REVIEW: “The Tao of Thorsten Codbiter” by Kate Horsley

Review of Kate Horsley, “The Tao of Thorsten Codbiter,” Flash Fiction Online 146 (November 2025): 29-31 — Purchase here. Reviewed by Sara L. Uckelman.

…plus the back has a cut-out coupon for ten free Vikings with the purchase of every genuine Ox-horn drinking vessel (p. 29).

I love it when within the first five sentences of a story, I already know I will love it.

As Tom tries to bring his mom around to the idea of sharing her house with Agmundr, Gorm, Frode, Thorstein, Bodil, and five other Vikings, I laughed and laughed and laughed. As the ten of them surround Tom with support as his mother faces her final dies, I wanted to cry along with them, while Horsley’s final line is exactly the right way to end this story. A delightful morsel of a masterpiece. More stories like this, please.

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REVIEW: “Unfinished Conversations Package” by Chris Baker

Review of Chris Baker, “Unfinished Conversations Package,” Flash Fiction Online 146 (November 2025): 20-28 — Purchase here. Reviewed by Sara L. Uckelman.

As Dan Kalder tries to find closure with the death of his father, we as the reader get taken on a bit of an emotional rollercoaster — laughter, annoyance, tears, and a bit of shock. On the one hand, I appreciated the dexterity with which this story was constructed. On the other hand, the central conceit of that construction rests upon technology whose use in any form I struggle to get behind, so as a story that uses it uncritically, it ended up not sitting very well with me. (This isn’t to say that I think Baker used genAI to write the story, not the least; just that its use in the story meant the story didn’t work for me.)

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REVIEW: “A Proper Mother, Unhexed” by Ashlee Lhamon

Review of Ashlee Lhamon, “A Proper Mother, Unhexed,” Flash Fiction Online 146 (November 2025): 16-19 — Purchase here. Reviewed by Sara L. Uckelman.

Oh my goodness, this was absolutely adorable. Also, when I first glanced at the title I read it as “A Proper Mother, Perplexed,” (and my smug response was “ah, I must be a proper mother, because I’m almost always perplexed”) — which turns out would also have been a suitable title for this story!

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REVIEW: “Ursula” by E. M. Linden

Review of E. M. Linden, “Ursula,” Flash Fiction Online 146 (November 2025): 7-10 — Purchase here. Reviewed by Sara L. Uckelman.

This story is heavily, and sometimes heavy-handedly, metaphoric. It’s about parenting, and choices, and who gets to decide what is “best” when parents say they only want what’s best for their child. It’s mostly sad, but there is a breath left at the end which gives space for hope that good choices will be made this time, that a better “best” is found.

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REVIEW: “Woodsong” by Arthur H. Manners

Review of Arthur H. Manners, “Woodsong,” Flash Fiction Online 145 (October 2025): 19-22 — Purchase here. Reviewed by Sara L. Uckelman.

There’s two layers of horror to this story: The external trappings that comprise its setting, which are eerie and creepy enough on their own; and the horror of a parent slowing coming to terms with not being able to save their child. It’s not a pleasant story by any means.

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REVIEW: “To Breach a Citadel” by Jeannie Marschall

Review of Jeannie Marschall, “To Breach a Citadel,” Flash Fiction Online 145 (October 2025): 7-9 — Purchase here. Reviewed by Sara L. Uckelman.

This story didn’t quite work for me. It had the traditional horror-story’s build-up to a spooky, creepy ending, but maybe I missed something, but I didn’t get what was supposed to be scary about the denouement. Ordinarily, this would be an indication that I need to read a story a second time, in case I did miss something, but without something, some hook, some lovely language, some character that grabbed me, it doesn’t feel like this would be a worthwhile use of my time.

No story works for every reader; this one simply isn’t one for me.

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REVIEW: “This is What Mouths Are For” by Parker M. O’Neill

Review of Parker M. O’Neill, “This is What Mouths Are For,” Flash Fiction Online 145 (October 2025): 24-26 — Purchase here. Reviewed by Sara L. Uckelman.

There are four mouths in this story — Guiltymouth, Anxiousmouth, Bittermouth, and Haughtymouth. All four mouths do what you’d expect mouths to do, and what I love about horror as a genre is how it provides space for the ordinary, everyday to twist into the macabre. O’Neill pulls this off excellently: About four paragraphs before the end I suddenly went “oh god,” as I figured how it was all going to end.

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