parrish

Review of Rhonda Parrish, ed., Grimm, Grit, and Gasoline: Dieselpunk and Decopunk Fairy Tales, (World Weaver Press, 2019) — Purchase here. Reviewed by Sara L. Uckelman.

This collection of 18 stories was my first introduction to the subgenres of dieselpunk and decopunk. Parrish in her editorial introduction defines diesel- and decopunk in opposition to steampunk (the characteristic difference between them being time-period), but this approach only works for a reader who already has a comfortable grasp on steampunk — something I’m not sure I yet have. What makes a story “-punk”? I wasn’t sure before I started reading, and I’m not sure I had any better an idea by the time I was done.

Does this mean I felt the anthology failed? No. As a collection of interesting stories with a strong fairy-tale influence (stronger in some stories than others, but overall the inspiration was obvious), overall I enjoyed reading it. I think that there is a lot of “scope for the imagination”, as Anne Shirley would say, in setting stories in the 1915-1945 era, and further that the World Wars, with important roles that Germany played in both, provide a unique perspective on retellings of what are ultimately very German fairy tales. (Not that all the fairy-tale inspirations in the book come from Grimm, but the Grimms’ tales lend themselves well to transposition of setting in this way). That being said, I did feel that the quality of the stories was uneven — some more successful than others in both plot and presentation. Were any of them bad? No. Was the entire collection outstanding? Alas, no also.

As usual, we’ll review each story individually, and link each back here when the review is posted:

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