REVIEW: “Jovis” by Kemi Ashing-Gawa and Tali Arima

Review of Kemi Ashing-Gawa and Tali Arima, “Jovis,” Luna Station Quarterly 55 (2023): Read online. Reviewed by Sara L. Uckelman.

It always makes me happy to read a co-authored story, especially when the end result has such a clear and singular voice, as this one does. Despite the eclectic mix of ancient ruins, fantastical creatures, and space shuttles — a combination that could very easily have felt fragmented — all the pieces came together in a way that felt coherent, chilling and eerie.

REVIEW: “Technical Magic” by Samantha Carr

Review of Samantha Carr, “Technical Magic,” Luna Station Quarterly 55 (2023): Read online. Reviewed by Sara L. Uckelman.

Cheyanne’s mother is ill, and her sister Tricia wants to put her into a care home; after all, the two sisters have been caring for her for five years, and there’s a limit to how long Cheyanne can be expected to put her life on hold.

But Cheyanne doesn’t want her mother in a home, and is willing to go to extreme measures to prevent this. Unfortunately, technical magic only works when you follow all the details and instructions properly. This not particularly happy story had a not particularly happy ending, but there was never any reason to think it would.

REVIEW: “Fittonia” by Libby Feltis

Review of Libby Feltis, “Fittonia,” Luna Station Quarterly 55 (2023): Read online. Reviewed by Sara L. Uckelman.

There were so many little bits and pieces in this story that are things I love — an emphasis on the importance of names, throwbacks to classic literature, sass, innuendo, writers writing stories as a means of currency, and happy endings. It was such a fun read. It was always an extremely realistic and believable account of the life of a highly sensitive and empathetic person.

REVIEW: “When the Forest Comes to You” by E. M. Linden

Review of E. M. Linden, “When the Forest Comes to You,” Flash Fiction Online (July 2023): 12-15 — Read online. Reviewed by Sara L. Uckelman.

This is more a series of vignettes than a story, snapshots of Keith’s life from when he was 5 to when his son was 5, all tied together by an underlying layer of sadness, culminating in an ending that feels like an ultimate betrayal.