REVIEW: “What the Gods Left Behind” by Genevieve Gornichec

Review of Genevieve Gornichec, “What the Gods Left Behind”, Luna Station Quarterly 41 (2020): Read online. Reviewed by Sara L. Uckelman.

Content warning: Death (including death of children and parents; oblique mention of war).

Apocalypse, ghosts, a destructive plague, a lone walker, a talking dog, Norse gods…there’s a lot crammed into this story. I’m always a little wary of stories that open with a single person striking out on their own after an apocalypse, because it’s hard for a single character to carry an entire story, even a short one. But despite Katla being “more or less the last woman on Earth”, there’s a rich cast of characters, and enough interaction for Katla to become sympathetic.

I think I would’ve gotten more out of the story, though, if I knew my Norse myths better.

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REVIEW: “A Life in Six Feathers” by Kathryn Yelinek

Review of Kathryn Yelinek, “A Life in Six Feathers”, Luna Station Quarterly 41 (2020): Read online. Reviewed by Sara L. Uckelman.

Oh, I loved this story. It combined intriguing and realistic science with a depth of character and a sweet thread of love and romance, and hope — so much hope. Beautifully constructed, a real joy to read. If you are looking for a “cosy SF” story, this is one for you.

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REVIEW: “Mouse, Crow, Cockroach, Valkyrie” by Tiffany Meuret

Review of Tiffany Meuret, “Mouse, Crow, Cockroach, Valkyrie”, Luna Station Quarterly 41 (2020): Read online. Reviewed by Sara L. Uckelman.

This is the story of an invasive plant species that kills almost everything it comes in contact with, experienced through the titular characters — a mouse, a crow, and cockroachs.

While I liked the rotating points of views, overall I’m not sure how successful this story was. One the one hand, the experiences of the mouse, the crow, and the cockroach felt too human, too complex, to be believably animal. On the other hand, their experiences and impressions of the “plants” were not enough for me to really understand what they were (were they really plants, or some type of machine?). In the end, the arrival of the valkyries felt strangely out of place.

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REVIEW: “The Hummingbird Temple” by C.C. Finlay

Review of C.C. Finlay, “The Hummingbird Temple”, Beneath Ceaseless Skies, Issue 300, March 26, 2020: Read online. Reviewed by Richard Lohmeyer.

This story, written by the editor of The Magazine of Fantasy and Science Fiction, is arguably the best of the five stories in this special issue of Beneath Ceaseless Skies. It features several interesting characters, including Lin, the adopted and youngest daughter of her country’s ruler, and Kuikin and Vertir, two agents of one of the country’s leading officials. As the story opens, Lin—last in line to succeed to the throne—is putting the finishing touches on what seems to be the major preoccupation of a solitary life: an intricate scale model temple built from the delicate bones of hummingbirds. Kuikin and Vertir, on the other hand, are enjoying a bit of the good life while posing as foreign investors in an anti-corruption investigation. 

The stuff hits the fan when Lin’s father, the Dynast, dies and she must flee for her life with no one to assist her but a servant and her giant pet killer spider, Snub. The resulting narrative is an enjoyably paced adventure that includes, among other things, an impressive fight with blood ants. Though the story comes to a satisfying conclusion, it can also be read as the beginning of what I hope will become an ongoing series. 

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REVIEW: “Song of the Water Bear” by Laine Bell

Review of Laine Bell, “Song of the Water Bear”, Beneath Ceaseless Skies Issue 299 (March 12, 2020): Read online. Reviewed by Richard Lohmeyer.

It’s appropriate that this story of rebirth begins with the narrator awakening from hibernation. Cel belongs to a clan of aquatic, egg-laying creatures that live symbiotically with a species of eight-legged, egg-laying water bears. The lives of both species revolve around protecting themselves and their eggs—their future, in other words—from numerous environmental threats. These include poisonballs, which sicken whoever they touch, and rollers, which eat the eggs and bite off the limbs and tails of all they encounter. 

Shortly after Cel awakens and begins laying her own eggs, she learns of a new threat her people must confront: gray, shapeless beings that move slowly but relentlessly and somehow absorb whoever they meet. Further adding to the difficulty, the longtime leader of Cel’s clan has died and Cel reluctantly agrees to take charge. Whether she and her people have the inner strength and resourcefulness to face this foe and, in so doing, forge a different relationship with the water bears is what the remainder of the story relates. It’s a good story told well and the first-person description of Cel’s egg laying is particularly effective. 

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REVIEW: “Only the Messenger” by Emily C. Skaftun

Review of Emily C. Skaftun, “Only the Messenger”, Beneath Ceaseless Skies Issue 299 (March 12, 2020): Read online. Reviewed by Richard Lohmeyer.

World weary, perhaps even universe weary, is one way to describe Astrill, the first-person narrator of Skaftun’s excellent story. More specifically, Astrill is chief engineer on a starship carrying illegal cargo. They have been reincarnated so many times, in so many forms—mammalian, reptilian, avian, etc.–and in so many different corners of the universe, that they have begun to feel life is pointless and love forever disappointing. Then they hear a knock on the porthole outside their cabin. It’s Ennesta, a cute, furry-looking, seemingly cat-like creature whose true nature is one of the story’s major plot points and the source of a profound moral dilemma for Astrill.  

My one problem with this story is its slow start. Had I been reading solely for pleasure, as opposed to the somewhat different responsibilities of a reviewer, I might have put it down without finishing. I’m glad I didn’t, since within two or three epub pages, Skaftun’s story becomes much more interesting. 

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REVIEW: “Uncompromised” by Ike Iblis

Review of Ike Iblis, “Uncompromised”, in David G. Clark, Callum Colback, Joe Butler, and Alex Hareland, eds., Beneath Strange Stars, (TL;DR Press, 2020): 341-348 — Purchase here. Reviewed by Sara L. Uckelman. (Read the review of the anthology.)

The dystopian possibilities that AI opens up are easy to exploit in SF stories, whether it be medical diagnoses by machine, or letting an algorithm find you your next date, or something else. Iblis’s story takes these already-existing things and pushes them to their extremes, to give a dark, depressing story. Short, but successful (though better proofreading to put in a bunch of missing commas would have been helpful).

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REVIEW: “Meat Me in the Livingroom” by Michelle Enelen

Review of Michelle Enelen, “Meat Me in the Livingroom”, in David G. Clark, Callum Colback, Joe Butler, and Alex Hareland, eds., Beneath Strange Stars, (TL;DR Press, 2020): 325-340 — Purchase here. Reviewed by Sara L. Uckelman. (Read the review of the anthology.)

Before reading this story, whenever I saw this title I kept interpreting “meat” as a verb, a la its homophone “meet”, but no — Meat Me is a person, who is confined to the livingroom. She is visited regularly by Selene, who comes to tell her about the world outside (note: I was somewhat confused by Selene. First, Selene’s pronoun is “they/them”, except in the plural not the singular. And yet, when they refer to themselves, they use the singular “I”. Later on, “she” is apparently used in reference to Selene), as well as the egotistical, jerkish Poppy, who forms the final third of the trio. We never learn why Meat Me cannot leave the Livingroom, only that she is lonely there, despite visits from Selene and Poppy…until the Shipman arrives. Shipman brings with him many things Meat Me desires: he is new and exciting, he is interested in her and her life, he brings company to lonely days. But he also brings with him new, unpleasant ideas, and a purple-black smoke that follows his footsteps and leaves death in his wake.

The allegorical nature of Shipman is quite overt in the story, almost heavy-handed at times. Still, it wasn’t so overt as to make the ending foreseen, and I continued to read with interested to see who would win out in the end. I did feel that the Epilogue had no place in the story, though; it raised more questions than it answered.

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REVIEW: “Where the World Ends Without Us” by Jason Sanford

Review of Jason Sanford, “Where the World Ends Without Us”, Beneath Ceaseless Skies Issue 299 (March 12, 2020): Read online. Reviewed by Richard Lohmeyer.

Having read and enjoyed other stories by Jason Sanford, I was looking forward to reading his latest work. Unfortunately, I was disappointed. SF/F has a long tradition of stories serialized over many years. Sometimes a reader’s enjoyment of the latest tale in the series does not require familiarity with the previous installments. Other times, it’s essential. In this particular case, I suspect I would have greatly benefited from having read the two previous stories set in this universe. Both stories–”Blood Grains Speak Through Memories” (a Nebula award finalist) and “The Emotionless, In Love”–appeared in BCS and are available in the magazine’s archives. However, not having read those two stories, I found this story’s premise difficult to accept and its large cast hard to understand. 

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REVIEW: “Truth as a Prize” by R. Z. Held

Review of R. Z. Held, “Truth as a Prize”, Beneath Ceaseless Skies Issue 299 (March 12, 2020): Read online. Reviewed by Richard Lohmeyer.

It’s rare that I dislike a story in Beneath Ceaseless Skies, but this is one of those unhappy occasions. It’s not that Held’s story is badly written. However, it’s premise—Naomi is a ghost trapped within and attempting to outwit a malevolent game whose origin is never explained—didn’t work for me. To be fair, it’s worth noting that another, far more prominent reviewer, has praised this story, so perhaps my reaction is an outlier. Nevertheless, I finished the story more out of a sense of obligation than pleasure. 

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