Review of Mac Bowers, “Brave Stupid Creatures,” Luna Station Quarterly 58 (2024): 97-104 — Purchase online. Reviewed by Sara L. Uckelman.
Content note: Animal killing.
I enjoyed the thread of queer discovery and joy that wound through this story, even if the rest of it wasn’t exactly my thing.
Review of Brandon Case, “Darkness, Blanket of My Eyes,” Flash Fiction Online 128 (May 2024): 14-17 — Purchase here. Reviewed by Sara L. Uckelman.
This was billed as a horror story, but it’s actually a love story. (Though, it’s definitely horror-y enough that if this isn’t the genre for you, don’t read this. Also don’t read if attempted tentacle sex isn’t your thing.)
Review of Albert Chu, “Eloïse,” Small Wonders no. 11 (May 2024): 17-20 — Read online. Reviewed by Sara L. Uckelman.
This story starts off about dueling and ends with a transformation. In four pages we go from anxiety and unhappiness to freedom and joy, not a bad arc for such a short duration!
Review of Angel Leal, “Music of the Seraphim,” Small Wonders no. 11 (May 2024): 11-13 — Read online. Reviewed by Sara L. Uckelman.
This is now the third poem by Leal that I’ve reviewed at SFFReviews — and let me tell you, I have loved every single one. I hope they’ve got a poetry collection in the works, because I’d love to read (or publish!) it.
Review of Mar Vincent, “Celestial Bodies,” Small Wonders no. 11 (May 2024): 7-9 — Read online. Reviewed by Sara L. Uckelman.
For all the stars and astronomical arrangements that show up in this story, I’ve placed it firmly in the “fantasy” category, even though it’s hard to articulate what this story is about. But it is a lovely little glittery thing, worth reading for its sweet ending.
Review of Michael Swanwick, “Timothy: An Oral History”, Clarkesworld Issue 205, October (2023): Read Online. Reviewed by Myra Naik.
A layered piece with a great format; it explores an all-female, utopian society, and what happens when a biological man comes into existence in such a society. An intriguing idea, elevated by the oral history narrative format that was able to incorporate so many different points of view into a short story.
Gender norms and expectations, of course, look different in this society. When a biological male upends the status quo in this utopia, the cracks start to show. An interesting examination of societal norms, and a great way to wrap up this issue.
Review of JM Cyrus, “You and Me, Here and There, Now and Then and When,” Luna Station Quarterly 57 (2024): 140-154 — Purchase online. Reviewed by Sara L. Uckelman.
What a fun little story this was, with undercurrents of time travel and split personal identity, but ultimately, just a comforting little love story.
Review of Emily Yu, “The Angelus Machine,” Luna Station Quarterly 57 (2024): 212-221 — Purchase online. Reviewed by Sara L. Uckelman.
If you’re looking for a slightly uncomfortable story about love between a human and an AI, this is a story for you.
Review of Allister Nelson, “And Lilith Sewed the Seam,” Luna Station Quarterly 57 (2024): 22-32 Purchase online. Reviewed by Sara L. Uckelman.
I really love it when SFF stories take religion seriously, and my experience in recent years is that this most often happens in Jewish SFF. Nelson’s story is a great example of this, as her characters weave together magic, Russian mythology, and Jewish beliefs. Add in a bunch of queer romance, and there was a lot in this story I liked. There were also parts that weren’t for me — I’m not really into graphic descriptions of nudity — but they weren’t enough for me to not want to read it all.
Review of Jen Brown, “The Probability of One,” Fantasy Magazine 83 (September 2022): 6-8 — Read online. Reviewed by Sara L. Uckelman.
This was quite a complex story for how short it was; I started it, got lost, had to start it again, got distracted, started again before I really go stuck into it. It feels like it skirts the barrier between very clever and unreasonably opaque. I’d rather not decide for myself, but encourage everyone to give it a go. At the very least, it’s short, and if you reach the end still confused, it’s okay — it’s short. And even at the end there’s something that leaves me thinking “I wish I understood more.”
The author bio says that Jen Brown writes “otherworldly tales about Black, queer folks righteously wielding power.” For that reason alone, I’d read this story.
SFF Reviews