REVIEW: “Doorway, Smile, Kiss, Fox” by Jeremy Packert Burke

Review of Jeremy Packert Burke, “Doorway, Smile, Kiss, Fox”, Beneath Ceaseless Skies, Issue 311 (August 27, 2020): listen online. Reviewed by Richard Lohmeyer.

In this lovely and compelling story, Themis—a character presumably named after the Greek goddess of justice, wisdom, and good counsel—is his king’s sole mnemosyne.  By some “obscure alchemy,” a mnemosyne is able to “take on, in their entirety, the memories of generals, scientists, poets, doctors—any citizen marked great by the king’s council.”  

In theory, a mnemosyne is able to search this “living archive” of information and provide solutions to whatever catastrophes befall his city, and the king who rules it. Unfortunately, in this case the city is plagued by a catastrophe for which there is no solution. Buildings have seemingly taken on a life of their own, growing “the way trees, and love, and cancer do: too slow to see but constant.” Over time, however, the rate of growth is nothing short of alarming. Knowing there is no solution, Themis is convinced the king will soon have him killed. Where he finds consolation, even joy, in the face of imminent death, I’ll leave you to discover. 

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REVIEW: “True Colors” by Beth Goder

Review of Bethe Goder, “Rite of Passage”, Analog Science Fiction and Fact September/October (2020): 79–80 (Kindle) – Purchase Here. Reviewed by John Atom.

Julia visits an AI that can allegedly read a person’s brain patterns and produce their perfect version of a work of art. But when Julia goes through the process, all she gets is a blank painting with nothing but layers of white on it.

Reading “True Colors,” I got the impression that there’s a deeper meaning in the painting metaphor, but I’m not entirely sure I get it. Something about the “deeper layers” of Julia’s personality, perhaps. I don’t there’s enough there to really come to a conclusion. Still, it was an a neat story and I enjoyed the idea of the artistic AI using something akin to machine learning to generate someone’s “perfect” work of art.

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REVIEW: “The Past, Like a River in Flood” by Marissa Lingen

Review of Marissa Lingen, “The Past Like a River in Flood”, Beneath Ceaseless Skies, Issue 311 (August 27, 2020): read online. Reviewed by Richard Lohmeyer.

A school for magicians is hardly a novel concept these days, but what raises this fast-paced fantasy to a high level is its narrator: a forty-something former student who has reluctantly returned to her alma mater for a reason that terrifies her. When Ellis was a student, the school’s original Vault of Potions was destroyed in a flood. Now, twenty years later, two students are “mysteriously dead, found sitting against the Vault wall without a drop of blood or a bruise on them.”  At least two people suspect how the deaths relate to the long-ago flood: Ellis’s mentor, still a professor at the school, and the school’s provost. Now they need Ellis’s skill as a geomancer to neutralize the “nasty forces” in the Vault that have been allowed to build unchecked for two decades. Before the story ends, Ellis will be betrayed and witness a murder, but she’ll also have an opportunity to teach an important lesson on what it really means to put the past behind you.

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REVIEW: “The Transubstantiation” by Evan Dicken

Review of Evan Dicken, “The Transubstantiation”, Beneath Ceaseless Skies, Issue 310 (August 13, 2020); read online. Reviewed by Richard Lohmeyer.

Deff is the narrator of this interesting, but decidedly unusual take on the nature of heroes. He is part of a small group of “glory hounds” who trap and kill heroes in order to sell their bodies on the black market. Often this brings a high price since a hero’s blood can be used as a skin treatment that leaves a person’s face looking “smooth as marble and sheened with a pale glow.” In spite of the monetary rewards, Deff regrets this practice, though he justifies it by reminding himself that heroes always break bad. One case in point is the Weeper, the hunt for whom is what most of the story involves. The Weeper is “the woman who had toppled Empires, burned entire nations in the name of justice, made promise after promise then abandoned us when the payment came due.” Her form of abandonment was novel, at least. She somehow climbed all the way to Heaven searching for truth. However, the truth as she relates it leaves her in despair, but fills Deff with a very different emotion.  

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REVIEW: “Fire and Falling” by Andrew Dykstal

Review of Andrew Dykstal, “Fire and Falling”, Beneath Ceaseless Skies, Issue 310 (August 13, 2020): Read online. Reviewed by Richard Lohmeyer.

If this exciting adventure yarn set in a steampunkish universe is part of an ongoing series, I’m not aware of it; but if it’s the beginnings of one, I can’t wait for the next installment.  Mir, the story’s protaganist, is on her first assignment as a courier for the Lady of Situations, a master manipulator we hear a lot about but don’t actually meet. When given the opportunity to kill a large number of enemy agents, Mir does so by blowing up and unwittingly killing one of the most interesting characters in the story: a living airship. Many people die, too, but several survive, including an enemy agent Mir nicknames “Dogwood” and who befriends her. As the story progresses, Mir learns more and more about the fantastical nature of airships and their engineers. She also learns more about herself, including the fact that her destiny lies along a different path than she’d originally thought.  

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REVIEW: “Satin and Velvet” by R.H. Cloake

Review of R.H. Cloake, “Satin and Velvet”, Beneath Ceaseless Skies, Issue 309 (July 30, 2020): Read online. Reviewed by Richard Lohmeyer.

This is primarily a story about “imposter syndrome” and why so many good, talented people often believe themselves unworthy of success. Greta, the narrator, is the youngest-ever apprentice to a centuries-old master magician. While still an aspiring apprentice she had met and admired Samara, her predescessor. Greta is “plagued,” like Samara before her, by “gasts.” Greta’s are satin; Samara’s were velvet, but all gasts are magical entities that befriend, for no immediately apparent reason, some people and not others. For example, The Master both apprentices serve(d) has never been befriended by gasts and it enrages him.  He vents his anger on each apprentice by refusing to give them lessons for as long as their gasts assist them and not him. Each apprentice learns a different lesson from this experience. One of them commits suicide in despair, while the other has an entirely different experience. This is a brief story but well worth reading, particularly if, like so many others, you’ve ever talked yourself into believing you don’t deserve success. 

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REVIEW: “Keeping the Peace” by Elisabeth R. Adams

Review of Elisabeth R. Adams, “Keeping the Peace”, Analog Science Fiction and Fact July/August (2020): 118–123 (Kindle) – Purchase Here. Reviewed by John Atom.

Contains spoilers.

An alien species of intelligent reptiles is preparing to launch an attack at what is presumably our Solar System. Their intention is to spread to the stars, but only by conquering already populated planets. They’re not interested in other means of colonization. During the launching ceremony, a few who are not happy with the current predicament decide to overthrow the leader and put a stop to the cycle of violence.

What I appreciated the most in “Keeping the Peace” was its pace. The story builds up elegantly to its climax, while also giving a complete picture of what the society in question is like. I always enjoy concise world-building, and Adams does that splendidly here. Not one sentence felt wasted. Little touches like naming characters after star systems or their peculiar ritualistic chants go a long way into defining the alien culture within the story.

However, I was slightly disappointed with the resolution. The main character’s rise to power seemed a little too easy considering how violent and war-mongering their society was. Despite this, “Keeping the Peace” was a joy to read.

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REVIEW: “Ife-Iyoku, the Tale of the Imadeyunuagbon” by Ekpeki Oghenechovwe Donald

Review of Ekpeki Oghenechovwe Donald, “Ife-Iyoku, the Tale of the Imadeyunuagbon”, in Zelda Knight and Ekpeki Oghenechovwe Donald, ed., Dominion: An Anthology of Speculative Fiction From Africa and the African Diaspora, (Aurelia Leo, 2020) — Purchase here. Reviewed by Sara L. Uckelman. (Read the review of the anthology).

Content note: Nuclear warfare, possible rape, nonconsensual sex, death, suicide.

The “sacred charge of Obatala” is that all the men and women of Ife-Iyoku be useful, whether through the cultivation of special gifts as see-ers or healers or light weavers, or through the application of themselves to general tasks such as hunting and cooking and childrearing. While all the rest of Afrika has been destroyed by nuclear fall out, Ife-Iyoku stands behind a protective shield, and it is the duty of those who live there to make their community as strong as possible, that they might survive until Obatala returns to save all of Afrika.

But these roles come with definite gender restrictions, with women coming out far the worse. When Ooni Olori receives a message from beyond the shield, life in Ife-Iyoku is threatened by invasion. Those who live there must question the patriarchal structures that have bound their lives and face a future radically different from any they have ever known. I enjoyed watching Imade, one of the main characters, fight back against the gender roles that have constricted her her whole life, and by the end of the story was deeply invested in her and her outcome. A strong and powerful story.

Sara L. Uckelman2 Comments

REVIEW: “Thresher of Men” by Michael Boatman

Review of Michael Boatman, “Thresher of Men”, in Zelda Knight and Ekpeki Oghenechovwe Donald, ed., Dominion: An Anthology of Speculative Fiction From Africa and the African Diaspora, (Aurelia Leo, 2020) — Purchase here. Reviewed by Sara L. Uckelman. (Read the review of the anthology).

Content warning: Transphobic and ableist language; death; shooting of Black people by cops; murder; structural racism; rape.

Oooh, this was one uncomfortable story to read, with plenty of places in the first few pages that had me squirming in my seat. The focus of the opening scene is Officer Greg Fitzsimmons, member of Lincolnville P.D. and white. He embodies a lot of what I dislike in contemporary American culture — the ambient level of unconcern for people who are not like him is just gross. This story illustrates the power that a story’s author has over it: If this story had been written by a white person, reading it would have been a very different experience. As it is, what would have looked like callousness and ignorance looks instead like a very incisive criticism of contemporary American society and racial structures. There’s a reason I should feel so damn uncomfortable: Boatman’s depiction of how white people view Black people is not wrong.

But it wasn’t all uncomfortable squirming: At the end of the opening, vengeance in the form of the goddess Kisazi slams into the scene and lights the story up — figuratively and literally — and all the white bastards get the comeuppance they deserve. Thoroughly satisfying.

Sara L. Uckelman1 Comment

REVIEW: “Clanfall: Death of Kings” by Odida Nyabundi

Review of Odida Nyabundi, “Clanfall: Death of Kings”, in Zelda Knight and Ekpeki Oghenechovwe Donald, ed., Dominion: An Anthology of Speculative Fiction From Africa and the African Diaspora, (Aurelia Leo, 2020) — Purchase here. Reviewed by Sara L. Uckelman. (Read the review of the anthology).

This was a glorious, brilliant, wild ride of a story, of warring clans (the Fisi, the Simba, the Chui, the Kobe), of futuristic tech, and of a warrior heroine to shout and cheer on. There’s a lot thrust upon the reader right at the beginning — different names, different people, different types of equipment — and the lines between robot, battlegear, alien, and human are often blurred. But the story is long enough that the onslaught of unknown at the beginning eventually tapers off and the pieces start becoming clearer and fitting together.

I would have liked to see more of Shibuor, heroine and princess of the Simba Clan — she was the one who caught my attention and aroused my sympathy. In the end, it felt like she was primarily a foil for the male characters in the story, robbed of a full chance to exercise her agency, which was disappointing considering how strong and active she started out.

This is only a moderate complaint, though: I still enjoyed this one quite a bit.

Sara L. Uckelman1 Comment