REVIEW: “The Mid-Autumn Festival” by Chezza Lee

Review of Chezza Lee, “The Mid-Autumn Festival,” Luna Station Quarterly 59 (2024): 73-87 — Purchase online. Reviewed by Sara L. Uckelman.

“Immortality was boring,” this story opens up — a sentiment I can wholly get on board with (I’d rather die tomorrow than live forever), so from the start I’m predisposed to like what’s to come. With strong wuxia/xianxia influences clearly palpable, there was a lot to like in this short, compact story of a mortal who became immortal and then…tired of it. Sometimes, the simple pleasures of mortality are worth more than any amount of immortal bliss.

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REVIEW: “The Crow Bridge” by Catherine George

Review of Catherine George, “The Crow Bridge,” Luna Station Quarterly 59 (2024): 167-185 — Purchase online. Reviewed by Sara L. Uckelman.

What a stunningly lovely story this one: Delicately told and strongly constructed, full of myth and loss and struggle. I really loved it.

Also, kudos to George, who, according to her biography, took 10 years out from writing fiction, and came back to it. I did that too, and yet I still find support in hearing of other people doing the same. It helps, when facing writer’s block, to see examples of how it’s not forever, even if 10 years may seem like forever.

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REVIEW: “Dragons Over Cefalù” by Liv DeSimone

Review of Liv DeSimone, “Dragons Over Cefalù,” Luna Station Quarterly 59 (2024): 143-165 — Purchase online. Reviewed by Sara L. Uckelman.

Content note: Violence against women.

I struggled with what to put in the content note for this story, because it’s more than sexual harassment (what I initially had), but not quite sexual assault (what I toyed with). Whatever it is, it pervades the opening pages of the story so if that isn’t something for you, definitely avoid this story. The harassment feels like it isn’t that awful, because it isn’t quite assault, but the low-levelness of it ends up making it even worse, because as a reader, as a woman, I kept finding myself trying to normalize it, and that made it all the more awful. In the end, a quote from the story gave me what I needed: “After all, none of this had ever been about sex” (p. 162). It’s not about sex, it’s about violence, and power.

Normally I’m not a fan of using violence against women as a means of moving plot forward in a story, but there was something about this that worked. Two women’s separate revenges become intertwined,

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REVIEW: “The Desert” by Carolina V. Mata

Review of Carolina V. Mata, “The Desert,” Luna Station Quarterly 59 (2024): 119-122 — Purchase online. Reviewed by Sara L. Uckelman.

“The desert was created to antagonize”: This one line sets the scene for a short, fierce story of fighting back against despair. There’s not much detail or backstory or world-building, meaning there is a lot of scope for reading into the story whatever you like — generational trauma, climate change, what have you. Its short length makes the story quite flexible and elastic in a satisfying way.

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REVIEW: “Burn, Balefire Heart” by Sara Omer

Review of Sara Omer, “Burn, Balefire Heart,” Luna Station Quarterly 59 (2024): 35-53 — Purchase online. Reviewed by Sara L. Uckelman.

Dragons, slaves, enemies, a plot, freedom, and — eventually — love. This story had it all! I loved the depth of it, though at times I felt like I didn’t quite have all the back-story. I think this could have made a really excellent novella, and hope that Omer tries her hand at something longer form in the future.

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REVIEW: “Field Guide to the UFOs of the Keweenaw Peninsula” by Phoebe Eliza Billups

Review of Phoebe Eliza Billups, “A Field Guide to the UFOs of the Keweenaw Peninsula,” Luna Station Quarterly 59 (2024): 15-32 — Purchase online. Reviewed by Sara L. Uckelman.

Often when I read a slow, protracted story, I put a lot of stake on the ending making itself worth the wait. Billups’s story left a different impression on me: I enjoyed the journey enough that I didn’t need to reach the destination, and the fact that when I did, I didn’t know where I was didn’t take away from my enjoyment.

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REVIEW: “Sparking Joy” by Y. M. Resnik

Review of Y. M. Resnik, “Sparking Joy,” Luna Station Quarterly 59 (2024): 89-96 — Purchase online. Reviewed by Sara L. Uckelman.

After the death of her husband, Sharon is required to downsize the mass of her apartment in order to ensure that valuable resources are recycled and put back into national service — and she’s been sent an AI to help her deal with the process. It’s a solid premise for a story, but what I loved was that I had a good guess as to how it would unfold, and my guess was totally wrong. I loved the twist, resulting in a story that made me smile and also made me shiver.

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REVIEW: “Thistle and Spice” by Dorianne Emmerton

Review of Dorianne Emmerton, “Thistle and Spice,” Luna Station Quarterly 58 (2024): 249-268 — Purchase online. Reviewed by Sara L. Uckelman.

Content note: Fatphobia, misogyny, domestic abuse.

In an attempt to escape an increasingly loveless marriage, Darlene ends up going to Wednesday night witchcraft classes, and I, as the reader, end up really, really hating her husband. Bring on the spells so that he gets his comeuppance!

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REVIEW: “The Cierin-Croin” by Wendy Nikel

Review of Wendy Nikel, “The Cierin-Croin,” Luna Station Quarterly 58 (2024): 237-246 — Purchase online. Reviewed by Sara L. Uckelman.

Prefatory note: The title of the story in the journal is given as I’ve spelled it here; however, in the story itself, the term is spelled “Cirein-cr&oagrave;in”; I’m not sure which is correct.

I’m not sure what to make of the story itself: It’s pretty simple and straightforward: Ailsa and Hendry’s grandfather warns them against seeking the Cirein-cròin; Hendry doesn’t listen; bad things ensue. When a story has everything laid out bare in the way this one does, no layers, no moral, no twist, it leaves me quite perplexed.

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