REVIEW: “The Grass Bows Down, The Pilgrims Walk Lightly” by Izzy Wasserstein

Review of Izzy Wasserstein, “The Grass Bows Down, The Pilgrims Walk Lightly”, Analog Science Fiction and Fact January/February (2020): 125–131 (Print) – Purchase Here. Reviewed by John Atom.

Contains spoilers.

The Klevish are an alien civilization who despite their advanced technological status, appear to lead a rather mystic lifestyle. They agree to share some of their knowledge with Earth, provided a human representative can overcome one of their challenges. This time they’ve chosen Erika, a biologist, as Earth’s negotiator for a genetic reclamation technology. The puzzle she must solve is simple: why does a particular species of a tall grass bend as the Klevish pass by it?

This is an excellent example of concise storytelling, covering a lot of ground in only a few paragraphs. There’s a simple, yet powerful poignancy about the world and characters that Wasserstein unfolds throughout her non-linear narrative, adding to a pleasant feeling of melancholy. Erika’s struggle, despite its science fictional backbone, is immensely relatable to anyone who’s had to choose between more than one path in their lives. The sadness that such a choice entails comes through clearly in the story.

Unfortunately, the ending does not quite hold up to the excellent build up, as the Erika’s solution to the Klevish puzzle seems like a hand-wavy attempt to bring the story to a hasty close. It works, but I can’t help but think that cleverer solution exists somewhere out there, one that does try to force the metaphor quite so much.

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REVIEW: “Hive” by Jay Werkheiser

Review of Jay Werkheiser, “Hive”, Analog Science Fiction and Fact January/February (2020): 82–92 – Purchase Here. Reviewed by John Atom.

Contains spoilers.

A group of space travelers encounter a planet where the predominant form of intelligent life – The Hive – communicates by chemical signaling rather than speech. Neither species can quite figure out the other as communication between the two is all but impossible. Hive has to worry not only about the Humans, but also their ongoing conflict with another species, Methyl, while the Humans remain entirely clueless of the whole affair.

“Hive” is a solid hard SF story. The narration alternates between the human and alien points of view, presenting two vastly different and incompatible worlds to the reader. Though a bit dense to start with (the alien POV segments can seem intentionally cryptic), it flows seamlessly once you understand what it is about. No doubt, this is a story intended for those who are willing to be patient with their SF. The underlying concept seems plausible enough provided one doesn’t dig to deep into the ideas presented. For instance, while complex communication through chemical signaling is not that far of a stretch, any intelligence arising from such a system requires further consideration. The author still needs to use language to convey the aliens’ thoughts to the readers.

Overall, I strongly recommend this story.

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REVIEW: “Bulkheads Make the Best Neighbors” by Ian Randal Strock

Review of Ian Randal Strock, “Bulkheads Make the Best Neighbors”, Analog Science Fiction and Fact January/February (2020): 116–117 (print) – Purchase Here. Reviewed by John Atom.

Permanent inhabitants in Earth’s orbit (possibly asteroid miners) have grown tired and resentful of the planet’s interference in their affairs. They have long yearned for independence but lack the necessary firepower to directly confront Earth. During a council session, a spacer named Maggie comes up with a clever plan: what if they smashed asteroids into tiny pieces to create a permanent “wall of junk” around earth? That will block off the planet and “keep the groundhogs [Earthers] down where they belong.”

There’s not much I can say about this story other than it is incredibly short, so short as to appear incomplete. It gives the impression that it is merely a scene from a larger story, the rest of which got mistakenly left out. For one thing, blocking off the entire planet seems like a massive overreaction to the simple burden of extra paperwork. A little more elaboration on behalf of the author would have helped put the story in proper perspective. Moreover, the author has decided to spell out the uncharacteristically “southern” dialects of the spacers, something that I always find a bit of a nuisance (let alone offensive), although here it is not so bad as to make the story unreadable. Overall, the story feels much more like a quick writing exercise than a complete piece of flash fiction.

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REVIEW: “Welcome to the New You: Terms and Conditions for the iCRISPR Gene-Editing Kit” by Douglas F. Dluzen

Review of Douglas F. Dluzen, “Welcome to the New You: Terms and Conditions for the iCRISPR Gene-Editing Kit”, Analog Science Fiction and Fact January/February (2020): 121–123 – Purchase Here. Reviewed by John Atom.

This was a fun little short short (or flash fiction, if you will), structured in the form of an ad email to a hypothetical customer who began the online purchase of a gene-editing kit but never finished it. The contents of the email outline the benefits of the company’s various gene-editing kits in an attempt to encourage the customer to complete their purchase. The terms and conditions of the product are also included in the email.

I enjoyed the humor and wit of the story, even though most of it was quite on the nose. A nice touch was the company’s name, uGENIX (like eugenics), which unfortunately, does not sound all that implausible. Most poignantly, the included “Terms and Conditions” were just more thinly veiled advertisements of the product, including an obvious plea for the user to petition their representative about governmental regulations against gene editing.

But here at uGENIX, we believe you should have access to your own genome in its entirety.

Overall, a rather well done and humorous story that should take about a minute or two to read.

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REVIEW: “Wheel of Echoes” by Sean McMullen

Review of Sean McMullen, “Wheel of Echoes”, Analog Science Fiction and Fact January/February (2020): 72–81 – Purchase Here. Reviewed by John Atom.

Contains spoilers.

A producer in a recording studio comes across an old, 17th century recording device that contains the voice of Shakespeare performing Hamlet. A young voice actress, Kirsty, and an esteemed scholar of Shakespearean literature, Prof. Wilson, are invited to examine it. While Kirsty can appreciate the recording for what it is, the professor goes bonkers on account that the discovery will invalidate his work, as well as the work of countless other Shakespearean scholars. According to Professor Wilson, that is simply unacceptable.

“Wheel of Echoes” is one of those stories that has a great premise but a rather disappointing execution. An archaic recording of Shakespeare – and the fact that he may have been a lousy actor – is a genuinely neat idea. For about a third of the story, McMullen weaves an engaging mystery that culminates in the exciting revelation of the recording device. But as soon as that is done, the plot slips rapidly into implausibility. The characters are largely relegated into stereotypes whose actions are difficult to justify – or even understand. Prof. Wilson, especially, is depicted as an outright caricature of the “stuck-up academic,” unrealistic to the point of malintent. The story feels more like an expression of the author’s personal biases against academics than a serious examination of what would happen had such a device been discovered. The finale was a major letdown.

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