REVIEW: “The Bone Plain” by Karin Tidbeck

Review of Karin Tidbeck’s, “The Bone Plain”, Uncanny Magazine Volume, 19 (2017): Read Online. Reviewed by Jodie Baker.

“The Bone Plain” is an evocative story about a young woman trying to escape a terrible incident from her past. Erika travels west until there’s no more west in front of her. By accident, she falls in with a group of pilgrims travelling ‘the trail’, and follows them on their pilgrimage because they provide company, distraction, and a sense of safety. As their journey continues Erika’s story unfolds. She is fleeing from her life with Aidan; an older man who pretended to be her friend, but actually wanted to be much more. She is running from ‘The hand reaching out from the foot of the bed. The moist lips on her foot,’ and from the uncomfortable sense that she has done something violent in order to escape.

At first glance, “The Bone Plain” seems to contain barely a hint of the science fictional or the fantastical. However, a few key differences from our own world clearly set it outside the realms of reality. Erika’s trail takes her to the cathedral of ‘Our Lady of World’s End’; an intriguing, fictional religious figure. Erika then travels on to the ‘plains’ of the title where ‘The bones lay scattered all over the plain, the smallest one the length of a bus.’ While the bones described could easily be dinosaur bones, establishing them as real (if extinct) creatures, our world doesn’t contain a huge plain of bones ‘supposedly arranged along leylines’ that pilgrims can visit. With these simple touches, the reader is placed kindly, but firmly, in a different realm; although one that still contains familiar touchstones like payphones, pastries, and knock-off trainers. At the end, a central unsettling mystery that has the potential to complicate the reader’s understanding of Erika is left hanging in the air, and this compliments the story’s general slightly odd and out of time feeling.

“The Bone Plain” illuminates the healing potential of a journey embarked on without a clear sense of purpose. It’s a story which presents an equally satisfying alternative to the driven, questing nature of many fantasy stories. The pleasure of this alternate structure creeps up on you as Karin Tidbeck deftly balances hard history and difficult questions alongside companionship and Erika’s growing sense of reconnecting with herself. A very gratifying story, and a second reading allows you to fully savour Erika’s slow development.

REVIEW: “Learning to See Dragons” by Sarah Monette

Review of Sarah Monette’s, “Learning to See Dragons”, Uncanny Magazine Volume, 19 (2017): Read Online. Reviewed by Jodie Baker.

In Sarah Monette’s poignant story about a young girl’s grief and loneliness, much of the background is shaded in swiftly; leaving the reader clutching at tantalising details. The story revolves around one central event; the death of Annie’s grandmother. However, much of what informs Annie’s story is happening, or has already happened, off the page.

When questioned by her teacher about whether there is trouble at home, Annie thinks ‘The trouble was that she didn’t have a home anymore, just a house where she lived with her parents. Her home had never been there, and now it was nowhere.’ And, while it’s difficult to build a definitive picture of Annie’s home life, it’s obvious from little details in the text that Annie doesn’t feel much affinity with her parents. Her grandmother has been the more significant, and positive, force in her life.

The fantasy element of this story is quiet, but at the same time extremely surreal. “Learning to See Dragons” is one of those stories where magic seems to appear just because it’s needed; although the appearance of magic doesn’t guarantee a typical happy ending. After finishing the story, I was remind of Ali Shaw’s The Girl With Glass Feet and Lucy Wood’s collection Diving Belles. As with those stories, I was left feeling a little sad about Annie and her eventual transformation. And I felt sorry for her mother who seems to be feeling plenty of her own grief but can’t connect with her daughter at this important time. There’s an element of horror to the ending, but it’s hard not to also feel a sense of relief for Annie who has chosen and summoned her own fate. The reader is left questioning and reevaluating their response long after they’ve read the story’s last line.

REVIEW: “The Christmas Abomination from Beyond the Back of the Stars” by Heather Shaw and Tim Pratt

Review of Heather Shaw and Tim Pratt, The Christmas Abomination from Beyond the Back of the Stars, Podcastle: 501 — Listen Online. Reviewed by Heather Rose Jones

Humor is hard. And when it doesn’t work for you, it’s hard to know if it doesn’t work or if it just doesn’t work for you. I get the impression that this story is part of a continuing holiday tradition, with references to the back-stories of characters like the boy mummy adopted by the eccentric American family. This installment is a slapstick humorous take on Lovecraftian-style horror, complete with elder gods and uncanny rituals to summon or dismiss them. All as part of a Christmas trip to an isolated Pacific island. The humor relied in part on the premise that bratty misbehaving children are inherently funny and that adults are inherently incompetent, which is also funny. It isn’t a bad story. The writing hangs together perfectly well, it was the right length for the amount of content, and the clever twist was neither out-of-the-blue nor over-telegraphed. But in the end, it didn’t work for me as humor. And I think that’s mostly because humor is hard and very individual.

REVIEW: “Maiden, Mother, Crone” by Ann Leckie and Rachel Swirsky

Review of Ann Leckie and Rachel Swirsky, Maiden, Mother, Crone, Podcastle: 500 — Listen Online. Reviewed by Heather Rose Jones

The basic story structure is one of religious intolerance: the conflict between a magical woman-centered tradition and a murderous patriarchal monotheistic tradition, mediated by fear, lack of communication, and a really bad winter storm, the sort you don’t want to get caught in when you’re about to give birth. While the story hung together competently in narrative terms, I confess that stereotypes involved in the religious world-building felt unimaginative. I did like the hopeful (if far-fetched) plans the protagonist had at the end, though I don’t think it could be called a happy ending overall. I think I was hoping to be blown away by the special 500th episode story–Podcastle is really good about blowing me away on a regular basis–and it fell short of doing that for me.

REVIEW: “A Good Egg” by Shawn Proctor

Review of Shawn Proctor, A Good Egg, Podcastle: 499c — Listen Online. Reviewed by Heather Rose Jones

A brief heartbreaking fairy tale exploration, riffing off of the Humpty Dumpty rhyme, with a brief allusion to Cinderella in passing. What if Humpty Dumpty’s great fall was falling in love with the king? I liked how the author played with the clash of the structural absurdity of the Humpty Dumpty nickname and the bodily egg imagery (both shape and fragility) in combination with the understated pathos of the rhyme’s outcome, mapped onto a rejected lover. Not a happy story but an exquisite one.

REVIEW: “National Geographic on Assignment: The Unicorn Enclosure” by Sarah Monette

Review of Sarah Monette, National Geographic on Assignment: The Unicorn Enclosure, Podcastle: Miniature 101 — Listen Online. Reviewed by Heather Rose Jones

Flash fiction is really hard to write reviews for! This is a bit of a world-building sketch, developing one possible version of the natural history of unicorns–a slightly more sinister version than is typical. A nice exploration of how to expand a mythic concept into a complex natural phenomenon.

REVIEW: “Have This Wish I Wish Tonight” by Katherine Kendig

Review of Katherine Kendig, Have This WIsh I Wish Tonight, Podcastle: 499b — Listen Online. Reviewed by Heather Rose Jones

A flash story in the romantic mode about falling in love with a constellation, though the primary themes are more about communication with the perils of things left unsaid, and the experience of feeling outshone by one’s beloved and inadequate.

REVIEW: “Demon of the Song” by Ville Meriläinen

Review of Ville Meriläinen, “Demon of the Song”, in Myths, Monsters, and Mutations, edited by Jessica Augustsson (JayHenge Publications, 2017): 337-355. — Purchase here. Reviewed by Sara L. Uckelman. (Read the review of the anthology.)

This is a nice, satisfyingly long story full of rich description and characters with complex histories.

Natalie and Siren are linked together in uneasy partnership that Natalie longs to escape. Vanderoy — perhaps — is the one to help her. But can Natalie accept Vanderoy’s help when she knows that Siren is waiting beside her for the moment that she can get Vanderoy in her clutches? Will Natalie save herself at Vanderoy’s expense, or sacrifice herself to save Vanderoy?

The story was finely crafted, with details fed to the reader at just the right pace, until the last of the pieces snapped into the puzzle.

REVIEW: “Three Cats at the End of the World” by Aimee Ogden

Review of Aimee Ogden, Three Cats at the End of the World, Podcastle: 499a — Listen Online. Reviewed by Heather Rose Jones

A flash piece using cat personalities and behaviors as metaphors/representations of the experience of past, present, and future. Evocative and somewhat creepy, with an intriguingly open-ended closing scene. I really enjoy stories that lead me to speculate on how to interpret endings–not talking about vague ones, but ones where it feels like the author had a clear interpretation in mind, but it’s ok if you see a different one.

REVIEW: “Chasing Flowers” by L. Chan

Review of L. Chan, Chasing Flowers, Podcastle: 498 — Listen Online. Reviewed by Heather Rose Jones

A ghost story and a love story–that is, a story of love between ghosts, trying to find a path to reunion in the face of the rules of the Chinese afterlife. In the initial exposition we are given a sketch of those rules, how they tore the two women apart after death, and the doomed circumstances of their love in life that locked them into a cycle of seeking. But one is truly a ghost while the other has been doomed(?) to cycles of rebirth, never entirely knowing why her life is full of emptiness and pain. This psychic connection is tied symbolically in the story to depression and self-harm, with a repeating motif of cutting echoing the harvesting of sap from rubber trees, as well as themes of the harm that women do themselves or allow to be done to them in the name of conformity and tradition. There’s a lot of darkness in this story but a hopeful ending–or as hopeful as a love story can be when one of the two is a ghost.