REVIEW: “A Report of One’s Honorable Death” by Virginia M. Mohlere

Review of Virginia M. Mohlere, “A Report of One’s Honorable Death”, Luna Station Quarterly 39 (2019): Read online. Reviewed by Sara L. Uckelman.

This makes 2/2 of Mohlere’s stories that I absolutely adored. She has such skill in picking out setting, character, and action with fine precise sentences, no unnecessary words, and constructed to drive straight into your emotional core. In this one, one emotion that kept being tapped was laughter — so many lines that caused me to burst out with it! For example:

“What a curious thing,” the goblin said. “Why would anyone create such an object and then use it only to be rude?”

But it was laughter tempered with the feeling that only comes with the satisfaction of a deep longing.

I can’t wait till I get to read more of her work.

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REVIEW: “The Bookcase Expedition” by Jeffrey Ford

Review of Jeffrey Ford, “The Bookcase Expedition”, Robots vs Fairies, edited by Dominik Parisien and Navah Wolfe (Gallery / Saga Press, 2018): 169-181 — Purchase Here. Reviewed by Susan T. (Read the review of the anthology.)

The narrator of the story watches fairies climb a bookcase in his office for purposes unknown, slowly working out more about them as they climb. It was surprisingly dull! I was curious about the fairies, but the narrative voice left me cold. I think the story is supposed to be a meta-text, where the story that the protagonist is finishing when the fairies distract him is The Bookcase Expedition itself, but there wasn’t really enough of that to carry my interest. I would much rather the story have been straight fantasy, focusing on the fairies themselves, because as written it bored me.

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REVIEW: “Sound and Fury” by Mary Robinette Kowal

Review of Mary Robinette Kowal, “Sound and Fury”, Robots vs Fairies, edited by Dominik Parisien and Navah Wolfe (Gallery / Saga Press, 2018): 9-28 — Purchase Here. Reviewed by Susan T. (Read the review of the anthology.)

A ship’s engineer gets assigned to a “diplomatic mission” involving a diplomat who won’t do her job, a planet that doesn’t know that this diplomatic mission is going to end in their colonisation, and one giant robot. While the beginning was a little clunky, overall I liked it! It absolutely captured the feeling of working a job that you can’t say no to, and how tedious micromanagers are. We only see the crew in sketches, but what we get is enough to give a good impression of them. It honestly ended in a more hopeful way than I expected – it’s not a story about structural change, but about changing the things that are in your control, and there’s its own hope in that.

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REVIEW: “Just Another Love Song” by Kat Howard

Review of Kat Howard, “Just Another Love Song”, Robots vs Fairies, edited by Dominik Parisien and Navah Wolfe (Gallery / Saga Press, 2018): 142-153 — Purchase Here. Reviewed by Susan T. (Read the review of the anthology.)

A banshee busker tries to sing her first death, that of a gross musician – but it doesn’t work.

I really liked Just Another Love Song! The narrator’s voice was fantastic (… Pun not intended), and the practicalities of the fae living under the masquerade felt plausible, especially for how mundane they all felt to the narrator. The fact that the narrator’s relationship with Sarah, her brownie housemate, is the one the that’s central to the story gives it a nice base to work from and a sweet friendship at the core. I would have liked to see more of them interacting, although I do appreciate that the author might have actually needed all of the space they used to demonstrate how much of a douche the male character was. My favourite part of Just Another Love Song though was that it’s specifically about a woman learning to use her voice – to use the power in her voice – against a man who expects her to use it only as he wants her to. Sounds like a timely story to me.

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REVIEW: “Seeing Utopia” by Lisa Fox

Review of Lisa Fox, “Seeing Utopia”, Luna Station Quarterly 39 (2019): Read online. Reviewed by Sara L. Uckelman.

Content warning: Casual ableism.

As the story opens, we are given an imprisoned queen, betrayed in marriage and now helpless in the face of the destruction of her kingdom, and a ghostly rescuer who comes, formless, to set her free. This isn’t a ghost story, but the “ghost” rescuer, Mollo, strangely has more agency than Queen Aclara ever does. While she does release her kingdom in the end, she first acts under Mollo’s guide and impetus, and then at the behest of Gerard, the Sorcerer King’s valet. Never, it seems to me, does she act on her own behalf as a fully fledged agent. In the end, I’m not sure that she was any more free than when she was married to the traitor Sorcerer King.

In the background behind this, and introduced to us only much later into the story, are the witch sisters Myth and Janin. The role they play in the Sorcerer King’s take-over of the kingdom, and in the freeing of Aclara, turned out to be a much more interesting and absorbing story; I wish that more of their side of things had been told. It’s clear that as readers we’re supposed to favor Myth over Janin, but I found Janin fascinating — she was rich and complex and intriguing.

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REVIEW: “Bread and Milk and Salt” by Sarah Gailey

Review of Sarah Gailey, “Bread and Milk and Salt”, Robots vs Fairies, edited by Dominik Parisien and Navah Wolfe (Gallery / Saga Press, 2018): 99-118 — Purchase Here. Reviewed by Susan T. (Read the review of the anthology.)

Well this was chilling. It’s beautifully written, but it’s grim. It follows a fae who wants to steal a boy, until the boy grows older and decides that he is going to steal the fae instead. The imagery is beautiful and horrifying – the fae has so many plans for what they could do with the boy – but the horror is in what Peter does back, without a shred of conscience. The use of robotics and the fae’s vengeance are both very creepy and very effective, especially the fact that even the (arguably monstrous) fae understands that Peter’s actions are monstrous.

Bread and Milk and Salt is very good, but definitely a horror story for me. Highly recommended if you’re in the mood for it.

[Caution warning: abuse, animal cruelty]

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REVIEW: “The Fire Wife” by Erin McNelis

Review of Erin McNelis, “The Fire Wife”, Luna Station Quarterly 39 (2019): Read online. Reviewed by Sara L. Uckelman.

Content: War, refugee experiences, subjugation, bodily harm/torture.

Aruna is a firewife, charged with the knowledge of how to light fires and also, despite her status as a servant in the chief’s household, occupying a position of power and authority amongst the women of her clan: When a question come whose answer will “change the course of [her] people forever”, she is the one that must make it on behalf of the others.

At first, the story confused me — though it was full of lively and distinctive characters, and McNelis conveyed a sense of scale that indicated this was but a small facet of a much larger story, I also found myself struggling to figure out who the characters were and how they were related to each other, not just in terms of family but in terms of how they were located in the various power structures. About 2/3 of the way through, though, I realised why I was so confused: The middle third of the story takes place before the first third.

I think the story structure could have been crafted a little bit better, but the story itself was full of pathos and friendship and love and sadness.

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REVIEW: “Flower, Feather, Hare and Snow” by Nadia Attia

Review of Nadia Attia, “Flower, Feather, Hare and Snow”, Luna Station Quarterly 39 (2019): Read online. Reviewed by Sara L. Uckelman.

The title puts me in the mood for a fairy tale. Attia’s story delivered on that, but faltered somewhat in the execution: I found the language sometimes lyrical and sometimes just too blunt, so as to be at odds with the story itself. I don’t often feel this way, but I felt like this story could’ve used a few more drafts and some editing.

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REVIEW: “Recordings of a More Personal Nature” by Bogi Takács

Review of Bogi Takács, “Recordings of a More Personal Nature” in The Trans Space Octopus Congregation Stories, (Lethe Press, Inc., 2019): 125-136 — Purchase here. Reviewed by Sara L. Uckelman. (Read the review of the anthology.)

Content note: Mind control, drug use, self-harm, cutting, torture, dissociation, allusions to suicide.

So many things I love about this story:

1. Great background metaphysics — unlike any world building I’ve come across before.
2. The importance of the formation of the self via memories, something I’ve explored quite a bit in my own writing!
3. The way the story combines those two with the way it dwells more on the horror of being cut off from one’s sense of self than on the mechanics of how the archive works.

And I loved the twist at the end, when the reason why this culture depends so on their archive is revealed. This was just an all round very satisfying story.

(Originally published in Apex Magazine November 2013).

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REVIEW: “For Your Optimal Hookboarding Experience” by Bogi Takács

Review of Bogi Takács, “For Your Optimal Hookboarding Experience”, in The Trans Space Octopus Congregation Stories, (Lethe Press, Inc., 2019): 103-109. — Purchase here. Reviewed by Sara L. Uckelman. (Read the review of the anthology.)

Content note: Sports accident, physical pain.

This was a quiet, almost meditative piece, alternating between Amira’s solo hookboarding flight and the guidelines, or perhaps rules, to guarantee the titular optimal experience. Amira’s last hookboarding experience was not optimal, but this story feels like a chance for her to exorcise the memories of it. There is little in terms of plot; a lot in terms of beauty of language.

(First appeared in Lackington’s Summer 2014).

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