Review of Marisca Pichette, “How to Safely Store Your Dragons,” Flash Fiction Online 123 (December 2023): 21-23 — Purchase here. Reviewed by Sara L. Uckelman.
The “tl;dr” of this story is: Dragons are flammable buggers, don’t forget it; but the story itself is so much more than this, it’s cute, fluffy fun, something that you can read and feel happier about life afterwards.
Review of Rachael K. Jones, “Seven Ways to Find Yourself at the Transdimensional Multifandom Convention,” Flash Fiction Online 123 (December 2023): 11-14 — Purchase here. Reviewed by Sara L. Uckelman.
This was a fun, funny, and touching story, which I liked quite a bit even if it is in 2nd person (my least favorite way of telling a story).
Review of Bella Han, “De Profundis, a Space Love Letter”, Clarkesworld Issue 205, October (2023): Read Online. Reviewed by Myra Naik.
“Dear Yuwen,
This is the last night of your existence.”
When a story starts like this, you can’t help but continue. Can I call it a space opera about stories? I thoroughly enjoyed every aspect of this one. As long as feelings exist, there will always remain a very real need for good storytelling. The flood of AI-generated stories aren’t cutting it, as it turns out. A human tries to change that.
An enchantingly grand novelette.
Review of Rebecca Harrison, “Little Pound Shop,” Flash Fiction Online 123 (December 2023): 7-10 — Purchase here. Reviewed by Sara L. Uckelman.
This story was a little bite of candy-floss: Super yummy and desirable, completely insubstantial, and just a little bit too sweet.
(I am a huge fan of cotton candy, so this is not as negative a review as some might read it!)
Review of Chelsea Sutton, “Ursula the Monster,” Flash Fiction Online (October 2023): 18-20 — Purchase here. Reviewed by Sara L. Uckelman.
A short, sweet story of one woman’s revenge on every wrong that’s ever been done to her gender.
(First published in Orca Literary Summer 2022.)
Review of Katy Boyer, “Saint Woad and Sister Welwitschia,” Flash Fiction Online (October 2023): 15-16 — Purchase here. Reviewed by Sara L. Uckelman.
“We are a ghastly bunch, we who remain.”
This sentence perfectly encapsulates the grim horror of this story, which explores all the different ways the stillbirth of a child ripples outward.
Review of Lyndsey Croal, “The Constellations of Daughter Death,” Flash Fiction Online (October 2023): 11-14 — Purchase here. Reviewed by Sara L. Uckelman.
What a beautiful little story this was — both in the language it was told in and the content of the story itself. Reading it made me want to find glow-in-the-dark paints to paint it.
Review of Dylan Curry, “To Slay a Goblin,” Flash Fiction Online (October 2023): 7-9 — Purchase here. Reviewed by Sara L. Uckelman.
This was about three-quarters hilarious and one-quarter sudden sucker punch to the gut.
Well. That’s exactly the sort of thing good fiction is supposed to be. I’m saving this one to show to give to students as an exemplar.
Review of Lisa Papademetriou, “Down To The Root”, Clarkesworld Issue 205, October (2023): Read Online. Reviewed by Myra Naik.
Across time, space, and civilization, feelings remain the same – often simultaneously all consuming and incomprehensible. Sometimes what drives you is simply a determined feeling, and sometimes that simple feeling is the most important thing of all.
A story about space battles and planets with cyclical time. Also a story about relationships, friendship, and a sense of faith and hope.
I also feel like Luriel is the kind of friend everyone should aspire to be. True to her duty and her friend, while traversing the confusing journey of life.
Two things to remember from this story – there are a million ways to die, and taking risks gives you strength.
Review of Elizabeth Hinckley, “Misty Moon,” Luna Station Quarterly 56 (2023): Read online. Reviewed by Sara L. Uckelman.
This was definitely a story that is aimed at the horse-person readership demographic (a demographic I’m not a part of). I waited quite awhile before I got anything speculative, and while I was waiting I felt that the story could’ve benefited from just a tad more editing than it got (e.g., two “in facts” in the opening paragraph is just a bit clunky, and it was heavy on the telling and light on the showing).
SFF Reviews