REVIEW: “Seeing Utopia” by Lisa Fox

Review of Lisa Fox, “Seeing Utopia”, Luna Station Quarterly 39 (2019): Read online. Reviewed by Sara L. Uckelman.

Content warning: Casual ableism.

As the story opens, we are given an imprisoned queen, betrayed in marriage and now helpless in the face of the destruction of her kingdom, and a ghostly rescuer who comes, formless, to set her free. This isn’t a ghost story, but the “ghost” rescuer, Mollo, strangely has more agency than Queen Aclara ever does. While she does release her kingdom in the end, she first acts under Mollo’s guide and impetus, and then at the behest of Gerard, the Sorcerer King’s valet. Never, it seems to me, does she act on her own behalf as a fully fledged agent. In the end, I’m not sure that she was any more free than when she was married to the traitor Sorcerer King.

In the background behind this, and introduced to us only much later into the story, are the witch sisters Myth and Janin. The role they play in the Sorcerer King’s take-over of the kingdom, and in the freeing of Aclara, turned out to be a much more interesting and absorbing story; I wish that more of their side of things had been told. It’s clear that as readers we’re supposed to favor Myth over Janin, but I found Janin fascinating — she was rich and complex and intriguing.

REVIEW: “The Fire Wife” by Erin McNelis

Review of Erin McNelis, “The Fire Wife”, Luna Station Quarterly 39 (2019): Read online. Reviewed by Sara L. Uckelman.

Content: War, refugee experiences, subjugation, bodily harm/torture.

Aruna is a firewife, charged with the knowledge of how to light fires and also, despite her status as a servant in the chief’s household, occupying a position of power and authority amongst the women of her clan: When a question come whose answer will “change the course of [her] people forever”, she is the one that must make it on behalf of the others.

At first, the story confused me — though it was full of lively and distinctive characters, and McNelis conveyed a sense of scale that indicated this was but a small facet of a much larger story, I also found myself struggling to figure out who the characters were and how they were related to each other, not just in terms of family but in terms of how they were located in the various power structures. About 2/3 of the way through, though, I realised why I was so confused: The middle third of the story takes place before the first third.

I think the story structure could have been crafted a little bit better, but the story itself was full of pathos and friendship and love and sadness.

REVIEW: “Flower, Feather, Hare and Snow” by Nadia Attia

Review of Nadia Attia, “Flower, Feather, Hare and Snow”, Luna Station Quarterly 39 (2019): Read online. Reviewed by Sara L. Uckelman.

The title puts me in the mood for a fairy tale. Attia’s story delivered on that, but faltered somewhat in the execution: I found the language sometimes lyrical and sometimes just too blunt, so as to be at odds with the story itself. I don’t often feel this way, but I felt like this story could’ve used a few more drafts and some editing.

REVIEW: The Trans Space Octopus Congregation Stories by Bogi Takács

Review of Bogi Takács, The Trans Space Octopus Congregation Stories, (Lethe Press, Inc., 2019) — Purchase here. Reviewed by Sara L. Uckelman.

This debut short story collection by Bogi Takács contains twenty-three stories (what a wealth!). Most of the stories included here have previous appeared in various other journals and anthologies. I know some people complain about “double-dipping”, but in my mind, this is precisely what short story collections are about: Bringing together the oeuvre of an author that had been previously disparately scattered, often inaccessibly a few years after publication, into a single accessible source.

If I were to identify an overarching thread or theme that runs through the stories, it is — sadly — not octopuses but rather a paradoxical lack of care for gender entwined with a deep, abiding care for gender. Many of the stories are in 1st person POV, and we can go an entire story without learning the narrator’s name or gender or anything else; but in others, trans and nonbinary characters are strongly represented, in a wonderfully positive and affirming light. I really appreciated how Takács was able to use the medium of fiction as a means to explore both the importance of gender but also how very unimportant it can be.

I also appreciated very much how many of the SF stories were based in actual science, complete with footnotes at the end of the story for further research or to pieces that formed Takács’s inspiration. The very best of SF fiction is, in my opinion, indistinguishable from fact, and I wish more authors would cite their sources in the way that Takács does!

As is usual, we’ll review each of the stories individually, and link the reviews here when published:

Detailed content notes for the stories are available — but at the end of the collection, which puts the onus on the reader to seek out the warnings to doublecheck that each story will not be problematic. (As opposed to when the notes are either collected and presented before the stories, or when each story is accompanied by its own note.) Some of the warnings cut across stories: There are quite a lot that are labelled with ‘body horror’. I will label each story review with the content warnings from the book.

Though I’ve been a follower of Takács on twitter for awhile now, this was my first exposure to their fiction. It’s also the first time I’ve actually reached out to request an ARC of a book, and doing so all I could think — and all I could think while reading and reviewing the stories in the anthology — was I hope I do them justice. I sometimes marvel at the fact that I get to live in an age when we have #ownvoices books representing so many different experiences. We are privileged to have these authors and their stories, and I’m privileged to read them. You should read them too!

REVIEW: “Evangelina’s Dream” by Jasmine Shea Townsend

Review of Jasmine Shea Townsend, “Evangelina’s Dream”, in Fairy Tales and Space Dreams (Jasmine Shea Townsend, 2019): 96-105 — Purchase here. Reviewed by Sara L. Uckelman. (Read the review of the anthology.)

This final story in the anthology, and the last of the space dreams, picks up the story of the titular character of the previous one, “The Cosmic Adventures of Sophie Zetyld”, which, despite the title, was more about River Seung than it was about Sophie Zetyld.

The story is divided into six parts, Negatio (“denial”), Iracundia (“irascibility”), Pacisci (“to bargain or negotiate”), Exanimationes Incidamus (“deaths might happen”), Acceptatio (“acceptance”), Excitatus (“I woke up”). Each is a snapshot of a dream, a dream dreamt by a body that is not used to dreaming, not used to eating, not used to being human. How much is real and how much is merely a dream is not clear, as it is in the truest and most vivid of dreams, but in it we learn much about Sophie’s previous life and her current desires. This one didn’t make me laugh quite as much as the “Cosmic Adventures” did, but I think I appreciated it more.

REVIEW: “An Astronaut Lights a Candle” by Megan Neumann

Review of Megan Neumann, “An Astronaut Lights a Candle”, Luna Station Quarterly 38 (2019): Read online. Reviewed by Sara L. Uckelman.

The most curious and intriguing aspect of this story, for two dozen or so of paragraphs, is the title — without the information that the character lighting the candle is an astronaut, we would never know from the narration itself. What we know from the start is that Siobhan, the narrator, is the one who must put out the candle — but is she the one who lights it?

Who lights it, who the astronaut is, why Siobhan must douse the candle, all these questions are wrapped up in a story of cancer, time travel, and love, a solid, engaging story.

REVIEW: “Wired” by Tianna Ebnet

Review of Tianna Ebnet, “Wired”, Luna Station Quarterly 38 (2019): Read online. Reviewed by Sara L. Uckelman.

In this story, people are hired to become “the Wired”, a short-term lucrative job in which they give up their body and autonomy to become cogs in a giant human-AI machine, keeping systems running efficiently, purifying and filtering air, running security interference.

The narrator of the story tells his experiences in the second-person — you, you, you — a narrative choice I usually dislike. (I don’t like people telling me what to do and feel, or do feel.) But here the “you” doesn’t feel directed at the reader; it feels more like a way of one person explaining how radically othered this portion of their life feels — there is continuity of something between Before and After becoming one of the Wired, but it’s certainly not bodily continuity, and it’s not entirely mental/personal continuity either. So the choice for the narrator to tell their own story with “you” rather than “I” serves to emphasise this split, as if the narrator is telling the story to himself, in a way which felt both realistic and sympathetic. The story only got stronger and stronger as it went on, and this one definitely wins ‘best in issue’ from me.

REVIEW: “The Extent” by Johanna R. Staples-Ager

Review of Johanna R. Staples-Ager, “The Extent”, Luna Station Quarterly 38 (2019): Read online. Reviewed by Sara L. Uckelman.

The confessional narrative that makes up this story is intensely personal and private, and it feels a bit like reading someone’s diary to be reading this story. It is bracketed on either end by scene-setting/framing context, presented in a cold, factual sort of way that I found made it difficult for me to extract much info from, and I had to re-read the opening framing part after having finished reading the entire story.

Doing so made the inner narrative so much colder, so much more real. This is one of those stories that sits uncomfortably in your gut because the boundary between speculative fiction and nonfiction is so smoothly blurred.

REVIEW: “Violent Silence” by Elizabeth Guilt

Review of Elizabeth Guilt, “Violent Silence”, Luna Station Quarterly 38 (2019): Read online. Reviewed by Sara L. Uckelman.

This was a strange little story, seemingly designed as a wrapper around the question of what life would be like if we could upload our memories into an artificial body after our biological body died. None of the details of how Officer Garth or Officer Sherri Latimer have come to be out in the field testing the military capabilities of a new line of droids, or what battle it is that they are involved in matter — all of these details are backdrop against this one question. Is it worth preserving memories in a body that can no longer experience what the memories remember experiencing? It’s not clear what answer either Garth or Latimer would give to such a question — which is actually what I ended up liking best about this story, the way it poses questions without answering them, making the reader think.

REVIEW: “Pocketful of Souls” by Jennifer Lee Rossman

Review of Jennifer Lee Rossman, “Pocketful of Souls”, Luna Station Quarterly 38 (2019): Read online. Reviewed by Sara L. Uckelman.

When you think about it, it’s funny that in administrating something as complex as hell, there aren’t more clerical errors. But whether due to clerical error or the “cursed result of the union between a human and a demon”, Amy was “not like the other demons”. But while on the surface Amy was pure and innocent and childlike, underneath she’s not all that she seems, and she exploited her childlikeness for demonic purposes.

The way the story is set up, I think many people would find it humorous, and laugh at Amy’s antics. For me, it wasn’t to my taste simply because of a personal not liking people who are not children pretending to act like children. I never felt any sympathy with Amy, but neither did I feel any sympathy with her victims. As a result, this story somewhat passed me by rather than brought me in.