REVIEW: “Tree of the Forest Seven Bells Turns the World Round Midnight” by Sheree Renée Thomas

Review of Sheree Renée Thomas, “Tree of the Forest Seven Bells Turns the World Round Midnight”, Apex Magazine 101: Read Online. Reviewed by Joanna Z. Weston.

The main action is simple: Wilder is hiking through the Tennessee woods at night with his lover, Thistle, in order to meet her mother. The language is dense and lyrical, dripping with portent. In order to get the most of this one, you have to be willing to let yourself sink into that language without worrying too much about the plot. The narrative follows a meandering path though the present and the past, dipping into Wilder’s attempts to woo Thistle, into their relationship, and occasionally into his life before her, before returning to the present day. The point of this story is not the plot (though it’s a fine, well-developed plot). The point of this story is the characters, mood, and feeling. It is the dawning realization that all is not as it seems to the narrator, and the inevitable resolution.

While I admire the luscious language and the the languid journey, I personally found that this story moved too slowly for me, towards a resolution that I guessed at shortly after the opening lines. An inevitable ending isn’t necessarily a bad thing – sometimes it can allow the reader to focus on the journey over the destination – but it didn’t entirely work for me in this case. I kept thinking about how the details and diversions might come together in the end, when they were the point in and of themselves. Each memory, each observation, feeds the mood, giving it depth and weight. That is the point: to be fully immersed in the world, so that ending, once it arrives, has a gravity to it.

I want to emphasize that I didn’t dislike this story – I think it’s expertly written and executed – I just wasn’t able to sink into as fully as I wanted to. If you love to linger over dense prose, lyrical descriptions, and a beautifully meandering narrative, then this may well be the story for you.

REVIEW: “Ashes” by Mike Lewis

Review of Mike Lewis, “Ashes”, in Starward Tales II, edited by CB Droege (Manawaker Studio, 2017): 63-80 — Purchase here. Reviewed by Sara L. Uckelman. (Read the review of the anthology.)

I really do love retellings of known tales. You get all of the comfort of familiarity and all the joy of wondering what the twist(s) will be. This story is, of course, Cinderella — if the title wasn’t a big enough clue, then the main character’s name being Ella definitely should be.

One of the fascinating things about fairy tales is that the characters in them are more like caricatures; they are fitted into a story according to the roles that they play rather than according to characteristics of themselves. This works brilliantly for fairy tales told to small children, who can use the technique as a means of inserting themselves into the story. For a retelling of a fairy tale, however, the use of stock characters executing well-known tropes can sometimes feel a bit tiresome. I spent much of the story being bounced between irritation at the appearance of these tropes and then having that irritation assuaged by the way Lewis played on the tropes and twisted them. Why must Ella’s sisters be physically gorgeous while she is not? Why must Ella dream of a handsome captain to rescue her? The answers are not what you might think! Sometimes, the heroine gets something better than a prince…

REVIEW: “Effigy Nights” by Yoon Ha Lee

Review of Yoon Ha Lee, “Effigy Nights”, The Best Science Fiction and Fantasy of the Year series, Vol. 8. Reviewed by Drew Shiel.

I am very much a fan of Yoon Ha Lee’s work. Paper, writing, and perception of the written and thought word are recurring themes through much of his work, so it can be argued that “Effigy Nights” is almost iconic in that regard. This story is written as though a reality in which words, when treated in particular ways, form objects and people, is normal. But it would be unfair to say that it’s written prosaically; instead it is poetic, personal and epic at one and the same time. There is something about it of a Middle Eastern feel, as suggested by the echo in the title of One Thousand And One Nights, but there are aspects of other cultures drawn in as well. It is a story about stories.

Recommended for those who can cope with a little surreality, who don’t need all the rules laid out, who can extrapolate, who think about the words on the page and the intrusion of text into the world.

REVIEW: “The Names of the Sky” by Matthew Claxton

Review of Matthew Claxton, “The Names of the Sky”, Podcastle: 490 — Listen Online. Reviewed by Heather Rose Jones

It may seem odd that the first description that comes to me for a story set in wartime is “lovely” but the language of this one just flowed over me. It hit my exposition sweet spot in laying out the setting with casual description and character interaction, rather than feeling the need to tell the listener where they are and what’s going on. (But I’ll tell you anyway, so the review makes sense.) Zoya, a Russian fighter pilot in WWII has come down in a rural area behind the front and needs to survive, find shelter, and figure out how to get her plane in the air again, in that order. An encounter in a nearly-deserted village leaves her saddled with a responsibility that threatens those goals, but the seemingly senile old woman isn’t what she seems. A familiarity with Russian folklore will aid the listener in keeping up, given the aforementioned oblique approach to exposition. I loved the casually feminist (or maybe woman-centered is a better term) underlayer of the story that grew organically out of the themes and the historic-folklore roots. (Though now I find myself hungry for a story of “Grandma” and her sisters in their youth–and I wonder how much of that reference is based on the original folklore as opposed to being invention.)

REVIEW: “Emshalur’s Hand Stays” by Anaea Lay

Review of Anaea Lay, “Emshalur’s Hand Stays”, Podcastle: 489 — Listen Online. Reviewed by Heather Rose Jones.

The interplay between gods and their mortal worshippers reminded me a bit of Lord Dunsany’s mythic fiction. What responsibility does a god have for his people? And is it possible for devotion to reflect only love and joy when it’s tied so closely to salvation? I thought the gradually unfolding understanding of the narrator’s identity was cleverly done, though I had to work hard to suspend my need to figure things out and found the first half of the story confusing to follow. I can’t say that this story is one of my favorites–it just missed some of the aspects that make a story click for me. But the originality and the subtle worldbuilding were impressive.

REVIEW: “Hunting the Blue Rim” by R. L. Martinez

Review of R. L. Martinez, “Hunting the Blue Rim”, Luna Station Quarterly 31: Read online. Reviewed by Sara L. Uckelman.

The story opens with quite a bit of scene and history setting: We are told much about the geography, and about physical aspects of Spur herself, but what is most interesting are the references to “What Came Before”. It is clear that this is intended to be what we are familiar with today in our ordinary world and lives — oceans, cities, etc. — but what is intriguing is the question that is left unanswered at the start: Before what?

This question is never answered.

There are other aspects of the logic of the story that I find perplexing. “Hunting was not a sport or game,” we are told, but when Spur kills her first quarry, she does so to obtain favor from the Green Lady, not from any need. Though she eats the heart and the liver, she then leaves the rest to be despoiled. As we are told her purpose in searching for her true quarry, we find it is not for any bodily need but a social one — unless she kills her quarry on this, her third attempt, Spur will “spend her life in perpetual childhood and servitude while her magic remained asleep and caged until it shriveled and died inside her”. It is hard to see how this doesn’t make the hunting a game or sport, albeit one with important social consequences; even with these, it is still a game to be played, to be won or lost.

In the end, I felt like I was never quite as invested in Spur and her hunt as I should have been; nor was there any final twist at the end to surprise me in the climax. It was a solid story, but not sparkling.

REVIEW: “The Watchers” by Shelly Jones

Review of Shelly Jones, “The Watchers”, Luna Station Quarterly 31: Read online. Reviewed by Sara L. Uckelman.

The telling of this story has a fairy-tale like quality. No one is named. It is the man, and the woman, and his mother, and her grandfather, and the baker, and the other people of the town. But the story does not involve any of the standard fairy tale tropes; it is, instead, entirely of itself.

The title of the story is not especially explanatory, and even 3/4 of the way in, it is not at all clear who the watchers are. Sometimes, though, reading Jones’s detailed and precise prose — such as the following:

The single bee squatted there, its wings pressed back taut against its body. He could feel each of its legs, thin wisps of muscle, begin to give way as the bee slowly crawled up his leg. It moved methodically, each leg stepping in syncopated intervals, up his thigh and past his waist to his belly.

— one feels like it is the reader themself who is watching.

From start to finish, I had no idea where this story was going or where it would end up. I would love to hear it told aloud, around a flickering campfire on a dark night.

REVIEW: “Crossing” by A. C. Wise

Review of A. C. Wise, “Crossing”, Podcastle 488 — Listen Online. Reviewed by Heather Rose Jones

This was a very lightly fantastic piece–the sort where a slight shift in point of view could make it simply imaginative realistic fiction rather than outright fantasy. It builds up gradually following the swimmer Emma Rose and her love affair with the sea and the idea of some day crossing the Channel. The figure that she meets beneath the water might be a mermaid, or it might be a personification of her obsession and self-doubt. We see the protagonist from childhood to early adulthood, working out how to balance her love for swimming with the other things she desires. Learning whether the mermaid is a jealous lover or simply herself. In some ways, I found the story a bit slow. More atmospheric than plot-driven. But the overall shape worked in the end, like a wave building up in the sea and eventually breaking on the shore.

(Originally published 2017 in LampLight.)

REVIEW: “On the Road to the Hell of Hungry Ghosts,” by Richard Parks

Review of Richard Parks, “On the Road to the Hell of Hungry Ghosts” Beneath Ceaseless Skies Issue #235, September 28, 2017: Read online. Reviewed by Elora Gatts.

Trials and tribulations await a father/daughter team of devil-hunters and the snake-devil in their service when a restless spirit approaches them in hopes of finding rest.

Straightforward and linear, “On the Road to the Hell of Hungry Ghosts” seems more focused on adventure than theme. The characters are largely archetypes, never revealing enough of themselves to be memorable—although the father does seem to scratch his beard often. Despite being relegated to the periphery, Mei Li, the snake-devil in training to become human, has potential; unfortunately, her struggle never feels integrated into the plot meaningfully. This is a shame since there are so many ways in which one could explore her situation.

Instead, our focus is trained on an insidious plot involving the spirit of a wronged princess from a bygone kingdom. Most of this is shared via expository dialogue, and the forward motion stalls while this story-within-a-story unfolds. Once we reach the conclusion—expected and unsatisfactory, as if nothing much changed, adventure or no—there is a sense this story is actually a vignette. It is, perhaps, more of a case, not unlike something you’d see in a beloved mystery series like Christie’s “Poirot or Doyle’s “Sherlock Holmes.” Unfortunately, this format doesn’t work well without quirky, memorable characters or long-term serialization; part of the reason we love these stories is that we can return to a beloved character again and again—the only thing that changes is the particulars.

All told, I did enjoy the use of Chinese mythology and the way it informed the world. It’s encouraging to see fantasy break with western traditions.

 

REVIEW: “A Whisper in the Weld” by Alix E. Harrow

Review of Alix E. Harrow, “A Whisper in the Weld”, Podcastle 487 — Listen Online. Reviewed by Heather Rose Jones

I have to confess, this story had me good-crying in my car during the commute. Ghosts aren’t supposed to stick around very long unless they have something very important to do. Wartime creates a lot of ghosts, and our usual definition of heroism doesn’t take into account all the terrible things that desperation or simple need drives people to. All Isa wanted to do was to raise her daughters right and see her husband again when the war was over. Working in the steel mill wasn’t about being a hero, it was about surviving. There was nothing heroic in her death, only in the desperate need that kept her lingering on with a mission to fulfill. I loved the voice and imagery in this story as it pieced together Isa’s past and made me believe that her ghost could inhabit the machinery that killed her. The ending was so perfect and fitting. This is a powerful story about how people survive–one way or another–despite the crushing weight of oppression.

(Originally published 2014 in Shimmer.)