REVIEW: “The Einsteiners” by J. Askew

Review of J. Askew, “The Einsteiners”, in David G. Clark, Callum Colback, Joe Butler, and Alex Hareland, eds., Beneath Strange Stars, (TL;DR Press, 2020): 237-247 — Purchase here. Reviewed by Sara L. Uckelman. (Read the review of the anthology.)

I appreciate a novel take on time-travel, and that’s what Askew’s “skimming” is, liking skipping a stone across a flat pond, but instead of a rock and a flat space of water, it’s a person and a black hole.

Esther, the narrator, is one of the Einsteiners, one of the few people who has a legal license to skim. All she hopes is that she’ll get through to the other side of the black hole known as Lilith — a hundred years into the future — at the same time as her girlfriend, Andee, and before humanity makes first contact with an alien civilisation. Unfortunately, only one of those hopes will be realised…

REVIEW: "The Moneylender's Angel" By Robert Minto

Review of Robert Minto, “The Moneylender’s Angel”, Beneath Ceaseless Skies, Issue 296, January 30, 2020, Read online, Reviewed by Richard Lohmeyer.

Gareth and the story’s unnamed narrator are dockworkers sharing their lives in a bleak, violent town named Siltspar. Each has had a difficult past filled with violence neither feels able to atone for. To pay off a large debt owed by his father, Gareth was coerced into using his healing touch to torture people. The narrator, given by his parents at an early age to a cruel priesthood, was made to slit a hundred throats in ritual sacrifice.  Both quit these gruesome practices as soon as they were able, but the guilt each feels is unrelenting. When, completely by chance, a magically powerful necklace used in the priesthood’s ritual slaughter falls into their possession, a very different kind of sacrifice is called for. Done out of love, this sacrifice, too, brings guilt, but also the hope of a brighter future for at least one of the two main characters.  

Beneath Ceaseless Skies is one of my favorite magazines. Evocative stories like this are one of the reasons why.

REVIEW: “Star Tipping” by Jonathan Coolidge

Review of Jonathan Coolidge, “Star Tipping”, in David G. Clark, Callum Colback, Joe Butler, and Alex Hareland, eds., Beneath Strange Stars, (TL;DR Press, 2020): 163-176 — Purchase here. Reviewed by Sara L. Uckelman. (Read the review of the anthology.)

Content warning: Contemplation of suicide, explicit descriptions of pain and injury.

This story starts in media res with a crash and a bang — literally: Church, the first-person present-tense narrator is in a pretty gruesomely described car crash. What follows isn’t much more pleasant, as we’re taken on a trip down Church’s memory lane, filled with unhappiness and hurt.

Just at the point where I was wondering “what is speculative about this?” the story takes a sharp turn into superhero-land as Church discovers — via unexpectedly using them — he has achieved superpowers.

This story wasn’t really my cup of tea, but I can still appreciate the quality of its crafting.

REVIEW: “Forgive Me, My Love, For the Ice and the Sea” by C. L. Clark

Review of C. L. Clark, “Forgive Me My Love, For the Ice and the Sea”, Beneath Ceaseless Skies 296, January 30, 2020, Read online. Reviewed by Richard Lohmeyer

I’m not usually a big fan of pirate stories, but I’ll gladly make an exception for this one. References to the sea and sailing all ring true, but the story excels in its depiction of the love triangle at its core and the characterization of the women who comprise it.  

Instead of a Pirate King, Clark gives us a Pirate Queen, Issheth by name, whose drowned wife she hopes to convince the goddess of the sea to resurrect. Among her crew, is Laema, who has been coerced into killing Issheth in order to free her own wife, imprisoned by the High Court as a sort of bargaining chip. As Laema becomes more and more enamored of Issheth, killing her becomes increasingly problematic. Then the goddess intervenes on behalf of both women and things end differently—and more unpredictably—than either would have believed possible. Another fine story from one of the best magazines in the field. 

REVIEW: “The Candle Queen” by ephiny gale

Review of ephiny gale, “The Candle Queen,” Beneath Ceaseless Skies, Issue 295, January 16, 2020, Read Online. Reviewed by Richard Lohmeyer.

This is a good, if perhaps, flawed story. It posits a very strange world, one that selects at the age of eight 26 girls based solely on their capacity for self-control and stamina. At 17, the girl who most excels at these two qualities becomes her world’s “unflinching rod,” The Candle Queen. It is her duty into old age to wear upon her head a metal bowl on which three large candles sit upon a heavy plate. If she doesn’t–if for even a moment her concentration falters and she fails to keep her head upright—the candles might go out. And if they do, the world will end. Or so it is said.  

For the girl selected for this “honor,” it is not much of a life.  Fortunately, the Candle Queen has a handmaiden named Anne who considers it her duty, as well as her pleasure, to introduce her queen to the joys of intimacy and personal freedom. Which, of course, underscores the tension—in her world and ours—between duty and freedom. 

I have only one quibble regarding this story. As metaphor, it works wonderfully well. In the fantasy world Gale posits, however, it seems unlikely that even the most disciplined person could sit or stand bolt upright for years—let alone a lifetime.

REVIEW: “Perisher” by Crystal Frasier

Review of Crystal Frasier, “Perisher” in Gwen Benaway, ed., Mother, Maiden, Crone, (Bedside Press, 2019): 134-148 — Purchase here. Reviewed by Sara L. Uckelman. (Read the review of the anthology.)

Content warning: Murder.

Aggie is a Perisher, someone who, through the violent killing of another person, is connected to the ghost of the person they murdered. Fuchs is a German soldier who refuses to learn to speak any English or Spanish — Aggie’s fluent languages as she lives and works in Florida — but he can speak to other ghosts, and in this unlikely pairing the two of them hiring out their services to people who need answers only ghosts can give.

The tenor of this story was quite different from the much-more-fantasy oriented ones of the rest of the anthology. It felt much more like a crime drama than a fairy tale. I enjoyed the contrast that it provided, and the idea of Perishers in the first place — not like anything I’d read before.

REVIEW: “Failure” by Casey Plett

Review of Casey Plett, “Failure” in Gwen Benaway, ed., Mother, Maiden, Crone, (Bedside Press, 2019): 127-134 — Purchase here. Reviewed by Sara L. Uckelman. (Read the review of the anthology.)

The first-person narrator is a reviver, traveling from place to place, always on her own. Revivers rarely ever stay long in one place, or spend much time with other revivers (which makes me wonder how a reviver gets trained in the first place). Along the way, she (all revivers “grow from boys to women” p. 130) meets a stranger unlike any she’s ever met before, and they force the reviver to contemplate an awful decision.

I think many people reading this story can sympathise with the idea of never doing, never being, enough. It’s hard to practice self-care when there is always someone else that could be helped, something more that could be improved. (If you don’t sympathise with this, then you are very lucky or very privileged or both.) In the end, I think the reviver made the right decision.

REVIEW: “Dreamborn” by Kylie Ariel Bemis

Review of Kylie Ariel Bemis, “Dreamborn” in Gwen Benaway, ed., Mother, Maiden, Crone, (Bedside Press, 2019): 108-126 — Purchase here. Reviewed by Sara L. Uckelman. (Read the review of the anthology.)

Content warning: Misgendering, kidnap, allusions to child rape.

This was a harsh story of invasion, colonisation, betrayal, lies, and loss. But it was also a story of deep, abiding love. It’s a tough story to read, but good.

REVIEW: “i shall remain” by Kai Cheng Thom

Review of Kai Cheng Thom, “i shall remain” in Gwen Benaway, ed., Mother, Maiden, Crone, (Bedside Press, 2019): 97-107 — Purchase here. Reviewed by Sara L. Uckelman. (Read the review of the anthology.)

This was a rich, sensual story full of old myth and modern realism, and threaded through with a gruesome interpretation of Christianity (I don’t know if this was intended or not, but it certainly read that way to me). It was distinctly different from the rest of the stories in the anthology, not only in content and in choice of trans characters, but also in its literary style, with a systemic eschewing of capitals except for proper names and phrases, and sometimes (but not always) “I”. I think this was my favorite story of the volume.

REVIEW: “Undoing Vampirism” by Lilah Sturges

Review of Lilah Sturges, “Undoing Vampirism” in Gwen Benaway, ed., Mother, Maiden, Crone, (Bedside Press, 2019): 92-96 — Purchase here. Reviewed by Sara L. Uckelman. (Read the review of the anthology.)

Vampire stories have been so overdone in recent years that whenever I come across another one, I admit, I sigh a bit.

But there were NO SIGHS whatsoever in this hilarious (“but I realized even then that the desires to be a girl and to eat them are unconnected” p. 94), unpredictable, unexpected take on modern-day vampires. I absolutely loved it.