REVIEW: “A Different Kind of Death” by A. K. Alliss

Review of A. K. Alliss, “A Different Kind of Death”, in David G. Clark, Callum Colback, Joe Butler, and Alex Hareland, eds., Beneath Strange Stars, (TL;DR Press, 2020): 129-144 — Purchase here. Reviewed by Sara L. Uckelman. (Read the review of the anthology.)

Mischa Sullen-Eye has stolen a magic, glowing orb, and is now on the run, from soldiers of the Perditionist Republic and from rogue magi.

It felt like we went a long time being told of this theft and escape, without being given much context to situation it. There was a lot of name-dropping — the Empire of Sighs, the City of Ghosts, Kottu, the Field of Skulls, Mischa’s erstwhile teacher Coi who was the one who convinced her to go to De’Zhun rather than to Triffid. But none of these names are given any meaning or context, which makes it hard to get invested what is, in the end, just a young girl running, and still being trapped.

Sara L. Uckelman1 Comment

REVIEW: "John Simnel’s First Goshawk" by Tegan Moore

Review of Tegan Moore, “John Simnel’s First Goshawk”, Beneath Ceaseless Skies, Issue 297, February 13, 2020, Read online. Reviewed by Richard Lohmeyer.

It’s rare that I read a story in Beneath Ceaseless Skies and find it wanting. Nevertheless, while I’ve liked other stories of Moore’s–particularly “The Work of Wolves” in last year’s July/August issue of Asimov’s–this one doesn’t quite work for me. It reads more like a character sketch than a fully realized story. It does, however, offer a striking comparison between the breaking of a young boy’s spirit and that of a hawk’s. As Moore puts it, both involve “the shaping of a free mind into a tamed one.” 

Again, not the best story of Moore’s that I’ve read, but your mileage may vary. 

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REVIEW: "The Moneylender's Angel" By Robert Minto

Review of Robert Minto, “The Moneylender’s Angel”, Beneath Ceaseless Skies, Issue 296, January 30, 2020, Read online, Reviewed by Richard Lohmeyer.

Gareth and the story’s unnamed narrator are dockworkers sharing their lives in a bleak, violent town named Siltspar. Each has had a difficult past filled with violence neither feels able to atone for. To pay off a large debt owed by his father, Gareth was coerced into using his healing touch to torture people. The narrator, given by his parents at an early age to a cruel priesthood, was made to slit a hundred throats in ritual sacrifice.  Both quit these gruesome practices as soon as they were able, but the guilt each feels is unrelenting. When, completely by chance, a magically powerful necklace used in the priesthood’s ritual slaughter falls into their possession, a very different kind of sacrifice is called for. Done out of love, this sacrifice, too, brings guilt, but also the hope of a brighter future for at least one of the two main characters.  

Beneath Ceaseless Skies is one of my favorite magazines. Evocative stories like this are one of the reasons why.

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REVIEW: “Kankydip & the Kcheevitz” by Taylor Cook

Review of Taylor Cook, “Kankydip & the Kcheevitz”, in David G. Clark, Callum Colback, Joe Butler, and Alex Hareland, eds., Beneath Strange Stars, (TL;DR Press, 2020): 149-161 — Purchase here. Reviewed by Sara L. Uckelman. (Read the review of the anthology.)

The prose of this story has a very biblical — or perhaps children’s-story is a better way to describe it — rhythm to it, which unfortunately jars constantly with the names of the main characters, Kankydip and her sidekick Dooble. The story was peppered throughout with characters that sound like they’d be at home in Dr. Seuss — in addition to the titular Kcheevitz, we encounter spantz, blottlebugs, Vorgos, and a Doolyworm.

It was a very strange story.

Sara L. Uckelman1 Comment

REVIEW: “Particular Poisons” by Fiona West

Review of Fiona West, “Particular Poisons”, in David G. Clark, Callum Colback, Joe Butler, and Alex Hareland, eds., Beneath Strange Stars, (TL;DR Press, 2020): 111-123 — Purchase here. Reviewed by Sara L. Uckelman. (Read the review of the anthology.)

Summary in a sentence: The Warlord-in-Chief of Gartha’s apprentice Frieda is in need of an illusion potion to entrap her erstwhile coworker Jax into thinking she is Violet, whom he is about to marry.

There was a moment when I thought this story was intended to be a love story, but if it was, then it was a very problematic one. When the Warlord-in-Chief reflects,

It is said, really…the lengths she is willing to go to for love (p. 114),

it is really hard to see how this is love, and not obsession. But despite the Warlord-in-Chief’s thoughts here, he clearly does not approve of Frieda’s desires, and he’s going to teach her a lesson. But Frieda has a lesson to teach him in return…

Sara L. Uckelman1 Comment

REVIEW: “Boxes” by Lauren Barker

Review of Lauren Barker, “Boxes”, in David G. Clark, Callum Colback, Joe Butler, and Alex Hareland, eds., Beneath Strange Stars, (TL;DR Press, 2020): 107-110 — Purchase here. Reviewed by Sara L. Uckelman. (Read the review of the anthology.)

I found this minimalistic story utterly entrancing. It is a deft example of how a rich and deep world can be built through only a few brief remarks and casual references. I was torn between wanting to know more about the titular boxes and feeling that any more would have ruined the delicate balance Barker managed. Gold star to this story.

Sara L. Uckelman1 Comment

REVIEW: “Hell With Friends” by Emily Deibler

Review of Emily Deibler, “Hell With Friends”, in David G. Clark, Callum Colback, Joe Butler, and Alex Hareland, eds., Beneath Strange Stars, (TL;DR Press, 2020): 33-48 — Purchase here. Reviewed by Sara L. Uckelman. (Read the review of the anthology.)

Content note: Suicide and contemplation of suicide.

Scout has sold her soul to Satan and is now dead in the ninth circle of hell. There’s certain plusses about being in hell — no more grad school, the chance to hang out with Satan’s three spouses, Naamah, Lilith, and Judas — but hell is also a place that magnifies everything that was wrong with you in life, Scout finds. She’s just as angry, just as sardonic, just as scared in hell as she was on earth, and “she needed every friend she could get” (p. 39). But “Hell with friends was still Hell” (p. 39). Perhaps the worst, though, is that Scout still doesn’t know what she is meant to be, to do, with her “life”, even now that she is dead.

This story, like the preceding one, is much more fantasy than science fiction. I found myself wanting more from it than I got. With a fantasy story, one expects either grand worldbuilding or characters full of depth. Here, I learned almost nothing about the nature of hell, or how Scout was able to make her bargain with Satan. Little details were given, but I never got a sense of the overall place. But the characters felt rather flat, though, with stilted, unnatural dialogue. I wonder what the author could have made of the story with the help of a ruthless editor, because there was definitely a kernal of something interesting in there.

Sara L. Uckelman1 Comment

REVIEW: “Petrichor” by Hannah Hulbert

Review of Hannah Hulbert, “Petrichor”, in David G. Clark, Callum Colback, Joe Butler, and Alex Hareland, eds., Beneath Strange Stars, (TL;DR Press, 2020): 15-31 — Purchase here. Reviewed by Sara L. Uckelman. (Read the review of the anthology.)

I always expect the opening story of an anthology to typify the entire collection, to set the scene, so to speak. This story does not, however, make good on the expectation set by the foreword and introduction. If what makes a story science fiction is the presence of some sort of science in it, then this story is definitely not science fiction, but instead pure fantasy. The story alternates between two points of view, that of Nolauronomailik, an Earth elemental, and Nol his priestess, who worships him as a god.

But while I found it a perplexing choice to open this collection, I did not dislike the story itself. It had some lovely imagery in it, and some poignant moments as Nolauronomailik must balance his fallibility with Nol’s belief in him.

Sara L. Uckelman1 Comment

REVIEW: Beneath Strange Stars edited by David G. Clark, Callum Colback, Joe Butler, and Alex Hareland

Review of David G. Clark, Callum Colback, Joe Butler, and Alex Hareland, eds., Beneath Strange Stars, (TL;DR Press, 2020) — Purchase here. Reviewed by Sara L. Uckelman.

This gorgeously thick volume of short stories and poems is a charity anthology supporting the Association for Science Education, the United Kingdom’s professional association for teachers of science and science technicians and “the largest subject association in the UK” (p. 11), with proceeds going to benefit the ASE’s wider educational mission. Hannah Russell, the ASE’s chief executive officer, provides a brief introduction to the volume that stresses the importance of novel ways to engage the wider community with science of all kinds — such ways including, naturally, science fiction and speculative fiction more generally.

I expected more science fiction and less fantasy, and the quality of the stories varied. But even so, as a whole, the stories and poems in this collection made good on what was promised: They both entertain and instruct. And across the board, the poems were the high points. I do not usually have a very high tolerance for poetry, but I really enjoyed so many of the poems in this anthology.

As usual, we’ll review each of the stories in turn, and link the reviews back here when they are published.

Sara L. Uckelman34 Comments

REVIEW: “All the Turns of the Earth” by Matthew Claxton

Review of Matthew Claxton, “All the Turns of the Earth”, Analog Science Fiction and Fact January/February (2020): 132–137 (print) – Purchase Here. Reviewed by John Atom.

Contains spoilers.

Narrated in the second person, this story features a  young child mysteriously catapulted into prehistoric times.  There, the child finds the abandoned egg of pterosaur and raises it into adulthood. The two forge a strong relationship with each other, but before long, the child falls back into the present day. She grows up grows up wondering if she’ll ever see the pterosaur again.

First, I must confess a personal bias: I don’t really like stories told in the second person. More than often I find second person stories contrived and gimmicky, adding little or nothing to the core of the narrative. That said, Claxton manages to avoid the usual distractions of second person, creating a rather engaging little yarn. The prose is elegant and poetic, and even though at times it verges on the “purple,” it goes a long way at making the scenery come alive. I particularly enjoyed the description of the transition from the past, back to the present:

You stumble, and skin your soft hands on the asphalt.

The story might feel a bit out-of-place to regular readers of Analog, as it belongs more in the realm of fantasy or magical realism than anything remotely resembling hard SF (Analog’s usual cup of tea), but I nevertheless enjoyed it while it was there.

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