Review of Lettie Prell, “Please Click,” Flash Fiction Online 127 (April 2024): 11-13 — Purchase here. Reviewed by Sara L. Uckelman.
This story was a thoughtful take on human-robot symbiosis, mostly hopeful, rather than depressing. It also had an element of humor that particularly tickled me; pretty sure anyone who has spent enough time on the internet will know what part I meant once they get to it (I’d rather not spoil in the review, as it’s intrinsic to the story!).
Review of Samir Sirk Morató, “Limerence,” Flash Fiction Online 126 (March 2024): 22-24 — Purchase here. Reviewed by Sara L. Uckelman.
This was a surprisingly lovely and evocative story, of two bog bodies separated by a layer of peat. It’s a story of longing and loss and love, with an ambiguous ending where I still can’t decide if I find it sad or hopeful.
Review of Lindz McLeod, “On the Wing,” Flash Fiction Online 126 (March 2024): 18-20 — Purchase here. Reviewed by Sara L. Uckelman.
Content note: Infidelity.
It felt a bit like this story was a dare, to see how many bird metaphors and bird images McLeod could fit into one story. There were a lot: all tastefully and effectively used, but leaving me wondering, why all the birds.
(Originally published in Bear Creek Gazette, 2022).
Review of Jennifer Mace, “Sparsely Populated With Stars,” Flash Fiction Online 126 (March 2024): 14-17 — Purchase here. Reviewed by Sara L. Uckelman.
It seems at first that this is a told through a series of dreams dreamt by someone in cryostasis, but as the dreams begin to fragment, things become less clear — is it cryostasis? Is it immmortality? Or is it prison? Dreams and reality become entangled and questions multiply. In a flash fic piece, of course there’s not enough time to answer them; but nevertheless, the story when it ends feels complete.
Review of Shelly Jones, “The Lime Monster,” Flash Fiction Online 126 (March 2024): 11-13 — Purchase here. Reviewed by Sara L. Uckelman.
here was something really lovely and empowering about this story, of how a woman took her childhood innocence and imagination and turned it into something to protect her land and heritage.
(Originally published in The Future Fire 52, January 2020.)
Review of Shira Musicant, “Leavings,” Flash Fiction Online 126 (March 2024): 8-10 — Purchase here. Reviewed by Sara L. Uckelman.
The story comes with a content warning for suicide, but what I found most difficult to read was how eerily and uncannily accurate it was at representing the feeling of displacement that comes with being (in my case) neurodivergent. In a world of neurotypical stories, finding a character whose interactions with his universe come at a slant is not only surprising but also surprisingly difficult. There is a reality to this story that many stories don’t have, and I don’t mean this just in the sense that it was billed as “literary” rather than “speculative”. Worthwhile read, but also worth heading the content warning.
Review of P. H. Low, “The Flock is Your Blood,” Flash Fiction Online 110 (November 2022): 19-22 — Purchase here. Reviewed by Sara L. Uckelman.
This story does what many stories failed to do: Overcame my dislike of 2nd person POV with the sheer raw force of its power. I think the story could’ve ended half-way in and I would still have loved it.
(First published in If There’s Anyone Left, November 2020).
Review of Jennifer Popa, “Make an X, Then Another,” Flash Fiction Online 110 (November 2022): 16-18 — Purchase here. Reviewed by Sara L. Uckelman.
It’s always a bit curious coming across a non-speculative story in Flash Fiction Online, because I’m never sure which rule to follow, namely, the rule that we review spec fic here, or the rule that we review every single story in an issue here; I’ve opted to follow the latter rule here. What I love about spec flash fic is the craft of fitting in an entire world into a single story; literary fic doesn’t need to build a world before a story can be told, it can simply rely on the reader’s knowledge of their own world. Because of this, Popa’s story felt as if it were much longer than it actually was — you can just tell a lot more story when it’s not speculative. As a result, even though this was one of the shorter pieces in the issue, it was still a satisfying, if non-speculative, read.
Review of Susan Taitel, “Can Someone Tell Me What Kind of Moth This Is?,” Flash Fiction Online 110 (November 2022): 12-14 — Purchase here. Reviewed by Sara L. Uckelman.
This story was billed as horror, but it mostly made me laugh (especially the ending, brilliantly constructed). However, if you have a fear of moths, maybe avoid this one!
Review of Dafydd McKimm, “The Flamingo Maximizer,” Flash Fiction Online 110 (November 2022): 8-11 — Purchase here. Reviewed by Sara L. Uckelman.
Someone must have fucked up at the zoo,
is a great opening line, and also a clear and succinct description of the premise of the story. Someone has fucked up, and now there are flamingos, bright and pink, across the grey backdrop of Wales.
Equal parts funny and sweet, just a little bit terrifying and a little bit thought-provoking, this was a bright gem of a story in a doldrum day.
SFF Reviews