Review of Ruth Joffre, “A Girl (Five Angles),” Luna Station Quarterly 53 (2023): Read online. Reviewed by Sara L. Uckelman.
What a short, effective story, told via an unusual story structure. This was an atypical piece for LSQ, for which reason I think I loved it all the more.
Review of Holly Schofield, “The Knells of Agassiz,” Luna Station Quarterly 53 (2023): Read online. Reviewed by Sara L. Uckelman.
I love it when a story gives me cause to pause and look something up to see if it’s real or not. In this case, it was the Agassiz Ice Cap, and it’s real — but for who knows how long. Climate change and the quickly disappearing ice cap form the basis for Schofield’s story, in which Emma returns to the ice cap one last time to say good-bye. It could so easily be a sad and depressing story, but it is not: It has the tinge of realistic hope that all good climate SF should have.
Review of Rebecca Harrison, “The Little Husky,” Luna Station Quarterly 53 (2023): Read online. Reviewed by Sara L. Uckelman.
Eliza’s father is on trial. His crime? He has stolen the Artic Circle, to ensure that he, and not his rival Mennor, would be the first man to reach the North Pole.
This was an interesting story, with some very beautifully-used language, but I felt like I had to wait too long to find out what was actually happening.
Review of Shannon Roberts, “How to be Caffeine-Free,” Luna Station Quarterly 53 (2023): Read online. Reviewed by Sara L. Uckelman.
This story won “best title of the issue” in my book, and thus was an easy first choice to read and review.
For Greyce, being caffeine-free matters. She’s living in Cosmos, where nothing matters more than chasing your dreams; but if she drinks too much coffee, her sleep gets screwed up, and if her sleep gets screwed up then she doesn’t dream any dreams. I found this to be an odd story, oddly written, and — for me — not quite living up to the potential of its name.
Review of Chana Kohl, “The Warrior Tree,” Luna Station Quarterly 52 (2022): Read online. Reviewed by Sara L. Uckelman.
Born into a remote Amazigh village, Faiza is trapped by the circumstances of her life — born with no fingers, only thumbs; no money to afford an education beyond 8th grade; betrothed young to a much older man. But Faiza is lucky; her elder brother Adil is a carpet-trader in Marrakech, and he’s willing to help when she begs him for a way out.
This was quite an interesting story — really enjoyable in its own right, but given the context in which it was published, I kept reading it thinking “when will the speculative element come in?” The answer to that is: not until the very final few paragraphs. As a result, the ending felt a bit stitched on; nice, but not needed.
Review of Liz Baxmeyer, “The Oak Tree,” Luna Station Quarterly 52 (2022): Read online. Reviewed by Sara L. Uckelman.
Dara is out haunting the oak tree when she surprises a stranger, Muriel, who is desperately seeking something. The folk songs that Dara sings, scattered throughout the story, emphasised the folk-tale nature of the story; but there was rather too much explaining rather than story-telling for it to quite work for me.
Review of Kiersten Gonzalez, “End of the World, Beginning of Everything,” Luna Station Quarterly 52 (2022): Read online. Reviewed by Sara L. Uckelman.
Content note: Sudden death.
After the narrator’s husband leaves her, she takes advantage of the opportunity to move to California and try to become an actress. Instead, she ends up in Colorado, landing a job as a ghost tour guide. There are many ways you might think the story would go, from this premise — but I can guarantee you that none of them are what happens! This was a novel story told in a fresh, distinctive voice. Good stuff!
Review of Maeghan Klinker, “This Sweet and Bitter Fruit or, Ladon’s Lament,” Luna Station Quarterly 52 (2022): Read online. Reviewed by Sara L. Uckelman.
There were weird inconsistencies in this story that, alas, kept me from enjoying it as I hoped I would. (It also falls on the wrong side of my dislike of second-person narratives.)
Review of Wendy Nikel, “The Heavenly Dreams of Mechanical Trees,” Luna Station Quarterly 52 (2022): Read online. Reviewed by Sara L. Uckelman.
Bita is a botanist living in a world where xylem and phloem have been replaced with metal and gears. There are no botanical trees any more, just metal contraptions that serve the same air-purifying purpose. Only these trees aren’t alive enough to reproduce, they have to be replaced when their parts wear out. And they are all relentlessly the same.
Ailanthus lives in a world of repetition and silence, shuttered away from the world fated to perform the same actions over and over with no way to communicate with anyone. Until Bita comes along, and is the first person who can hear what Ailanthus has been dying to say.
This story was a first for me — the first time I’ve reviewed a story for a second time, at SFFReviews! I recognized the title as soon as I saw it, but remembered little of the story itself. It was curious to go back and reread
Review of Carly Racklin, “Live Oak,” Luna Station Quarterly 52 (2022): Read online. Reviewed by Sara L. Uckelman.
Rory and Finn have just moved to a new house, and it’s not the happily ever after they hoped for. The big tree looming over Rory’s bedroom is clearly haunted — but whoever heard of a haunted tree? Maybe truth of the matter is even deeper and darker than they can imagine.
A lovely creepy little forest horror story.
SFF Reviews